The gay son of a wealthy family has disappeared. Now it's up to private dick Don Strachey to get to the bottom of this mess--even if he has to cruise every gay bar in the city to do it Don Strachey isn't exactly the most sought-after private eye in Albany, New York. In fact, this gay P.I. has gotten to the point of having to write checks to pay his tab at the cheapest lunch counter in town. And he isn't sure that the latest one, for the grand total of two dollars and ninety-three cents, is going to clear. Then the phone rings. Billy Blount, the gay heir to one of Saratoga Springs' upper-crust families, has disappeared, and his parents want him back. On top of that, Billy, a young and outspoken gay activist, is wanted for the grisly murder of the man he slept with on his last night in Albany--a man he'd never met before that night Set in the glorious, promiscuous pre-HIV late 1970s, Death Trick: A Murder Mystery is a fast-paced excursion through the seamy underside of gay Albany. From gay discos where the hard-pumping music never stops, to the city's infamous baths, to the dark alley behind the local precinct house, this hard-bitten private dick searches for answers to the questions that plague Billy's parents and the police. With his faithful companion (and unfaithful lover) Timmy, plus a cast of characters that includes drag queens, ex-jock gay bar owners, homophobic cops, male hustlers, and wealthy suburbanites, Strachey begins a chase that leads him to seedy gay bars, posh suburban homes, and pricey mental institutions where they use electric shock to destroy "sick" gay tendencies.

    The son of a preacher, Tom reaches out to Joel in friendship, and their bond to each other becomes as tight as brothers. Joel's openness to his own feelings and acceptance of himself (a healthy trait instilled by his loving parents) allows him to explore some new and confusing feelings he has for Tom. His confusion clears, however, after a reckless drinking bout ends with a very public kiss from Tom. But Tom's torment of sin and self-incrimination are far from over. Common Sons, the first in a series entitled "Common Threads in the Life," is a moving tale of self-discovery, love, and finding the courage to come out and come to grips with the truth in the face of hatred and adversity.

    The book is a fierce satire of the gay ghetto and a touching story of one man's desperate search for love there, and reading it today is a fascinating look at how much, and how little, has changed.

    Considering he was the only parent she had left after her mother's suicide when Faith was just a child, she thought that's what it would take. She was wrong. What she dreamed would be glamorous and satisfying turned out to be grueling and thankless. Since she wasn't willing to play the game between the sheets, she was forced to stay in the cubicle jungle doing all the heavy lifting while the men got the credit and the rewards. Deciding she is done, Faith packs up and, with the flip of the bird to the rearview mirror, leaves New York and heads home to Colorado. She has nothing there: no job, nowhere to live, no relationship with her father. Truth is, she barely has a relationship with herself. On the drive home, she finds herself in Wynter, a tiny mountain town at the foot of the Rockies. Looking more like it belongs in a made-for-TV Christmas movie than on the map, Faith is utterly enchanted. When she tries her luck and buys a raffle ticket at Pop’s, Wynter’s charming café, her prize is far more than meets the eye—or the heart. Enter Wyatt, a feisty, sexy southerner and waitress at Pop's, who just happens to be married to a local sheriff's deputy. All is not as it appears with the All-American boy and his Georgia peach.A colorful cast of unforgettable and charming characters will teach the jaded attorney that sometimes to find yourself all you have to do is go back to the basics…and have a little Faith.

    Ty and Terry share everything, including their women, until they meet Megan Saint James, a beautiful Jamaican temptress. Megan isn't just beautiful; she's smart, classy, and a con woman who has set her sights on the boys from Hollis in a big way. She plans to divide and conquer the two inseparable young kingpins."Love Seldom, Trust Never" by Ty Marshall: While attending his estranged father's funeral, East is approached by the legendary Ricardo Wheeler, who offers him the opportunity of a lifetime. Wheeler takes the young man under his wing, but when Wheeler's son and heir-in-waiting becomes jealous, his excessive ambition and quest for power lead to betrayal. A treacherous war is set in motion that will force the powerful legend to choose between his two sons. Anything built on a lie will eventually crumble. When no one and nothing are what they seem, who can you trust?"The Bag Is In" by Marlon PS White: Slow grinding for years, Greedy and GiGi are ready to step up their game, with a thirst to be Detroit's King and Queen of the Trap. The struggle is real, but the payoff will be major. After cashing out their middleman up front, the couple's hood dream tragically turns into a nightmare. The middleman is popped, and the infamous Mexican pipeline is broken. Greedy and GiGi devise a seemingly flawless plan to not only recoup their invested cash, but to link up with one of the most notorious cartels across the border. What seems like sunshine quickly turns to rain, however, and chaos erupts.

    The grace is miraculous, for he aims at intensities, by orders that shape and then restrict feeling to the ardent."—Robert Duncan"What moves us is not the darkness of the world in which the poems were written by the pity and terror and joy that is beauty in the poems themselves. . . . In Wieners the glamor is in the word-music itself."—Denise LevertovSupplication: Selected Poems of John Wieners gathers work by one of the most significant poets of the Black Mountain and Beat generation. Includes poems that have previously never been published, the full text of the 1958 edition of his influential The Hotel Wentley Poems, plus poems from rare sources, facsimiles, notes, and collages by Wieners. An invaluable collection for new and old fans.John Wieners (1934–2002) was a founding member of the "New American" poetry that flourished in America after the Second World War. Upon graduating from Boston College in 1954, Wieners enrolled in the final class of Black Mountain College. Following Black Mountain's closure in 1956, he founded the small magazine Measure (1957–1962) and embarked on a peripatetic life, participating in poetry communities in Boston, San Francisco, New York, and Buffalo throughout the late 1950s and 1960s, before settling at 44 Joy Street in Boston in 1972. He is the author of seven collections of poetry, three one-act plays, and numerous broadsides, pamphlets, uncollected poems, and journals. Robert Creeley described Wieners as "the greatest poet of emotion" of their time.

