It is an accusation. So, in case you get no further, here is the bald fact. I killed your grandfather. War hides many secrets and some of them are better kept. But the secret of Hut Ten was never that kind: it could have been leaked and a life would have been saved. One man could have made that difference. He didn’t - and vengeance has taken forty years to catch up with him. This thrilling novella is set in the same world as Sunday Times Thriller of the Month, A Treachery of Spies. What the Critics say about Manda Scott: “This is a rich vein for fiction, and Scott does it more than justice, with this beautifully imagined, beautifully written, smart, sophisticated – but fiercely suspenseful – thriller.” – Lee Child THRILLER OF THE MONTH ‘Superb . . . a blend of historical imagination and storytelling verve reminiscent of Robert Harris.’ The Sunday Times “… the most exciting, involving thriller I’ve read in an age, and I can’t recommend it highly enough.” – Sunday Times Bestselling author Mick Herron “Scott gives us expertly wrought espionage fiction that blooms into a meditation on war, intimacy and memory” – Adam Brookes "…an extraordinary blend of the past and present.” – Terry Wogan "…seriously clever writing" – Crime Review "…staggeringly Imaginative." – Val McDermid "“A stunning feat of the imagination and an absolute must-read for lovers of historical fiction. Utterly convincing and compelling.” – Stephen Pressfield "A masterpiece in historical fiction." – New York Times ‘A Treachery of Spies is the equal of Charlotte Gray in its insights into the period and, I would say, beats it for sheer excitement… one of the most gripping spy stories I have ever read.’ Jake Kerridge, S Magazine 'Ingeniously plotted and wonderfully written.' Antonia Senior, The Times 'A fast-moving tightly-wrought thriller. The destination is in fact as unexpected as it’s satisfying - and very thought-provoking.' Robert Goddard 'A Treachery of Spies is a masterclass in thriller-writing. It is a heart-racing, heart-wrenching read, conceived with passion and executed with frightening skill. An awe-inspiring achievement.' Giles Kristian What Readers Say: ✭✭✭✭✭ "What a marvellous blend of history, espionage, mystery and politics. Beautifully written, too!" ✭✭✭✭✭ "The author's writing is absolutely masterful, reminding me of Hilary Mantel's." ✭✭✭✭✭ "Unputdownable, gripping, credible account of WW2 heroism and double-dealing." ✭✭✭✭✭ "A Top-Secret First-Rate Spy Thriller!" ✭✭✭✭✭ "Fascinating historical and political detail, brilliant characters...A powerful read.

    It was first staged in 1976 at the Royal Court Theatre Upstairs and revived at the National Theatre in 1996.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    

    In a woods, a field and a barn, they play, fight, fantasize and swagger. Their aggressions, fears, hostilities and rivalries are a microcosm of adult interaction. Easy going Willie tags along as burly Peter bullies Raymond and is challenged by fair minded Paul. Plain Audrey is overshadowed by Angela's prettiness and wreaks her anger on the boys. All of them gang up on the terrified "Donald Duck" who, abused by his mother and ridiculed by his peers, plays a dangerous game of pyromania with tragic results.

     Adam and Polly Fitch face a bleak future after being sold for just five shillings to Miss Reed's orphanage by their bullying father. Missing their mother Minnie, and their three brothers still at home, they know they must stick together to survive. But the orphanage does have one advantage – a merry band of children who soon form their own kind of family – and they're all determined to escape the clutches of the wicked Miss Reed. Adam decides to survive he'll need to fight, so he sneaks out to have boxing lessons with the famous pugilist Billy Marshall. Lessons he needs sooner than he expects when his beloved sister Polly is sold to the rich Bellamy family, and Adam decides to go to her rescue. Can Adam, Polly and their band of friends survive life with only each other to rely on, and will they ever have the happily ever after they so long for...

