Near destitute. But brave and determined. Can Maddy beat the odds to create a new home in the Hunter Valley? An exciting Australian historical debut, perfect for readers of Darry Fraser.1831, New South WalesReeling from her mother's death, Madeleine Barker-Trent arrives in the newly colonised Hunter River to find her father's promises are nothing more than a halcyon dream. A day later, after a dubious accident, she becomes the sole owner of a thousand acres of bushland, with only three convicts and handsome overseer Daniel Coulter for company.Determined to fulfil her family's aspirations, Maddy refuses to return to England and braves everything the beautiful but wild Australian country can throw at her - violence, danger, the forces of nature and loneliness. But when a scandalous secret and a new arrival threaten to destroy all she's worked for, her future looks bleak ... Can Maddy persevere or should she simply admit defeat?A captivating historical tale of one young woman's grit and determination to carve out her place on the riverbank.

    Presenting the one and only Mr Paul Keating – at his straight-shooting, scumbag-calling, merciless best.Paul lets rip – on John Howard: “The little desiccated coconut is under pressure and he is attacking anything he can get his hands on.”On Peter Costello: “The thing about poor old Costello is he is all tip and no iceberg.”On John Hewson: “[His performance] is like being flogged with a warm lettuce.”On Andrew Peacock: “...what we have here is an intellectual rust bucket.”On Wilson Tuckey: “...you stupid foul-mouthed grub.”On Tony Abbott: “If Tony Abbott ends up the prime minister of Australia, you’ve got to say, God help us.”And that’s just a taste.

    Rowan’s brother Albert, the natural heir to the farm, has died and Rowan’s dad’s health is failing. Although he longs to, there is no way that Rowan can refuse his mother’s request as she prepares the farm for sale.This is the story of the final harvest – the story of a young man in a place he doesn’t want to be, being given one last chance to make peace before the past, and those he has loved, disappear.

    The man they accused was the head of their co-ed residential college. The shock of these charges split the community and painfully focused the debate about sex and power.—This is writing of great boldness and it will wring the heart... an intense, eloquent and enthralling work.—AUSTRALIAN—This was never going to be an easy book to write, its pages are bathed in anguish and self-doubt, but suffused also with a white-hot anger. —GOOD WEEKEND—Travelling with Garner along the complex paths of this sad story is, strangely enough, enjoyable. The First Stone [is] a book worth reading for its writing. —SYDNEY MORNING HERALD—... Garner has ensured one thing: the debate about sexual harassment... will now have a very public airing. And it will have it in the language of experience to which all women and men have access. —AGE

    Two young women are brutally murdered. The killer has never been found. What happened in the house on Easey Street?On a warm night in January, Suzanne Armstrong and Susan Bartlett were savagely murdered in their house on Easey Street, Collingwood – stabbed multiple times while Suzanne’s sixteen-month-old baby slept in his cot. Although police established a list of more than 100 ‘persons of interest’, the case became one of the most infamous unsolved crimes in Melbourne.Journalist Helen Thomas was a cub reporter at The Age when the murders were committed and saw how deeply they affected the city. Now, forty-two years on, she has re-examined the cold case – chasing down new leads and talking to members of the Armstrong and Bartlett families, the women’s neighbours on Easey Street, detectives and journalists. What emerges is a portrait of a crime rife with ambiguities and contradictions, which took place at a fascinating time in the city’s history – when the countercultural bohemia of Helen Garner’s Monkey Grip brushed up against the grit of the underworld in one of Melbourne’s most notorious suburbs.Why has the Easey Street murderer never been found, despite the million-dollar reward for information leading to an arrest? Did the women know their killer, or were their deaths due to a random, frenzied attack? Could the murderer have killed again? This gripping account addresses these questions and more as it sheds new light on one of Australia’s most disturbing and compelling criminal mysteries.‘An overdue examination of the Easey Street murders that adds tantalising new information to known and forgotten facts.’ Andrew Rule, journalist and co-author of UnderbellyHelen Thomas has been a journalist for more than forty years. In 2005, Thomas spent months researching the Easey Street murders for Radio National’s Background Briefing, shedding new light on the investigation. She is the manager of ABC News Radio and author of five books, including Moods: The Peter Moody Saga (2016).

