Fast and frenetic in their leather jackets and torn jeans, the Ramones gave voice to the disaffected youth of the seventies and eighties, influenced countless bands, and inspired the counterculture for decades to come. Born Jeffry Hyman of Queens, New York, Joey Ramone was the quirky, extraordinary lead singer and cofounder of the band. Hiding his face behind signature sunglasses and a mop of dark hair, he helped define punk's early image, and his two-decade-plus tenure as the Ramones' front man made him unforgettable. Told by Joey's brother, Mickey Leigh, "I Slept with Joey Ramone" provides an intimate look at the turbulent life of one of America's greatest -- and unlikeliest -- music icons.With honesty, humor, and grace, Mickey shares the fascinating, sometimes troubling story of growing up with an emotionally distressed brother who becomes a rock star and the effect it had on their family. He shows how Joey used music to cope with mental illness; embraced the glam nightlife of the New York scene; launched CBGB alongside bands like the Talking Heads and Blondie; and brought punk to Britain, clashing with the Sex Pistols and changing music history.Ultimately, betrayal and infighting would end the band. While the music lives on for new generations to discover, "I Slept with Joey Ramone" is the enduring portrait of a man who struggled to find his voice and of the brother who loved him.

    In the spring of 1991 they decided to grapple with the beast, taking a theatrical tour that would exaggerate their differences. By turns enraptured by and disdainful of America and its obsession with celebrity they brushed shoulders with the famous (Axl Rose, Liza Minelli and Joni Mitchell) travelled, played and uttered their detached commentary on what was happening. Throughout they were shadowed by the author Chris Heath and photographer Pennie Smith.

    You won't be able to put it down once you get started."- Chris Jericho, Talk is Jericho (Westwood One)"Fink is one of, if not the foremost authority on all things AC/DC… [Bon: The Last Highway] reads as a cross between an Agatha Christie–like novel and CSI–influenced approach to dissecting the physical evidence and outstanding questions related to the public story revolving around Bon’s death. I cannot recommend this book enough. Whether you love AC/DC, just like them or are just interested in rock ’n’ roll in general this is an amazing story."- Metal Geezers"Bon: The Last Highway by Jesse Fink is one of the most impressive biographies I've ever read. It is an absolute masterpiece that features more sources and research than most college textbooks. I was floored by the amount of effort and research that Jesse poured into this project."In the case of Bon Scott, both his tragic death and (potentially) his greatest lyrical work have been totally distorted for the sake of the legends that surround AC/DC. Jesse's book is one long re-examination of those legends, and he makes mince-meat out of most of the band's official stories... his work here is profoundly impressive."- Play That Rock’n’Roll "After being made aware of the previous poor attempts to tell Bon's story, I decided to read Bon: The Last Highway. Fink's book deserves 10 out of 10 for effort in gathering all the information possible.... Theory Two [about how Bon died] could not be any closer to the truth. I know, because I was there."- Joe Fury, Bon Scott's friend who went to the hospital in London when Bon was declared dead-on-arrivalBooks of the Year - Planet Rock (UK)Books of the Year - Herald Sun (Australia)Books of the Year - Loud Online (Australia)Books of the Year - All Music Books (USA)Books of the Year - InQuire, University of Kent (UK)Praise for Bon: The Last Highway by Jesse Fink:"A fascinating portrait of a troubled man with a serious alcohol addiction... the literary equivalent of a road movie." - Ronan McGreevy, Irish Times"One of 2017's most essential rock reads." - al.com (Alabama)"Over the years Bon Scott has become an untouchable rock god; but this book digs deeper. It's something that hasn't really been done before... it's a whole new look on the troubled frontman and a fine biography." - Jyrki "Spider" Hamalainen, Vive Le Rock (UK)"After being made aware of the previous poor attempts to tell Bon's story, I decided to read Bon: The Last Highway. Fink's book deserves 10 out of 10 for effort in gathering all the information possible.... Theory Two [about how Bon died] could not be any closer to the truth. I know, because I was there." - Joe Fury, Bon Scott's friend who went to the hospital in London to identify Bon's body"Hand-on-heart clarity and the haze of memory merge here to do justice to what is both a celebratory and cautionary tale... you will learn much on this road trip. You already know the soundtrack."- RTE (Republic of Ireland)"Jesse Fink is a very courageous writer... a fact-rich, exciting book that reads in places like a crime story. Investigative journalism at its best." - Metal Glory (Germany)"Just like the object of his desire (it is his second book on AC/DC), Fink is prone to perfectionism. He meticulously dedicates himself to the last three years in the life of Ronald Belford Scott ... Fink's book is a real gift for the fans of the tragically and much too early deceased singer." - Classic Rock (Germany)"Of the 20-plus books written about AC/DC, this one comes closest to the truth about how former singer Bon Scott died and his uncredited legacy as a songwriter... not just for fans, this is equal parts cautionary tale and meticulously researched document." - Courier Mail (Australia)"Fink's book meticulously explores the man and the many myths about Scott's life and death, and his hell of a ride in between." - Herald Sun (Australia)"A literary masterpiece." - Soundanalyse (Germany)"One of the most important publications on AC/DC... Fink has become something of an AC/DC detective and shines light on parts of the AC/DC story which have always been dimly lit. Music fans around the world have been waiting for this book - and it does not disappoint." - Denis Gray, Australian Rock Show"I read this book in seven hours, with a 20-minute break for dinner, and put it down almost breathless at the non-biased, staggering research. Bon: The Last Highway is probably one of the best books I've ever read - on anything! And I read a lot. This book goes up to 11! Extremely well done. A magnificent book." - Paul Chapman, guitarist, UFO"Crossing continents and tracking key figures down, Fink's work is impressive; his book is exhaustively investigative and engrossing." - Exclaim "Painstakingly researched." - Dangerous Minds"Phenomenal." - Sirius XM VOLUME "Debatable""Brilliant writing, many revelations. A must-read. Astonishingly good reporting." - Lori Majewski, SiriusXM VOLUME "Feedback""A great page-turner... a riveting read." - The Rockpit (Australia)"Jesse Fink is not the first writer to suggest there's something fishy about the official version of [Bon] Scott's death and its aftermath, but no one else has offered such a plausible or exhaustively researched alternative theory... vindicating old-school journalistic rigour, Fink compiled a vast testimony from multiple sources and invites the reader to decide where the truth lies, Rashomon-style. This is no easy task: key witnesses are either dead, like [Alistair] Kinnear, or their memories are clouded by the fog of war, like UFO's Paul Chapman and Pete Way. But as with his previous book, the absence of co-operation from the AC/DC inner circle has been to Fink's benefit... [he has] effectively undertaken the detective work that wasn't conducted at the time. It's a dense, tangled tale but Fink reveals the humanity behind the myth: Bon was a flawed, conflicted character, trapped in a persona, who ultimately chose the path he took and got unlucky." - Keith Cameron, MOJO"The most extensively researched book on AC/DC ever... it's outstanding. If you thought you knew Bon Scott, think again. This is as close as anyone is ever gonna get to the complete truth behind the legend, warts and all." - B.J. Lisko, Canton Repository, Ohio"The most in-depth investigation into what happened to Bon Scott on the night of his death you'll ever read." - Rich Davenport, Rich Davenport's Rock Show"This one-man investigation, born of respect for the truth and for Scott as a human being, blazes a new trail." - Joe Bonomo, author of AC/DC's Highway To Hell (33 1/3 Series)"Jesse Fink has done rock fans a great service. He dispels the many myths about how AC/DC's Bon Scott lived and died, and in doing so, brings to life one of the most influential, memorable, and complex figures in rock history." - Greg Renoff, author of Van Halen Rising"Fink leaves no stone unturned in this deep biography of Bon Scott." - Publishers Weekly "Amazing... the most in-depth researched book on Scott's final years ever written. The story of Bon's last days on earth has never been properly told...until now. This book is good enough it has me waiting for the movie." - Classic Rock Revisited