    Between the staff of quirky co-workers, glamorous and unusual guests, and her growing friendship with the charming but mysterious Sidney Daniels, Maisie is living out adventures instead of just penning them in the pages of her would-be Gothic novel's growing number of chapters. And then there's the slight problem of keeping the balance between friendship and 'something more' with Sidney, who's helping introduce her to the village's version of a Cornish Halloween, and has recently taken an interest in Maisie's secret that may change things between them. But even Maisie’s imagination can't conjure the unusual event this Halloween brings to the Penmarrow. An eccentric earl has chosen this site to host his lavish birthday celebration that includes a pretty (and perceptive) young psychic whose predictions seem to have everyone on edge — and, to Maisie's delight, the elusive novelist Alistair Davies is rumored to be part of the guest list! But with the earl's bickering relatives and illustrious friends on hand— and more than one ghost of the past waiting to be revealed — it’s anyone’s guess what the festivities will bring before the party is over. Will the psychic foretell doom for the earl's gathering—and is her ‘gift’ as genuine as it seems? Will Maisie finally meet her favorite author face to face? And, more importantly, what about the romantic sparks that fly between Maisie and Sidney?

    She's also about six stone overweight. When she realises she can't cross her legs, has trouble bending over to tie her shoelaces without wheezing like an elderly chain-smoker, and discovers that even her hands and feet look fat, it's time to take action. But what action? She's tried every diet under the sun. This is the hysterical story of what happens when Mary joins 'Fat Club' where she meets a cast of funny characters and one particular man who catches her eye. The story is laugh-out-loud funny and will resonate with anyone who has dieted, tried to keep up with any sort of exercise programme or spent 10 minutes in a changing room trying to extricate herself from a way too-small garment that she ambitiously tried on and is now completely stuck in. Bernice Bloom is the big, new name in comedy writing...this is the first full-length novel after her series of laugh-out-loud mini books.

    Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    It is not just another day: it is the culmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... From the Publisher 'Demonstrates a wry talent' Guardian 'A true writer of fiction...A writer whose every book has been a pleasure' Scotsman At the moment that Colonel Browne is standing in the shallow end of the swimming pool of the Hotel Alpenrose, preparing for his late afternoon dip, his daughter Charlotte, carrying a suitcase, is getting out of her car back in England, preparing to rob the ancestral home. It is not just another day: it is the cuilmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... 'Rose Tremain goes from strength to strength. The Colonel's Daughter is a winner...a riveting and satisfying read' New Statesman 'Dialogue and off-beat humour are spot on' Daily Telegraph.

    Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present. Her daughters, Agnes and Julie, meddle in the affairs of their three nieces, with comical tenacity. Deeply theatrical and profoundly intense, THE MAI is an epic tale of love and loss, of elusive dreams shattered by vulgar but inescapable reality.

    Use these fully illustrated classic and contemporary plays for reading practice or performance.Each script offers performance notes, character lists, exercises, and glossaries.

    Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

    Friends, though sympathetic, have moved on, her daughter seems so far away and life just seems to be passing her by. An impulsive moment sees her buying a dilapidated house in Brighton, a place that holds happy memories for her, and soon she is ensconced in a new life in her house by the sea.But these things are never that simple.Caroline's decision is met with outrage and incredulity from those who care about her and at times there seem to be insurmountable obstacles ahead.Can she overcome these difficulties, find happiness in her new life and even leave a little room for love?

    Although they live in the same north London neighbourhood of Stamford Hill, they come from two culturally different communities that rarely interact.Miri is a sheltered but contemplative young woman from a Chassidic family. Her strict upbringing has prevented her from pursuing a career or being allowed to date. She has never even spoken to a boy other than a close relative. Soon, she will be expected to marry, but she fears being forced into an unsuitable shidduch (traditional, arranged marriage).When her more adventurous friend invites her for an evening out, she agrees on a whim. It is an experience she will never forget. There, she meets Ben. Kind, sensitive, and hiding his own secret pain, Ben is from the exiled, Middle Eastern Jewish community of Aden. Despite their differences, Ben and Miri are drawn to one another. What her friend only intended as a bit of harmless fun soon develops into something more serious, with far-reaching consequences for them all, and risks tearing Miri’s family apart.With distinct nuances from two little-known communities, Ayuni is a powerful story about forbidden love, loss, the complexities of family and community, and the bonds of friendship.