Seekers learn ancient spiritual practices to overcome the destructive characters such as anger, jealousy, malice, laziness, stinginess, greed, cowardice, and more. Through this training: one’s ego is subdued, the heart is filled with light, and dark thoughts and tendencies are eradicated. In this new state, one learns the hidden secrets reserved for very few about their true self, the life of this world and all creation, and existence in the Eternal Reality, where one is blessed beyond imagination.

    On the night of November 26, Lashkar-e-Toiba terrorists attacked targets throughout the city, including the Taj Mahal Palace Hotel, one of the world’s most exclusive luxury hotels. For sixty-eight hours, hundreds were held hostage as shots rang out and an enormous fire raged. When the smoke cleared, thirty-one people were dead and many more had been injured. Only the courageous actions of staff and guests—including Mallika Jagad, Bob Nichols, and Taj general manager Binny Kang—prevented a much higher death toll.With a deep understanding of the region and its politics and a narrative flair reminiscent of Midnight in Peking, journalists Cathy Scott-Clark and Adrian Levy vividly unfold the tragic events in a real-life thriller filled with suspense, tragedy, history, and heroism.

    Ltd this book holds tales revolving around adolescent crime, deceit, treachery and bad judgement. In ‘Soulmate’, a case of sibling rivalry leads to disastrous consequences, while in ‘Heartbreak’, the dark side of the nicest of people is exposed. ‘Naaz’ reveals how cultural differences can sometimes lead to danger and ‘Double MMS’ shows a college girl’s stabs at popularity going horribly awry.Written by bestselling author Ira Trivedi, Gumrah: 11 Short Teen Crime Stories is a must-read, with every story revealing the consequences of wrong choices. Like the show, the message of the book, aimed especially at the younger generation, is: ‘Be aware, be prepared, be safe!’

    But after sending every man she meets to the hospital, she finds herself falling for the one she cannot stand. This is the intriguing and hilarious love story of Naina Kashyap and her arch enemy.

     If there is a paradise on earth, it is definitely here, here and only here," said the early seventeenth-century Mughal Emperor Jehangir when describing the Kashmir Valley. But for nearly twenty years this delicate mountain region has been torn by a brutal conflict that has pitched idealism against Islamist militancy and military crackdown. In the tradition of Ryszard Kapuscinski, this is an intimate story told by the author, journalist, and aid worker Justine Hardy. Having lived and worked in Kashmir for many years, she draws the reader beyond the headlines into the world of In the Valley of Mist. A family portrait, the book describes a unique and gentle culture that has been shattered by the impact of insurgency, repression, and Islamic extremism in a place once famous for the warmth between its Hindu and Muslim residents. "If you want people to know do not tell stories that will make them hold their breath like in a made-up film. Tell them the truth. It is strong enough," she was told when she asked permission of her Kashmiri friends to tell this story. Revealing and disturbing, In the Valley of Mist paints Kashmir as the template for the changing face of Islam.

    The New Muslim's Field Guide offers a fresh approach to guiding Muslim converts, focused on helping them grow as Muslims while maintaining their identity and love for God. Drawing on their shared decades of experience, Theresa and Kaighla walk the new Muslim through the hills and the valleys they'll encounter on their journey, helping the newcomer navigate the sometimes slippery cliffs of culture, politics, and interpersonal relationships. Injected with a healthy dose of humor and candor, The New Muslim's Field Guide discusses some of the deeper meanings behind belief and ritual, clarifies common sticky issues, and tells stories of triumph and failure on the journey of Islam.

    An intricately researched and elegantly written epic history peopled with larger-than-life characters, it is the work of a major scholar at the peak of his abilities...

    The author has tried to bridge the gap between historical research and popular perception of this controversial phase in Indian history.

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    When irreconcilable differences drive them apart, a broken-hearted Trisha becomes wary of love and men. That is until the dashing tennis star, Abhimanyu, comes along and fills her life with love and laughter. All at once she finds herself in the midst of the glamorous tennis circuit which is in stark contrast to her small-town moorings. Even as Trisha embarks on a path of love and self-discovery, fate brings Vedant back into her life, asking that they rekindle their old romance. Will Trisha dare take a second chance with Vedant or move on to play match point with Abhimanyu?Advantage Love is a compelling and passionate contemporary Indian romance that explores the complexities of love, friendship and career in a woman’s life.

    His signature style is simplicity itself, but the themes he tackles are big, deep and universal—love, loss, happiness, grief, and all the shades of emotion in between. These are stories of city and small town, mountain and lowland, and of life lived slowly and lightly. For over fifty years, these tales have charmed and beguiled several generations of readers. Last year, Ruskin Bond made a selection of his favourite stories (from the several hundred that he has written) that were published in a book entitled A Gathering of Friends. It proved to be enormously popular, selling out in a matter of weeks. Encouraged by its success, the author has made a further selection of his favourite stories and non-fiction sketches, leavening the mix with several pieces that have never been published before. It is a collection that will burnish his reputation as one of the world’s great storytellers.

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    Carefully selected from among nearly 400 such letters, this collection covers a range of themes and subjects, including citizenship, war and peace, law and order, national planning and development, governance and corruption, and India’s place in the world. The letters also cover momentous world events and the many crises and conflicts the country faced during the first sixteen years after Independence. Visionary, wise and reflective, these letters are not just a testimony to Nehru’s statesmanship and his deep engagement with every aspect of India’s democratic journey, but are also of great contemporary relevance for the guidance they provide for our current problems and predicaments.

    They can both confine or release a consciousness. I Am Vidya is the story of one such journey: that of a declaration, of the claiming of an identity. It is an assertion of a consciousness that has suffered the agony of being trapped in a mould it does not belong to, a body it does not identify with. Vidya has lived through all the indignities forced upon a tirunangai, a transgender, by a society which divides and defines itself as men and women in terms of biology alone. From being spurned by her family, to begging on the streets as a social outcast, from donning a woman's clothes, to undergoing excruciating surgery to lose her 'manhood', from suffering emotional and physical harassment, to arriving at her true identity. A compelling narrative about a woman trapped within a man's body, this is a story of extraordinary courage and perseverance.

    And what lessons these teachings hold for our daily lives. Your neighbours have a son. He is now thirty-five years old. Going by his age you would think of him as a young man, and, on meeting his mother or father, would ask, almost out of habit, And what does the young man do? That expression, young man , doesn t sit well as he is but a child. He cannot walk. Indeed, he cannot stand. He cannot use his right arm. He can see only to his left. His hearing is sharp, as is his memory. But he speaks only syllable by syllable . . . The father shouts at him. He curses him: You are the one who brought misery into our home . . . We knew no trouble till you came. Look at you weak, dependent, drooling, good for nothing . . . Nor does the father stop at shouting at the child, at pouring abuse at him, at cursing the child. He beats him. He thrashes him black and blue . . . As others in the family try to save the child from the father s rage, he leaps at them. Curses them, hits out at them. What would you think about that damned father? Wouldn t you report him to the police or some such authority that can lock him up? Wouldn t you try everything you can to remove the child from the reach of the father? But what if the father is The Father the T and F capital, both words italicized? That is, what if the father in question is God ? Why do the reaction and answer change for so many of us?