Now he’s settled on the Texas coast, working a ranch as the partner of his old friend Tom Kittery—and finding himself in the middle of a feud between Kittery and a neighboring family. But the danger from outside is nothing compared to the threat within, as Duvarney suspects Kittery’s woman isn’t all she appears to be. Tap may have to go to war again. But this time will it be with his closest friend?The First Fast DrawEast Texas wasn’t much of a home for Cullen Baker. Few liked him, and some even tried to kill him. Yet after three years of wandering, he’s back to farm the land that is rightfully his. But Cullen’s neighbors have long memories, and his worst adversary has teamed up with a vicious outlaw. With enemies closing in on all sides and threatening the woman he loves, Cullen will have to be faster than lightning—and twice as deadly—just to survive.From the Paperback edition.

    With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice--and more than a trace of ineffable magic. He reveals how conductors approach a piece of music (a calculated combination of personal interpretation, imagination, and insight into the composer's intent); what it takes to communicate solely through gesture, with sometimes hundreds of performers at once; and the occasionally glamorous, often challenging life of the itinerant maestro. Mauceri, who worked closely with Leonard Bernstein for eighteen years, studied with Leopold Stokowski, and was on the faculty of Yale University for fifteen years, is the perfect guide to the allure and theater, passion and drudgery, rivalries and relationships of the conducting life.

    White's understanding of Tupac's art will uncork the bottled up rage and confusion that attends the way hip-hop culture is produced and received. Rebel details each step in Shakur's development, from his early exposure to racism and political activism to his move from New York to the West Coast and his innovative work with early hip hop culture and music. Through connections drawn between Shakur and Public Enemy, Notorious B.I.G., Dr. Dre, Ice Cube, and Sister Souljah, White examines Shakur's life as a prism for the hip-hop world. Photographs, a useful chronology of important dates in the life of Shakur, and an updated discography and filmography of his career as a rapper and actor are included. "Talk about diversity, talk about identity, talk about icons—White's in-depth look at Tupac Shakur talks about all of 'em."—Booklist "White has written a nuanced, expansive and impassioned study of the life and art of Tupac Shakur."—Tyrone Williams, Metro Times Literary Quarterly "Rebel ... is a means of analyzing the rage, fatalism and rootlessness of the contemporary rap scene."—Select Magazine

    Misrepresented in the media as a black parallel to the Hell's Angels, portrayed as everything from a vicious street gang to quasi- Islamic revolutionaries, The Five Percenters are a movement that began as a breakaway sect from the Nation of Islam (NOI) in 1960s Harlem and went on to impact the formation of hip-hop. References to Five Percent language and ideas are found in the lyrics of wide-ranging artists, such as Nas, Rakim, the Wu-Tang Clan, and even Jay-Z. The Five Percenters are denounced by white America as racists, and orthodox Islam as heretics, for teaching that the black man is Allah. Michael Muhammad Knight ("the Hunter S. Thompson of Islamic literature" -The Guardian) has engaged this culture as both white and Muslim; and over the course of his relationship with The Five Percenters, his personal position changed from that of an outsider to an accepted participant with his own initiatory name (Azreal Wisdom). This has given him an intimate perch from which to understand and examine the controversial doctrines of this influential movement. In "Why I Am a Five Percenter," Knight strips away years of sensationalism to offer a serious encounter with Five Percenter thought. Encoded within Five Percent culture is a profound critique of organized religion, from which the movement derives its name: Only Five Percent can act as "poor righteous teachers" against the evil Ten Percent, the power structure which uses religion to deceive the Eighty- Five Percent, the "deaf, dumb, and blind" masses. Questioning his own relationship to the Five Percent, Knight directly confronts the community's most difficult teachings. In "Why I Am a Five Percenter," Knight not only illuminates a thought system that must appear bizarre to outsiders, but he also brilliantly dissects the very issues of"insiders" and "outsiders," territory and ownership, as they relate to religion and privilege, and to our conditioned ideas about race.

    Appropriate for personal study and as a college and seminary text, this volume provides both in-depth notes and lay-oriented exposition for use by scholars, students, pastors, and laypeople. An ever-increasing interest in the prophecies of the Apocalypse has resulted in deeper understandings which are introduced in this updated edition.

    Instead, she's a teacher, a mum and wife to Julian, a very English husband. When disaster befalls her best friend, Karina feels forced to question the very foundations of her existence.

    Using well-chosen examples, insightful commentaries, and an engaging writing style, this text traces the development of jazz, blues, country, rock, Motown, hip-hop, and other popular styles, highlighting the contributions of diverse groups to the creation of distinctly American styles. It combines an in-depth treatment of the music itself--including discussions of stylistic elements and analyses of musical examples--with solid coverage of the music's attendant historical, social, and cultural circumstances. The authors incorporate strong pedagogy including numerous boxed inserts on significant individuals, recordings, and intriguing topics; coverage of early American popular music; and a rich illustration program. Detailed listening charts explain the most important elements of recordings discussed at length in the text. The charts are complemented by two in-text audio CDs and--new to this edition--an iMix published at iTunes, which makes most of the songs immediately available to students and instructors. Features of the Second Edition * Integrates full color throughout * Provides more coverage of women artists, with new material on women in rock 'n' roll in Chapter 8 and a box on Queen Latifah in Chapter 14 * Reorganizes the discussion of post-1970s music: disco is now included with mainstream 70s pop, while hip-hop is treated in two chapters (12 and 14) in order to emphasize its significance and diversity * Adds new material on the recent alternative country music explosion * Includes new developments in music technology in the thoroughly revised concluding chapter * Offers revised and more vivid visual elements, including more than 100 new photos (most in full color) and an illustrated timeline * Provides redesigned listening guides, enhanced by an iMix published at iTunes (accessible at www.oup.com/us/popmusic) * Supplemented by a Companion Website at www.oup.com/us/popmusic (containing both student and instructor resources) and an Instructor's Manual and a Computerized Test Bank on CD * FREE with the purchase of this book: a 6-month subscription to Grove Music Online (www.grovemusic.com)--a $180 value Remarkably accessible, American Popular Music, Second Edition, is ideal for courses in American Popular Music, the History of Popular Music, Popular Music in American Culture, and the History of Rock 'n' Roll. Its welcoming style and warm tone will captivate readers, encouraging them to become more critically aware listeners of popular music.

