Rylant's reflective and often humorous verse follows God as he tries out human activities such as getting a dog, writing a fan letter, and making spaghetti.God Went to Beauty School combines the awesome with the everyday in an accessible, thought-provoking, and intelligent manner.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    And then everything -- absolutely everything -- changed. Now she's counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That's her -- that's Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it's like to lose part of yourself - and to summon the courage it takes to find yourself again.age range: 12 yrs and upgrade range: Grade 7 and up

     It's not that I'm boy crazy.It's just that even thoughI'm almost fifteenit's likemy mindand my bodyand my heartjust don't seem to be able to agree on anything.

    To get some help, he cops a poetry book from his dad's den - and before Kevin knows it, he's writing in verse about stuff like, Will his jock friends give up on him? What's the deal with girlfriends? Surprisingly enough, after his health improves, he keeps on writing, about the smart-talking Latina girl who thinks poets are cool, and even about his mother, whose death is a still-tender loss. Written in free verse with examples of several poetic forms slipped into the mix, including a sonnet, haiku, pastoral, and even a pantoum, this funny, poignant story by a master of dialogue is an English teacher's dream - sure to hook poetry lovers, baseball fanatics, mono recoverers, and everyone in between.

    Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.

    In the chaos of what happens next, shots are fired and four students are killed. To this day, there is still argument of what happened and why.Told in multiple voices from a number of vantage points -- protestor, Guardsman, townie, student.

    When she answers a babysitting ad, LaVaughn meets Jolly, a seventeen-year-old single mother with two kids by different fathers. As she helps Jolly make lemonade out of the lemons her life has given her, LaVaughn learns some lessons outside the classroom.

    A beautiful Lebanese refugee, on her way to family in Florida, discovers the first stirrings of love. And an ancient iceberg glides south, anticipating its fateful encounter. The voices in this remarkable re-creation of the Titanic disaster span classes and stations, from Margaret ("the unsinkable Molly") Brown to the captain who went down with his ship; from the lookout and wireless men to a young boy in search of dragons and a gambler in search of marks. Slipping in telegraphs, undertaker’s reports, and other records, poet Allan Wolf offers a breathtaking, intimate glimpse at the lives behind the tragedy, told with clear-eyed compassion and astounding emotional power.Extensive back matter includes:Author’s noteMorse code with messages to decipherTitanic miscellanyBibliography, articles, periodicals, government documents, discography

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    . ."This collection of voices centers on the suicide of high school freshman Anna Gonzales. Each piece, read alone, portrays a classmate's or teacher's personal reaction to the loss, taken hard by some, by others barely noticed. Read together, the poems create a textured testimony to the rippling effects of one girl's devastating choice.

    Along the way it explores issues such as gender, misogyny, and the peril of speaking truth to power. Before Joan of Arc became a saint, she was a girl inspired. It is that girl we come to know in Voices.

    Sometimes it’s hard to remember what it was like when her mother was still alive . . . when they were a family . . . when they were happy. But then a few days after her 13th birthday, Georgia receives an unexpected gift–a strange, formal letter, all typed up and signed anonymous–granting her free admission to the Brandywine River Museum for a whole year. And things begin to change.An accessible novel in poems, Pieces of Georgia offers an endearing protagonist–an aspiring artist, a grieving daughter, a struggling student, a genuine friend–and the poignant story of a broken family coming together.

    Tomorrow my name will be lively spirits. My friends think my name is fire. The police think my name is burden. My parents think my name is symphony. Secretly I know my name is anything I want it to be.Paint Me Like I Am is a collection of poems by teens who have taken part in writing programs run by a national nonprofit organization called WritersCorps. To read the words of these young people is to hear the diverse voices of teenagers everywhere.Included are a foreward by acclaimed poet Nikki Giovanni, an essay from Kevin Powell, another poet associated with WritersCorps, and writing tips from WritersCorps instructors.WritersCorps was started in 1994 to help at-risk youth in three American urban centers: San Francisco, Washington, DC, and New York City (the Bronx). Thousands of children and teenagers have since benefited from finding creative expression through writing.

    Now, inside a caring adoptive home in the United States, a series of profound events force him to choose between silence and candor, blame and forgiveness, fear and freedom.By turns harrowing, dreamlike, sad, and triumphant, this searing debut novel, written in lucid verse, reveals an unforgettable perspective on the lasting impact of war and the healing power of love.