    In Error Australis, TV columnist, comedian and history buff Ben Pobjie recaps the history of Australia from its humble beginnings as a small patch of rapidly cooling rock, to its modern-day status as one of the major powers of the sub-Asian super-Antarctic next-to-Africa region. Pobjie recognises that history can be as gripping as any reality show – as thrilling as it is to see Delta Goodrem’s chair turn around, there is an argument that the Second World War was even more exciting – and like any good recapper, he provides an immediate, visceral sense of what it was like to be there in the moment at our nation’s defining events. All historians know that it is only by looking at where we have been that we can understand who we are, what we stand for, and why nothing seems to work. Error Australis is a scholastic and side-splittingly funny account of a young nation that has spent many years seeking its place in the world, and almost as many years not liking what it has found.

    How did a team with such hard-edged history reach crisis point under Smith, and what happened on their tour of South Africa to cause such a failure of culture on the world stage?This is a full and frank narrative of Smith’s captaincy, David Warner's influence, the dramas that beset Australian cricket, and a blow-by-blow account from Ashes high to Cape Town low, from someone who was there for every ball and every statement. Geoff Lemon writes a dramatic story that exposes how the actions of a few young men shook the very foundations of the Australian cricket establishment, and where the future might lead.

    It left the business of rock stardom to rock stars. But by 1992 alternative rock had spawned a revolution in music and style that transformed youth culture and revived a moribund music industry. Five years later, alternative rock was over, leaving behind a handful of dead heroes, a few dozen masterpieces, and a lot more questions than answers. What, if anything, had the alternative revolution meant? And had it been possible - as so many of its heroes had insisted - for it to be both on MtV and under the radar? Had it used the machinery of corporate rock to destroy corporate rock? In ENtERtAIN US! Craig Schuftan takes you on a journey through the nineties - from Sonic Youth's 'Kool thing' to Radiohead's 'Kid A', NEVERMIND to ODELAY, Madchester to Nu-Metal, Lollapalooza to Woodstock '99 - narrated in the voices of the decade's most important artists. this is the story of alternative rock - the people who made it, the people who loved it, the industry that bought and sold it, and the culture that grew up in its wake - in the last decade of the twentieth century.

    It also takes the reader through the process of turning that research into living fiction - the false starts, dead ends and failures as well as the strokes of luck, flashes of inspiration and surprises.It contains sections of personal memoir, the record of the research, and a journal of the evolution of the book from non-fiction to novel. It quotes sections of early drafts and compares them with the final version, and goes into some detail about technical issues such as point of view, voice and dialogue.For anyone interested in the writing process - and in particular the writing of a historical novel - Searching for the Secret River provides a unique behind-the-scenes exploration.The Secret River has proved to be a controversial book among Australian historians. They feel that fiction is an untrustworthy mechanism by which to understand the past. A novelist may alter, simplify or even distort the truth about history in ways the reader will not be aware of.Kate Grenville has always had the same reservations about historical fiction. Even before The Secret River was completed, she was planning a book which would make transparent the process by which she'd adapted the historical record for the purposes of fiction, and her reasons for the decisions she made.She says "The subject matter of The Secret River is so important, and so politically charged, I didn't want readers to be able to say oh, it's only a novel - she just made it all up. The events and characters in the novel are adapted from the historical record. These things really did happen on our frontier, even if at a slightly different time and in a different place. I wanted readers to be able to retrace the journey I took in coming to terms with what I found about our history, and to see how I chose to adapt it for a novel."Twenty years of teaching Creative Writing in universities, and three books about the writing process, were the other impetus for Searching for The Secret River. "Writing is such an enrichment of life - whether or not it results in publication - that I wanted to leave a record of my own process, so that others might not have to re-invent the wheel completely," Grenville says. "Historical fiction has its particular challenges for the writer - I would have loved to read a book like this one while I was writing The Secret River. It would have made the process a little less laborious."Searching for the Secret River has become a classic for book groups, students and writers looking for guidance.