    From outperforming LeBron James on one of the NBA's biggest stages, to mapping out his iconic slam dunk contest win over Dwight Howard, to being named Washington's high school football and basketball Player of the Year, Heart Over Height brings to life a story that personifies perseverance.Beginning with his improbable selection as the New York Knicks' first-round draft pick after only playing basketball full time for two years, and continuing on to his unprecedented three NBA Slam Dunk Championships, Robinson has defied the odds every step of his career; a careerthat many analysts and pundits felt would never happen because in a sport filled with seven-footers, Robinson stands only 5'9" tall.Having just completed his 9th electrifying year in the NBA, Robinson has proven all doubters wrong. Heart Over Height tells the story of the people, places, teams and fans that helped make his rise to stardom possible.

    She is befriended by gruff, but tender, Maggie Fellen and builds up a successful business, finding a measure of happiness with Edward Royce. But the happiness does not last. Tragedy robs her of both husband and livelihood and once more she must rebuild her fortune. When fate leads her back to her roots, it is to a confrontation that could break -- or mend -- her heart.

    It focuses on critical analysis of the subject through a workbook section and self-quizzes along with prompts to explore the chapter's images and topics through the ArtStudy 2.0 CD-ROM, Web Site, and WebTutor? supplements.

    His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world’s most talented and influential singer-songwriters. In songs like “Desperados Waiting for a Train,” L.A. Freeway,” “She Ain’t Going Nowhere,” and “Texas 1947,” Clark’s poetic mastery has given voice to a vision of life, love, and trouble that has resonated not only with fans of Americana music, but also with the prominent artists—including Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, and others—who have recorded and performed Clark’s music. Now, in Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One’s for Him: A Tribute to Guy Clark. Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting  emotions that make up the life of this modern-day poet and troubadour.

    The Romans employed a tactic they routinely used to conquer and absorb other nations: they grafted their imperial rule onto the religion of the conquered. After 30 years of research, authors James S. Valliant and C.W. Fahy present irrefutable archaeological and textual evidence that proves Christianity was created by Roman Caesars in this book that breaks new ground in Christian scholarship and is destined to change the way the world looks at ancient religions forever. Inherited from a long-past era of tyranny, war and deliberate religious fraud, could Christianity have been created for an entirely different purpose than we have been lead to believe? Praised by scholars like Dead Sea Scrolls translator Robert Eisenman (James the Brother of Jesus), this exhaustive synthesis of historical detective work integrates all of the ancient sources about the earliest Christians and reveals new archaeological evidence for the first time. And, despite the fable presented in current bestsellers like Bill O’Reilly’s Killing Jesus, the evidence presented in Creating Christ is irrefutable: Christianity was invented by Roman Emperors. ***** ”I have rarely encountered a book so original, exciting, accessible and informed on subjects that are of obvious importance to the world and to which I have myself devoted such a large part of my scholarly career studying. In this book they have rendered a startling new understanding of Christianity with a controversial theory of its Roman provenance that is accessible to the layman in a very powerful way. In the process, they present new and comprehensive archeological and iconographic evidence, as well as utilizing the widest and most cutting edge work of other recent scholars, including myself. This is a work of outstanding and original scholarship. Its arguments are a brilliant, profound and thorough integration of the relevant evidence. When they are done, the conclusion is inescapable and obviously profound.” Prof. Robert Eisenman, Author of James the Brother of Jesus and The New Testament Code "A fascinating and provocative investigative history of ideas, boldly exploring a problem that previous scholarship has not clearly or credibly addressed: how (and why!) the Flavian dynasty wove Christianity into the very fabric of Western civilization." -Mark Riebling, author of Church of Spies: The Pope's Secret War Against Hitler

    In the 1920s Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.

    He goes on to consider the importance of missions in the development of evangelicalism and the continuing emphasis placed on evangelism. Sweeney next examines the different subgroups of American evangelicals and the current challenges faced by the movement, concluding with reflections on the future of evangelicalism.Combining a narrative style with historical detail and insight, this accessible, illustrated book will appeal to readers interested in the history of the movement, as well as students of church history.

    Paul hired Michael as his security guard, beginning a thirty-year music business career in which he worked with such legendary names as Led Zeppelin, Bad Company, The Osmonds, Sheena Easton, Frank Sinatra, Bon Jovi, Cher, and Kiss. As tour manager, Michael was responsible for every aspect of their safety and their comfort, from making sure they were not mobbed on stage to making sure they got paid. To some of them he became close. He was best man at Jon Bon Jovi's wedding, and provided personal security for Cher at her Malibu home. He shared their wildest excesses, their highs and their lows; he saw their fears, and all too often, their loneliness and paranoia. Sometimes hilarious, frequently shocking, always perceptive, Star Man is the outrageous, uncompromising, and brutally honest story of one man's life with the biggest stars of rock.