Then a talented young female student goes missing on the marsh and Nikki and Joseph find themselves joining forces with a master criminal in their efforts to save her. They need to look behind the masks, but when they do, they find something more sinister and deadly than they ever expected . . .

    A teenage girl is found dead of a heroin overdose. Then, after dealing with these two cases, Coroner Harry Marshall suddenly dies, apparently from natural causes. Jenny Cooper is his replacement & she is puzzled by Marshall's strange behaviour just before his death.

    Meanwhile, Ripley’s label, Galaxy Records, is preparing a secret merger agreement that would create the largest record conglomerate in the world. Trouble arises when rumors spread that Ripley and Simon are withholding Ripley’s new album in hopes of renegotiating his contract.When Simon and Judd are shot on the famed Grand Ole Opry stage during the filming of Ripley’s new music video, no one is more upset than Ripley—especially as everyone assumes the shots were meant for him. While Simon’s life hangs in the balance, Judd seeks help from Megan Olsen, Simon’s right hand and Ripley’s day-to-day manager. The two set off on a high-powered chase to disclose the real motive behind the shootings and spare Ripley from a second murder attempt.Not unlike John Grisham’s legal thrillers and Michael Crichton’s science-based thrillers, Stuart Dill’s “music industry thriller” can now be added to the literary lexicon. Murder on Music Row leads readers through a maze of twists and turns that connect Nashville, New York, Los Angeles, and London in a behind-the-scenes look at an industry where there are no limits in the pursuit of money, power, and fame.

    Everyone else calls it a nightmare. Locked doors don't stop him. He leaves no trace behind. He only takes little girls. His nickname... The Iceman. A deranged serial killer roams wintry rural Nebraska with a demented purpose no one can fathom. Special Agent EMMA KANE, a former DC cop and damaged goods now with the FBI, is assigned to babysit burnt-out profiler JACOB THORNE, once the best in the business but now said to have lost his edge, as they both fly to Nebraska to catch this maniac. Thorne is erratic, abrasive and unpredictably brilliant, but what he and Kane find in the heartland is much more than anyone bargained for, especially when the Iceman challenges them personally. The clock is ticking and a little girl's life is on the line. And maybe even more with that, once they find out what he's really up to.NOTE FROM THE AUTHOR: This book has frank and profane adult language within... this is often how many a law enforcement officer speaks, in my experience. Not all, but many, very many. The book also has violence and adult situations, but the profanity is the only thing that some folks have been noting, for some odd reason, so I'm warning you now that it has profanity. I totally understand that not everyone wants to read curse words. However, to write a book like this without a cop cursing would not, in my mind, be authentic. Therefore, if you can't handle HBO-style language, (a la THE WIRE, etc.) this book is not for you. If fictional bad language bothers you more than the fictional murder of young people, this book is definitely not for you, but I thank you for your time and consideration.

    Detective Inspector Lorne Simpkins and her partner, DS Pete Childs are assigned to the case. A few days later another victim, this time a young girl, is discovered. Who could the killer be and what's the connection between the two victims?Then after a third murder, the killer contacts Lorne with a grisly surprise. It looks like Lorne has a serial killer on her hands - and one that has become fixated on her. As she tries to solve the crimes, Lorne is also coping with a failing marriage and new, unsympathetic boss with whom she has a secret past. Then, as she begins to despair at the lack of clues, help arrives from an unlikely source.

    ‘We have the body of a male, I’d guess aged between late forties and sixty, who has suffered fatal trauma as a result of being beaten with a blunt object. I’ll be able to tell you more when we get him onto the slab.’ Looking at the bloody, pulpy mess of skin, hair and threadbare clothes, I’m frankly amazed that she can tell us anything at all about the victim. It’s July 2016 and Tyneside is basking in glorious summer weather. Recently divorced Olivia flies back to her home town for a much needed holiday and to attend Opera North’s acclaimed production of all four of Richard Wagner’s ‘Ring Cycle’ of operas, which are to be performed over six days at The Sage in Gateshead. But, just as the international audience has arrived and the music festival is gathering momentum, the city is shocked by a brutal murder. Keen to close the investigation as quickly and quietly as possible, senior police officers convince themselves that they have their man. But ambitious, ex-Met Detective Sergeant Sam Snow is far from convinced. When a second violent death occurs, the police investigation runs into a brick wall, until Olivia suggests a bizarre and disturbing theory. As the killings continue, it falls to Sam and Olivia to risk everything, in a desperate race to uncover the truth and to prevent further loss of life. ‘Sentence of Death’ is the first of a new, Tyneside based series of thrillers featuring Detective Sam Snow and psychologist Olivia Clavel.

