When a search yielded nothing, and all physical evidence had seemingly disappeared, authorities had little to go on—except a disturbing phone call five weeks later from Göran’s daughter Maria. She was sure that her sister, Sara, was somehow involved. At the heart of the alleged crime: Sara’s greed, her father’s land holdings, and his bitter feud with Sara’s idler boyfriend. With no body, there was no crime—and the case went as cold and dark as the forests of southern Sweden. But not for Therese Tang. For two years, this case was her obsession.A hard-working ex-model, mother of three, and Missing People investigator, Therese was willing to put her own safety at risk in order to uncover the truth. What she found was a nest of depraved secrets, lies, and betrayal. All she had to do now, in her relentless and dangerous pursuit of justice, was prove that it led to murder.

    She isn't prepared for a nosy sister-in-law, the complications of marriage, or being entrusted with her father-in-law's biggest secret. But what she least expects is to miss the woman she was trying so hard to get away from, her mother. While this new life is daunting, love and determination push her forward, as she slowly adjusts to the unique beauty that is Ireland.

    They are joined by two other survivors, Gus and Emilie. Infected, Zoe must also face the realization that she has developed a telepathic link to the living dead that fills her mind with darkness and evil. Facing unimaginable horrors and unthinkable tragedies, the group must fight both the living and the dead. Zoe and Boggs manage to fall in love while surrounded by death and despair. Before long, it becomes clear that the living dead do not play by usual zombie rules.

    And then she meets Bill Clinton. A handsome, charismatic southerner and fellow law student, Bill is already planning his political career. In each other, the two find a profound intellectual, emotional, and physical connection that neither has previously experienced. In the real world, Hillary followed Bill back to Arkansas, and he proposed several times; although she said no more than once, as we all know, she eventually accepted and became Hillary Clinton. But in Curtis Sittenfeld’s powerfully imagined tour-de-force of fiction, Hillary takes a different road. Feeling doubt about the prospective marriage, she endures their devastating breakup and leaves Arkansas. Over the next four decades, she blazes her own trail—one that unfolds in public as well as in private, that involves crossing paths again (and again) with Bill Clinton, that raises questions about the tradeoffs all of us must make in building a life. Brilliantly weaving a riveting fictional tale into actual historical events, Curtis Sittenfeld delivers an uncannily astute and witty story for our times. In exploring the loneliness, moral ambivalence, and iron determination that characterize the quest for political power, as well as both the exhilaration and painful compromises demanded of female ambition in a world still run mostly by men, Rodham is a singular and unforgettable novel.

    Devastated by her husband’s infidelity, Francine Durret flees her upscale suburban home with her angry fifteen-year-old daughter, returning to the island house, where she'd spent childhood summers with her best friend, Claudia Angelo. Francine hopes to heal a broken heart, re-connect with her daughter, and attempt to rediscover the simple, uncomplicated love she had known as a child.When Claudia arrives unannounced on the doorstep of the island house, the past comes to life. Claudia is rich, brash and stunningly beautiful, but unlike Francine, her childhood memories recall nothing but lies, poverty and neglect. For Claudia, the subject of her past is a dead issue. She comes to the island to repay a long-standing debt, rooted in deception. Alan Bromsley grew up on the island, a free-spirited boy who'd lived a charmed life. He now operates a small island flight service. No stranger to grief, Alan is a loner, a man at war with himself. In this tender-hearted story, Alan is confronted by the two women he once loved and lost twenty years ago. Island Passage unites three estranged friends, torn apart by unforeseen circumstances, and then brought together in a tragedy that inadvertently unravels an old secret—a secret that could ultimately destroy them all.

    Now a journalist is following them.When Stieg Larsson died, the author of The Girl with the Dragon Tattoo had been working on a true mystery that out-twisted his Millennium novels: the assassination on February 28, 1986, of Olof Palme, the Swedish prime minister. It was the first time in history that a head of state had been murdered without a clue who’d done it—and on a Stockholm street at point-blank range.Internationally known for his fictional far-right villains, Larsson was well acquainted with their real-life counterparts and documented extremist activities throughout the world. For years he’d been amassing evidence that linked their terrorist acts to what he called “one of the most astounding murder cases” he’d ever covered. Larsson’s archive was forgotten until journalist Jan Stocklassa was given exclusive access to the author’s secret project.In The Man Who Played with Fire, Stocklassa collects the pieces of Larsson’s true-crime puzzle to follow the trail of intrigue, espionage, and conspiracy begun by one of the world’s most famous thriller writers. Together they set out to solve a mystery that no one else could.

