A young PR man working at General Electric sold his first magazine piece. By the time he'd sold his third, he decided to quit his job and join the likes of Salinger, Hemingway, Fitzgerald and Faulkner, and make a living as a full-time writer. That young man was Kurt Vonnegut.Bagombo Snuff Box collects Vonnegut’s favourite stories from the postwar years that sharpened his dark, vaudevillian and quietly subversive voice. Here we see the mind-bending wit and central themes of his masterpiece, Slaughterhouse-Five. A must-read for Vonnegut aficionados new and old.

    Crapalachia is a portrait of these formative years, coming-of-age in rural West Virginia.Peopled by colorful characters and their quirky stories, Crapalachia interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.

    They remove the books that patrons no longer check out. And they put back the books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties—everywhere. In Dear Fahrenheit 451, she addresses those books directly. We read her love letters to The Goldfinch and Matilda, as well as her snarky break-ups with Fifty Shades of Grey and Dear John. Her notes to The Virgin Suicides and The Time Traveler’s Wife feel like classics, sure to strike a powerful chord with readers. Through the lens of the books in her life, Annie comments on everything from women’s psychology to gay culture to health to poverty to childhood aspirations. Hilarious, compassionate, and wise, Dear Fahrenheit 451 is the consummate book-lover's birthday present, stocking stuffer, holiday gift, and all-purpose humor book.

    A series of short stories unfolds surrounding Wilgus Collier and his large extended family, as the boy grows to manhood in the eastern Kentucky mountains

    In "Family Business," a young chimpanzee offends his working class father by choosing to become a research animal instead of joining the family grub-hunting business. In "Proud Mom," a young mother is so besotted she doesn't realize her child is actually, truly a monster. And in "Animals," the fate of a terrified classroom hamster hangs in the balance when a notorious kid is picked for hamster care duty.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    The author attempts to capture the personalities of rural America, shaped by poverty, cruelty and an odd compassion.

    As his friends look on, they watch something awful unfold: Otto lands with an odd smack and knocks himself unconscious, blood spilling from his nose and mouth. Georgie arrives on the scene first and sees a small turtle, its shell cracked, floating just below the water's surface. Otto and the turtle survive the collision, though both need help, and Georgie finds his compassions torn. This title story sets the tone for the rest of Arthur Bradford's Turtleface and Beyond, a strangely funny collection featuring prosthetically limbed lovers, a snakebitten hitchhiker turned wedding crasher, a lawyer at the end of his rope, a ménage à trois at Thailand's Resort Tik Tok, and a whole host of near disasters, narrow escapes, and complicated victories, all narrated by Georgie, who struggles with his poor decisions but finds redemption in the telling of each of his tales. Big-hearted and hilariously high-fueled, Turtleface and Beyond marks the return of a beloved and unforgettable voice in fiction.

    Combining hard-edged prose and savage Southern charm, Mary Miller showcases transcendent contemporary talent at its best. With its collection of lusty, lazy, hard-drinking characters forever in their own way, Always Happy Hour confirms Miller as an heir apparent to Mary Gaitskill.Claustrophobic and lonesome, acerbic and magnetic, the women in Always Happy Hour seek understanding in the most unlikely places—a dilapidated foster home where love is a liability, a trailer park laden with a history of bad decisions, and the empty corners of a dream home bought after a bitter divorce. Miller evokes the particular gritty comfort found in bad habits as hope turns to dust, and proves yet again her essential role in American fiction.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Born in the village of Skhvitori (Imereti region of western Georgia) on June 9, 1840, to a prominent Georgian aristocratic family; his father was Prince Rostom Tsereteli. Following an old family tradition, Akaki Tsereteli spent his childhood years living with a peasant’s family in the village of Savane. He was brought up by peasant nannies, all of which made him feel empathy for the peasants’ life in Georgia. He graduated from the Kutaisi Gymnasium in 1852 and the University of Saint Petersburg Faculty of Oriental Languages in 1863. The young adult generation of Georgians during the 1860s, led by Chavchavdze and Tsereteli, protested against the Tsarist regime and campaigned for cultural revival and self-determination of the Georgians. He is an author of hundreds of patriotic, historical, lyrical and satiric poems, also humoristic stories and autobiographic novel. Akaki Tsereteli was also active in educational, journalistic and theatrical activities.

    Writing, Lamb discovered, was a way for these women to confront painful memories, face their fears and their failures, and begin to imagine better lives. The New York Times described the book as "Gut-tearing tales . . . the unvarnished truth." The Los Angeles Times said of it, "Lying next to and rising out of despair, hope permeates this book."Now Lamb returns with I'll Fly Away, a new volume of intimate, searching pieces from the York workshop. Here, twenty women—eighteen inmates and two of Lamb's cofacilitators—share the experiences that shaped them from childhood and that haunt and inspire them to this day. These portraits, vignettes, and stories depict with soul-baring honesty how and why women land in prison—and what happens once they get there. The stories are as varied as the individuals who wrote them, but each testifies to the same core truth: the universal value of knowing oneself and changing one's life through the power of the written word.

    But when his life in New York falls apart and he heads back home to recover, the still-live conflicts of his youth in the civil rights era rise up all around him again. A twenty-five-year-old murder case has just been reopened, a church bombing that killed Carter's first love. Carter's father was the judge in the case, and now there's evidence that the trial was flawed, even fixed, and the case's reopening threatens the foundation of Carter's identity, as well as his relationship to his family.Moving between New York City and the New South of the early 1990s, with flashbacks to Mississippi's Freedom Summer of 1964, Magic Time is at once a powerful love story, a courtroom drama, and a complex portrait of the civil rights revolution.

    He will work with the students of 826 Valencia and 826 Michigan writing labs to compile new fiction, nonfiction, poetry, comics, and other category-defying gems, ensuring that “if you need to fall in love with reading again — or just want a reminder that high school students deserve a lot more than their reading lists give them — then this is the book for you” (Bust).

    As you might imagine, he gets a lot of letters in response to his often iconoclastic views. As you might not expect, he writes a lot of letters, too. Now Rooney has collected the funniest, wisest, and most interesting of his letters, spanning several decades and addressing issues both momentous and trivial. He responds to complaints from viewers; he corresponds with old friends; and he writes to his children about the things he cares about most. Variously caustic, hilarious, and sage, these unfailingly entertaining letters reveal not only Rooney the iconoclast but Rooney the American Everyman. Sincerely, Andy Rooney is Andy Rooney at his best-and a wonderful gift book that will make readers chuckle and think twice.