    He has yet to become the literary voice of his generation. And he most definitely has not met Mr. Right. Now, stuck in a dead-end publishing job, and nursing a broken heart, Andrew is resigned to a life of anti-fabulousness...until the night he meets dark, hunky Frank DeBenedetto. With his confident way of taking care of things and his shy demeanor in the bedroom, Frank wins Andrew over. But problems arise when Frank turns out to be the son of the Maria's top boss, and he's engaged to Anna Franco -- daughter of "Crazy Tommy" Franco -- a woman who does not take to catching her fiance in the act of becoming a "made man."Suddenly, Andrew's once-boring life is heating up with enough action to fuel ten novels...if only he can keep his very cute butt intact and his man from ending up on a Most Wanted poster. From a couple of "sensitivity-trained" cops to a persistent FBI agent...from guys with nicknames that all have to do with pain to a Mafia princess whose hair is nearly as big as her mouth...from ex-lovers, drag queens, and suspicious doormen to a cast of other characters as zany as New York itself, "The Night We Met" is a frantic, nonstop, madcap romp through a wild romance no reader will be able to refuse.

    Whether in southern Italy, where as a boy he has a crush on his parents’ cabinet maker, or on a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; on a tennis court in Central Park, or a sidewalk in early spring New York, his attachments are ungraspable, transient and forever underwritten by raw desire—not for just one person’s body but, inevitably, for someone else’s as well. In mapping the most inscrutable corners of desire, Aciman proves to be an unsparing reader of the human psyche and a master stylist of contemporary literature. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want only to offer what we crave from them. Behind every step the hero takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love always casts its luminous halo. We may not always know what we want. We may remain enigmas to ourselves and others. But sooner or later we discover who we’ve always known we were.

    Volunteering for the Tampa AIDS Alliance is just one part of that new beginning, and that’s how Dan meets his new buddy, Adam. Adam Schmidt is not at all what Dan expected. The guy is an original—witty, wry, and sarcastic with a fondness for a smart black dress, Barbra Streisand, and a good mai tai. Adam doesn’t let his imminent death get him down, even through a downward spiral that sees him thrown in jail. Each step of Adam’s journey teaches Dan new lessons about strength and resilience, but it’s Adam’s lover, Sullivan, to whom Dan feels an almost irresistible pull. Dan knows the attraction isn’t right, even after he dumps his cheating, drug-abusing boyfriend. But then Adam passes away, and it leaves Sullivan and Dan both alone to see if they can turn their love for Adam into something whole and real for each other.

    An aggressive courtroom brawler on the rise, he makes his living in the trenches of personal injury and criminal defense matters. Supported by a diverse team of lawyers, the small law firm desperately seeks to pin liability on a new defendant with deep pockets. Dwyer takes on a criminal case to help pay the bills. His investigation into both matters leads him into the dealings of a Balkan criminal syndicate. Will he uncover the cause of the wrongful death or become another casualty of street crime?"A refreshing legal thriller packed with courtroom drama, scrappy litigation, and a whodunit that will surprise even the most perceptive readers." -- BestThrillers.com

    Now, after breaking up with his longtime boyfriend, Smith looks back to his painfully normal childhood to see where all the trouble really began. Like every other American kid, Bob's adolescence was marked by alternating moments of blissful ignorance, hazy confusion, and humiliating self-consciousness. And in these pages, Bob evokes his youth with a vividness that will make you shudder and howl with recognition.In these hysterically humorous pages, Bob Smith introduces readers to his comically unsympathetic grandmother, who makes light of his carsickness: "Bob only throws up because he's near the window and he can"; to his first teacher crush, whose "five-o'clock shadow could plunge a room into darkness"; and to his first brush with fame, when he fainted from his chair during a biology filmstrip ("Way to go, Smith!"). Sharp, observant, ingeniously ironic and wholly satisfying, this new Lambda Award-nominated collection is at once bittersweet nostalgic fun and a testament to the unquestionable gifts of a highly original comic writer.

    Through his eyes we encounter the composer Robert Christian Gustafson, an Iowa preacher's son whose good looks constitute both a mythic draw and a major limitation, and Angelina "Alabama" Byrnes, a failed deb, five feet tall but bristling with outsized talent.  These friends shelter each other, promote each other's work, and compete erotically.  When tragedy strikes, this circle grows up fast, somehow finding, at the worst of times, the truest sort of family.Funny and heartbreaking, as eventful as Dickens and as atmospheric as one of Fitzgerald's parties, Plays Well with Others combines a fable's high-noon energy with an elegy's evening grace.  Allan Gurganus's celebrated new novel is a lovesong to imperishable friendship, a hymn to a brilliant and now-vanished world.

    In Vanishing Rooms, the author amply demonstrates his literary promise with a compelling love story of interracial sex and urban violence set in Manhattan’s West Village in the 1970s.

    A random comment by his latest catch draws his mind back to the past, to a boy he once loved so fiercely, a boy drafted and sent to fight in Vietnam.A boy lost in the war. A boy James has never forgotten.

    She is the one constant in their lives, the inspiration, sexually and emotionally generous, at once a muse and a whore.According to Thomas, "This novel emerged out of fascination with Russian poets and particularly Anna Akhmatova. I wanted a generic figure, a woman who preserved the truth of the word, while chaos reigned all around her. I didn't want to individualise the characters too much, so there is very little dialogue in this novel."