In her life. And now in an eating-disorder treatment center on the dusty outskirts of the New Mexico desert. Life in the center is regimented and intrusive, a nightmare come true. Nurses and therapists watch Stevie at mealtime, accompany her to the bathroom, and challenge her to eat the foods she’s worked so hard to avoid. Her dad has signed her up for sixty days of treatment. But what no one knows is that Stevie doesn't plan to stay that long. There are only twenty-seven days until the anniversary of her brother Josh’s death—the death she caused. And if Stevie gets her way, there are only twenty-seven days until she too will end her life.

    So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on.But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win.Except Natalie and Reid.Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…

    Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial.So let me tell you...

    He's been in love with her for years and never had the guts to tell her. Now it's too late. Because after that night, Jake will never be able to talk again.When Jake returns to his small island home, population 5,000, he'll have to learn how to deal with being mute. He also finds that his family isn't limited to his six brothers and sisters, that sometimes an entire island is watching out for you. And when he gets the chance to spend more time with Samantha, she'll help him learn that not being able to talk isn’t the worst thing that could ever happen to you. Maybe, if she'll let him, Jake will finally tell her what he didn't say before, even if he can't actually say it.

    He is going to eat himself to death-live on the Internet-and everyone is invited to watch. When he first makes the announcement online to his classmates, Butter expects pity, insults, and possibly sheer indifference. What he gets are morbid cheerleaders rallying around his deadly plan. Yet as their dark encouragement grows, it begins to feel a lot like popularity. And that feels good. But what happens when Butter reaches his suicide deadline? Can he live with the fallout if he doesn't go through with his plans?With a deft hand, E.J. Lange allows readers to identify with both the bullies and the bullied in this all-consuming look at one teen's battle with himself.

    Could there be a worse time to meet? Max's part-time job at a supermarket is about to transform into a hellish gauntlet. Jonah's preexisting anxiety is about to become an epic daily struggle. As Max, Jonah, and their friends live together but apart through hijinks, humanity, and heartbreak, Hello (From Here) cuts across urgent matters much bigger than a teenage crush. Differences of class, privilege, mental health, and sacrifice are thrown into stark relief by the profound and personal stresses of the COVID-19 pandemic. As thoughtful, probing, and informed as it is buoyant, romantic, and funny, Hello (From Here) looks at the first two months of the quarantine and adds falling hopelessly in love to the mess.

    Clair after she learns that her father cheated on her mother. But Hadley doesn’t want to let it go. She wants to be angry and she wants everyone in her life—her dad most of all—to leave her alone.Sam Bennett and his family have had their share of drama too. Still reeling from a move to a new town and his parents’ recent divorce, Sam is hoping that he can coast through senior year and then move on to hassle-free, parent-free life in college. He isn’t looking for a relationship…that is, until he sees Hadley for the first time.Hadley and Sam’s connection is undeniable, but Sam has a secret that could ruin everything. Should he follow his heart or tell the truth?

    What to eat, where to go, whom to love. But there is one thing she is absolutely sure of—she wants to spend the rest of her life writing music with her younger sister, Lea. Then Lea dies in a car accident, and her mother sends her away to live with her aunt in Hawaii while she deals with her own grief. Now thousands of miles from home, Rumi struggles to navigate the loss of her sister, being abandoned by her mother, and the absence of music in her life. With the help of the “boys next door”—a teenage surfer named Kai, who smiles too much and doesn’t take anything seriously, and an eighty-year-old named George Watanabe, who succumbed to his own grief years ago—Rumi attempts to find her way back to her music, to write the song she and Lea never had the chance to finish. Aching, powerful, and unflinchingly honest, Summer Bird Blue explores big truths about insurmountable grief, unconditional love, and how to forgive even when it feels impossible.

    Mia hates them. They're silly, contrived, and not at all realistic. Besides, there are more important things to worry about—like how to handle living with her bridezilla sister, Sam, who’s never appreciated Mia, and surviving junior year juggling every school club offered and acing all of her classes.So when Mia is tasked with finding a date to her sister’s wedding, her options are practically nonexistent.Mia’s friends, however, have an idea. It’s a little crazy, a little out there, and a lot inspired by the movies they love that Mia begrudgingly watches too.Mia just needs a meet-cute.

    . . . Sierra's family runs a Christmas tree farm in Oregon—it's a bucolic setting for a girl to grow up in, except that every year, they pack up and move to California to set up their Christmas tree lot for the season. So Sierra lives two lives: her life in Oregon and her life at Christmas. And leaving one always means missing the other.  Until this particular Christmas, when Sierra meets Caleb, and one life eclipses the other. By reputation, Caleb is not your perfect guy: years ago, he made an enormous mistake and has been paying for it ever since. But Sierra sees beyond Caleb's past and becomes determined to help him find forgiveness and, maybe, redemption. As disapproval, misconceptions, and suspicions swirl around them, Caleb and Sierra discover the one thing that transcends all else: true love.What Light is a love story that's moving and life-affirming and completely unforgettable.

    The spot you’d press when you felt a headache coming on. The bullet tore away bone, the way dynamite blasts rock—leaving a soft crater.Life changes forever for Liv when her older brother, Jonah, accidentally shoots himself with his best friend Clay’s father’s gun. Now Jonah needs round-the-clock care just to stay alive, and Liv seems to be the only person who can see that her brother is still there inside his broken body.With Liv’s mom suing Clay’s family, there are divisions in the community that Liv knows she’s not supposed to cross. But Clay is her friend, too, and she refuses to turn away from him—just like she refuses to give up on Jonah.

    She starts visiting a website for “completers”— www. through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?National Book Award finalist Julie Anne Peters shines a light on how bullying can push young people to the very edge.

    Ryn has held onto many things ever since, including one text message that allows her to keep Lottie near— it has gotten to the point that she questions her own sanity, and even keeps her therapist from knowing that she still sees and speaks to her friend. Now Ryn is stuck in the Denver Airport on the night before the anniversary of Lottie's death due to a blizzard with Xander, a boy she meets when they accidentally swap phones. The airport setting allows Ryn to open up to Xander, who is connected to her by circumstance and weighed down by his own issues. It also allows them to interact with other unique characters, including a child prodigy and the slightly older airport workers Siri and Harvey, who throw an illicit New Year's Eve party, while helping Ryn work out problems that she has been unable to face in her own life.

    A good student and natural athlete, she’s immediately welcomed by the school’s cliques. She’s even nominated to the homecoming court and begins dating a senior, Shane, whose on again/off again girlfriend Brooke becomes Carolyn’s bitter romantic rival. When a video of Carolyn and Shane making out is sent to everyone, Carolyn goes from golden girl to slut, as Brooke and her best friend Gemma try to restore their popularity. Gossip and bullying hound Carolyn, who becomes increasingly private and isolated. When Shane and Brooke—now back together—confront Carolyn in the student parking lot, injuring her, it’s the last attack she can take.Sarah Bannan's deft use of the first person plural gives Weightless an emotional intensity and remarkable power that will send you flying through the pages and leave you reeling.