    Winner of the 2015 Indie Reader Discovery Award for Literary Fiction. Readers Favorite Bronze Medal Winner Named Best of Indie 2014 by Suspense Magazine Mazie loved it when he called her baby. Until it became a taunt. What’s the matter, baby? You gonna cry, baby? Multiple award-winning tale of spousal abuse.

    After her mother’s death, penniless May Kimble lives a lonely life until an aunt she didn’t know existed summons her to San Francisco. There she’s welcomed into the wealthy Sullivan family and their social circle.Initially overwhelmed by the opulence of her new life, May soon senses that dark mysteries lurk in the shadows of the Sullivan mansion. Her glamorous cousin often disappears in the night. Her aunt wanders about in a laudanum fog. And a maid keeps hinting that May is in danger. Trapped by betrayal, madness, and murder, May stands to lose everything, including her freedom, at the hands of those she trusts most.Then, on an early April morning, San Francisco comes tumbling down. Out of the smoldering ruins, May embarks on a harrowing road to reclaim what is hers. This tragic twist of fate, along with the help of an intrepid and charismatic journalist, puts vengeance within May’s reach. But will she take it?

    The scenes in Pendleton are also based on true experiences he had while incarcerated. Approximately 85% of the novel is taken from real life. Jake and his pal Bud's journey begins six months after he is released on parole and is occasioned when his girlfriend Donna dumps him and aborts their child. After an aborted suicide attempt where the Norelco shaver cord he used to hang himself broke, on an impulse-the source of the title; everything in Jake's life happens "just like that"-he calls up Bud, who lives by the same credo, and the two take off with no particular destination in mind. They're just going "south"--somewhere where it's warm. An hour before they leave, Jake on another impulse, holds up a convenience store to get some traveling money. Ultimately, they end up in New Orleans and then Lake Charles, Louisiana and from there, back to Indiana. Along the way are many "watercooler" moments, such as when an inmate sinks a meat cleaver into another inmate's blue-clad stomach, a physical encounter with two rednecks in Kentucky where Bud shoots one of the men, the bullet bouncing harmlessly off the man's thick skull, Jake's ongoing romance with Donna, the funeral of Jake's father which he attends with a whore, multiple burglaries, armed robberies, a brief affair with a black woman, and an adventure with a drunk Santa Claus. Near the end Jake takes another fall when he is caught burglarizing a bar back in Ft. Wayne, Indiana and gets shot in the leg and is returned to Pendleton where he kills the inmate he'd had a nasty encounter during his first stay in prison. In the process, Jake's philosophy of life undergoes a sea change and he comes up with this: Portions of JUST LIKE THAT have previously appeared as short stories in the literary magazines High Plains Literary Review, Murdaland, and Flatmancrooked. The story that appeared in High Plains was nominated for a Pushcart Prize and was selected for inclusion in Houghton-Mifflin's "Best American Mystery Stories, 2001." As a note of possible interest, Cathy Johns, the P.R. Director and Assistant Warden of The Farm (the infamous Louisiana state prison at Angola) read this novel and told Edgerton that he'd captured the true spirit of the criminal mind better than anything she'd ever read.

    A troubled priest is brutally murdered, leaving behind a journal of the resident's confessional secrets; secrets certain people would prefer he took to the grave. As word spreads, the pressure rises as the eyes of the town watch her every move. With no forensic team, no support and a savage killer hiding in a turbulent town, is PC Sarah Gladstone up to the task?

    Headstrong, accomplished journalist Martha Gellhorn is confident with words but less so with men when she meets disheveled literary titan Ernest Hemingway in a dive bar. Their friendship—forged over writing, talk, and family dinners—flourishes into something undeniable in Madrid while they’re covering the Spanish Civil War.Martha reveres him. The very married Hemingway is taken with Martha—her beauty, her ambition, and her fearless spirit. And as Hemingway tells her, the most powerful love stories are always set against the fury of war. The risks are so much greater. They’re made for each other.With their romance unfolding as they travel the globe, Martha establishes herself as one of the world’s foremost war correspondents, and Hemingway begins the novel that will win him the Nobel Prize for Literature. Beautiful Exiles is a stirring story of lovers and rivals, of the breathless attraction to power and fame, and of one woman—ahead of her time—claiming her own identity from the wreckage of love.