    And Taylor knows how to sin. As a small-town hero in the early '90s, he threw himself into a fierce-drinking, drug-abusing, hard-loving, live-for-the moment life. Soon Taylor's music exploded, and he found himself rich, wanted, and on the road. His new and ever-more extreme lifestyle had an unexpected effect, however; for the first time, he began to actively think about what it meant to sin and whether sinning could--or should--be recast in a different light. Seven Deadly Sins is Taylor's personal story, but it's also a larger discussion of what it means to be seen as either a "good" person or a "bad" one. Yes, Corey Taylor has broken the law and hurt people, but, if sin is what makes us human, how wrong can it be?

    Collecting the testimony of more than 260 artists, record producers, designers, and journalists — including John Cale, Debbie Harry, Joe Strummer, Maureen Tucker, Gerard Malanga, Lou Reed, Johnny Rotten, Danny Fields, Legs McNeil, Bob Gruen, David Byrne, Iggy Pop, Tommy Ramone, William S. Burroughs, Terry Southern, Cherry Vanilla, and Malcolm McLaren, former manager and ringleader of the Sex Pistols — Punk brings to life the profound effect punk music had on global popular culture in the words of those who created it. With reverberations in style, fashion, attitude and philosophy, the birth of punk music released the greatest shockwaves in the popular culture since The Beatles. Punk tells the story through the words of the people who were closely tied to the mania and through hundreds of contemporaneous color and black-and-white photographs.

    Twenty-five years later, Shelton, who had followed Dylan's career faithfully, published No Direction Home . Here is the "empathetic and rather magnificent" ( Washington Post Book World ) story of Dylan, musician and phenomenon.

    Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with the Pink Floyd and toured America with Jimi Hendrix. He brought a Bohemian and jazz outlook to the 1960s rock scene, having honed his drumming skills in a shed at the end of Robert Graves' garden in Mallorca. His life took an abrupt turn after he fell from a fourth floor window at a party and was paralysed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom that has brought him a loyal following not just in Britain but in France, Italy and Germany. Today, Wyatt remains perennially hip, guesting with artists such as Bjork, Brian Eno, Scritti Politti, David Gilmour and Hot Chip. Marcus O'Dair has talked to all of them - indeed to just about everyone who has shaped, or been shaped by, Wyatt over five decades of music history.

    Parker has talked tomany of those closely invloved in the scene and has uncovered many previously undisclosed - and often outrageous facts about Rollins' life.

    Glitter tried to save music's soul, but was too commercial to be cutting edge for long. Then, in 1974, a rescue movement arrived. Three chords, black jeans, a pair of shades, and a whole lot of attitude made music that matched the facts of life on its home ground, mid-70's New York City's East Village. The initiators of punk, Richard Hell, Tom Verlaine, and Patti Smith had one foot in nineteenth-century French symbolist poetry and the other in the raw sound of their predecessors such as the Velvet Underground. This first-hand account of a little-documented era features luminaries such as Lou Reed, Iggy Pop, David Bowie, Debbie Harry, Divine, Devo, and the New York Dolls, and tells of the gigs at CBGB hitting the news as Warhol and his glittering crew descended. What began as a unique blend of fin-de-sièe ennui and razor-sharp rock became anarchic frenzy and safety pins, overrun by gutter decadence and stupid-chic. With Malcolm McLaren hijacking the scene's momentum, the Blank Generation plunged into excess and eventual ruin, its survivors making the leap into mainstream.

    In this no-holds-barred memoir, legendary rocker Danny Seraphine shares his dramatic—and often shocking—experiences as the popular supergroup's cofounder and longtime drummer. He reveals behind-the-scenes anecdotes about Chicago’s beginnings as the house band at Los Angeles's legendary Whisky A Go Go, where they were discovered by music icons Janis Joplin and Jimi Hendrix, and personal insights about the group’s many comebacks and reinventions over the years.Offers a lively inside account of the music and history of the perennially popular band Chicago, one of the most successful American bands ever with over 122 million albums sold, by the band’s cofounder and longtime drummer Danny SeraphineIncludes riveting tales and rare photographs from Seraphine's time on the road touring with performers including Dennis and Carl Wilson of the Beach Boys, Janis Joplin, Jimi Hendrix, and Bruce SpringsteenCandidly tackles many rumors about Chicago, including Mafia ties, accounting and payola scandals, and major drug abuseDiscusses the mysterious circumstances surrounding Seraphine's 1990 firing from the band as well as his comeback with his critically acclaimed new band, California Transit AuthorityWhether you're a diehard Chicago fan or just love a well-told rock-and-roll memoir, Street Player will entertain and surprise you.

    

    Left to run wild with his sister, his father off in some parallel universe of his own invention, Everett's upbringing was 'ridiculous, sometimes tragic and always unsteady'. But somehow he manages to not only survive his crazy upbringing and ensuing tragedies; he makes something of his life, striking out on a journey to find himself by channelling his experiences into his, eventually, critically acclaimed music with the Eels. But it's not an easy path. Told with surprising candour, Things The Grandchildren Should Know is an inspiring and remarkable story, full of hope, humour and wry wisdom.

    Together with flannelsporting, music-obsessed communities emerging (in the late 1980s and early 1990s) from the chilly Pacific Northwest, Nirvana, Sound Garden, and Pearl Jam changed the scene with wild aggressive sounds and truly alternative records.Author Thurston Moore (of Sonic Youth)—who introduced Kurt Cobain t David Geffen (Geffen Records), a meeting that resulted in Nirvana’s first major debut, Nevermind, in September 1991, which by December was selling 400,000 copies a week—writes about the discovery of Seattle punk youth, the seminal bands that defined the movement, the exploitation of the subculture, and the backlash of grunge, as well as the death of his longtime collaborator and intimate Cobain.

    She struck a chord with bluesy jazz ballads like "Put a Little Sugar in My Bowl" and powerful protest songs such as "Mississippi Goddam" and "To Be Young, Gifted, and Black," the anthem of the American Civil Rights movement.Here are the many lives and loves of Nina Simone, recounted in her unshakable voice.

    In 1982 Nico was living in Manchester, alone and interested only in feeding her heroin habit. Local promoter Dr Demetrius saw an opportunity, hired musicians to back her, rented a decrepit van and set off with Nico and the band on a disastrous tour of Italy. Over the next six years, until her death in 1988, Nico toured the world with assorted thrown-together bands. They made next to no money, appalled many of their audiences and occasionally, on the rare nights when the music worked, pleased a few. James Young played keyboards for Nico throughout those years. In this book, he records the never-ending antics of a picaresque circus of addicts, outsiders and misfits who travelled the world - East and Western Europe, the United States, Australia and Japan - encountering an equally bizarre and extraordinary mixture of people: poets, artists, gangsters, losers and drifters. John Cale, John Cooper Clarke, Allen Ginsberg and Gregory Corso are among those who appear in this story of Nico, the last Bohemian.