    And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constable Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.

    Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

    Meredith Winterbottom, a resident of Jerusalem Lane--a quaint section of London inhabited by Eastern European immigrants--and a great-granddaughter of Karl Marx, is found dead. Was she the victim of greedy real-estate developers, or was she killed for the politics of another age? When a second Marx sister is killed, David Brock, Chief Inspector of Scotland Yard, is brought in to help. As Kathy and Brock delve into the Lane's eccentric melting pot, they find unpublished letters from Marx to Engels; a possible fourth volume of Das Kapital; an endless list of shady suspects; and a plot to end Kathy's investigating days for good. Can they unravel the mystery before Kathy's first case is her last?

    But he’s a dinosaur who belongs to another age. Detective Carmen Dehan has such a bad attitude that nobody at the precinct can stomach her. Captain Jennifer Cuevas wants them both out of the way and thinks they make a perfect pair. So she gives them the Cold Cases file – the cases nobody gives a damn about.She has no idea just how hot a cold case can get.Ten years back Nelson Hernandez and his four cousins were playing poker in a dive at Hunts Point. Somebody came in, blew them away and beheaded and castrated Nelson, leaving his head and his balls on the table. There was no shortage of suspects, the Jersey Mob, the Triads from Manhattan, or the 43rds own bent cop, Mick Harragan. But nobody was ever charged, and the night of the murder Mick Harragan went missing with Nelson’s wife, Maria.Now Stone and Dehan plan to find him – whatever the consequences…

    Was this a suicide, or something more sinister? Why was the dead man planning to flee the country? And how is this connected to the shady business dealings of the garage?This classic mystery is set amongst the stunning scenery of a small village in the Lake District. It is now republished for the first time since the 1930s with an introduction by the award-winning crime writer Martin Edwards.

    Among the stories in this enjoyable early collection are "The Girl on the Train," "Jane in Search of a Job," and "Philomel Cottage," which was made into the film "Love from a Stranger.

    He takes the women from shopping malls. They are beautiful, sophisticated, but he treats them like animals, and when he's done he leaves only his grisly signature to taunt the Orange County police - a purse full of entrails. Where are the bodies? How can these women disappear so completely? Whatever the Purse Snatcher has done to them, it surely cannot be worse than the imaginings of a shock-hardened police force...but they don't know the sick mind they're dealing with. Detective Hess has given his life to the police, but now lung cancer is looking to claim him. Merci Rayborn is at the beginning of her career and she's determined to get to the top, whatever it takes. Assigned to the case by a boss with a hidden agenda, Hess and Merci at first agree on just one thing: they want to catch the Purse Snatcher and see him fry. But as another woman disappears, and then another, they become united through their obsession with a case that will change both their lives forever.

    The startling revelation hits the news and sends a shockwave through the city. A serial rapist with a “death” fetish is at large in San Francisco. The attack is intensely personal to Lauren. Not only did she find the victim, but the girl is a close friend of her daughter, Courtney. Lauren feels compelled to do some off-duty investigation. The perpetrator is keenly intelligent and methodical, and essentially, invisible. But Lauren has uncanny skills for detection, and routinely finds evidence missed by the detectives. She earns official trouble for her effort, but the warnings from her superiors don’t keep her from tugging at elusive clues. As she gets closer to the predator, he takes notice. Taunting Lauren, he demonstrates that he can get close to her, and to Courtney, without a trace. Lauren has put her daughter right in his crosshairs, and put herself on a collision course. Stressed and sleep-deprived, she is determined to find him and bring him down. But can she succeed before her daughter becomes his next victim?

    Garda Inspector Benedict Devlin heads the investigation: the only clues are a gold ring placed on the girl's finger and an old photograph, left where she died.