    To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

    New South Wales has Eddie Obeid.Meet Australia's most corrupt politician whose brazen misdeeds were on a scale said to be "unexceeded since the days of the Rum Corps".From the shadows Obeid ran the state as his fiefdom, making and unmaking premiers. Along the way he pocketed tens of millions of dollars following corrupt deals. This explosive book chronicles the grubby deals the powerbroker had been making for decades before he was exposed. His tentacles stretched through all levels of government, encircling almost every precious resource - coal leases, Circular Quay cafes, marinas, even the state's water. All of them were secret money-spinners for Obeid and his family.Above ground, below ground, in the air, on the water, there was no domain beyond Obeid's grasp. Now, many of the key politicians of his era have given a candid account of Obeid's pernicious backroom influence.Following their groundbreaking investigations, the award-winning journalists Kate McClymont and Linton Besser have unearthed the vast but secret empire Obeid built over the decades, producing an authoritative account of how he got away with so much for so long.

    

    In his trademark schoolboy outfit, guitar in hand, Angus has applied his signature style to songs such as “A Long Way to the Top,” “Highway to Hell,” and “Back in Black,” helping AC/DC become the biggest rock group on the planet.             High Voltage tells of his remarkable rise from working-class Glasgow and Sydney to the biggest stages in the world. The youngest of eight kids, Angus always seemed destined for a life in music, and it was his passion and determination that saw AC/DC become hard rock’s greatest act. Over the years, Angus has endured the devastating deaths of iconic vocalist Bon Scott and his brother in arms Malcolm Young as well as the band’s loss of singer Brian Johnson and drummer Phil Rudd. Yet the little guitar maestro’s unique flair for performance and unstoppable drive to succeed has kept AC/DC not just on the rails, but at the top of the rock pile.  Features exclusive photographs by Philip Morris

    A room of children, napping on mattresses in their childcare centre, waiting for Santa to arrive. It's a peaceful scene. Until a car crashes through the doors at head height, smashing into the midst of the sleeping children. the engine revs faster and faster; flames lick the ceiling.Incredibly, no child was killed at the Roundhouse Childcare Centre on 15 December 2003. But Sophie Delezio bears the legacy of that day written on her body. Sophie suffered third-degree burns to 85 per cent of her body in the fi re. She lost both feet, some fingers, and her right ear.Her survival was a miracle to many. two years later, the unthinkable happens: Sophie is hit by a car, and once again left with near-fatal injuries. Yet again, she defies the odds and survives.Sophie's Journey traces the path of this remarkable young girl. It is told through the words of friends and family, hospital staff, emergency workers and high-profile supporters. the voices of Sophie's parents, Ron and Carolyn, run through the story, describing the twists and turns of their journey so far.this book tells of a child's resilience, of the choice between life and death, and of a strength that prevails through suffering. Sophie Delezio has a message of hope for us all. this is her story.

    This is economics writing at its best.From egalitarian beginnings, Australian inequality rose through the nineteenth century. Then we became more equal again, with inequality falling markedly from the 1920s to the 1970s. Now, inequality is returning to the heights of the 1920s. Leigh shows that while inequality can fuel growth, it also poses dangers to society. Too much inequality risks cleaving us into two Australias, occupying fundamentally separate worlds, with little contact between the haves and the have-nots. And the further apart the rungs on the ladder of opportunity, the harder it is for a kid born into poverty to enter the middle class.Battlers and Billionaires sheds fresh light on what makes Australia distinctive, and what it means to have – and keep – a fair go.‘A thought-provoking book which emphasises how far we have strayed from confidently discussing public policies that seek to give meaning to our egalitarian spirit.’ – Laura Tingle‘Be warned: this book will open your eyes and prick your conscience.’ – Ross Gittins