    But her plans of settling into a normal life are derailed when she witnesses a prominent judge in her community committing a violent assault. Running from her own past and fueled by a passion to make the judge answer for his crimes, Piper is forced to decide if she’ll play by the rules or achieve justice in her own way.Complicating things further, Piper finds herself fighting a powerful attraction to rookie cop, Bobby Wright. Although she’s increasingly enamored with Bobby, his staunch belief in the justice system is in stark contrast to her own. She may not share his opinions about the effectiveness of the law, but she certainly can’t deny how safe she feels when she’s in his arms or how every kiss leaves her desperate for more.For Piper, the idea of finally living an ordinary life with a man to love is tempting. However, fate keeps placing the judge, quite literally, in her path. Will she decide the only way to win is to be as wicked as the judge, but with righteous intentions? And more importantly, will Bobby choose to let her go, or follow her as she crosses the line and takes justice into her own hands?

     Zoe’s carefree life takes a traumatic turn when her brother Liam is murdered.The only one who can help her find out what happened is Noah Brody, the last guy on earth she should trust.  Noah Brody is a natural who lives on the outside. He leads protests against the GAPs and detests the widening chasm they’ve created between those who have and those who don’t. He doesn’t like girls like Zoe and he has good reason not to like her specifically. He's not sure why he's agreed to help her, but what he finds out when he does, will change his life forever.PERCEPTION is a near-future mystery that can be read alone. ​

    The result is a radical interrogation of work, leisure, and capitalism. Described by The New York Times as a writer who "advances from all sides, like a chess player," Biss brings her approach to the lived experience of capitalism. Ranging from IKEA to Beyoncé to Pokemon, across bars and laundromats and universities, she asks, of both herself and her class, "In what have we invested?"

    Lisa Sanders, author of the monthly New York Times Magazine column "Diagnosis," the inspiration for the hit Fox TV series House, M.D.The experience of being ill can be like waking up in a foreign country. Life, as you formerly knew it, is on hold while you travel through this other world as unknown as it is unexpected. When I see patients in the hospital or in my office who are suddenly, surprisingly ill, what they really want to know is, ‘What is wrong with me?’ They want a road map that will help them manage their new surroundings. The ability to give this unnerving and unfamiliar place a name, to know it–on some level–restores a measure of control, independent of whether or not that diagnosis comes attached to a cure. Because, even today, a diagnosis is frequently all a good doctor has to offer.A healthy young man suddenly loses his memory–making him unable to remember the events of each passing hour. Two patients diagnosed with Lyme disease improve after antibiotic treatment–only to have their symptoms mysteriously return. A young woman lies dying in the ICU–bleeding, jaundiced, incoherent–and none of her doctors know what is killing her. In Every Patient Tells a Story, Dr. Lisa Sanders takes us bedside to witness the process of solving these and other diagnostic dilemmas, providing a firsthand account of the expertise and intuition that lead a doctor to make the right diagnosis.Never in human history have doctors had the knowledge, the tools, and the skills that they have today to diagnose illness and disease. And yet mistakes are made, diagnoses missed, symptoms or tests misunderstood. In this high-tech world of modern medicine, Sanders shows us that knowledge, while essential, is not sufficient to unravel the complexities of illness. She presents an unflinching look inside the detective story that marks nearly every illness–the diagnosis–revealing the combination of uncertainty and intrigue that doctors face when confronting patients who are sick or dying. Through dramatic stories of patients with baffling symptoms, Sanders portrays the absolute necessity and surprising difficulties of getting the patient’s story, the challenges of the physical exam, the pitfalls of doctor-to-doctor communication, the vagaries of tests, and the near calamity of diagnostic errors. In Every Patient Tells a Story, Dr. Sanders chronicles the real-life drama of doctors solving these difficult medical mysteries that not only illustrate the art and science of diagnosis, but often save the patients’ lives.