Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    Perhaps the greatest dancer of the twentieth century, Nijinsky captured audiences with his sheer animal magnetism and incredible skill.He was also half of the most famous (and openly gay) couple of the Edwardian era: his relationship with Serge Diaghilev, artistic director and architect of the Ballets Russes, pushed boundaries in a time when homosexuality and bisexuality were rarely discussed. Nijinsky's life was tumultuous--after marrying a female groupie he hardly knew, he was kicked out of the Ballets Russes and placed under house arrest during World War I. Unable to work as he once did, his mental health deteriorated, and he spent three decades in and out of institutions.

    John made a name for himself with remarkable West End achievements, including an Olivier Award nomination and success in the movies The Producers and De-Lovely. Television success was also assured when Torchwood won a Best Drama BAFTA. John also lays bare his personal life: his emigration as a child, coming out to his family, turning down a job at Disney, and his civil partnership with long-term partner Scott Gill. Revelatory and insightful, told with real heart and characteristic Barrowman charm, this is a wonderful tale of how one boy achieved his dreams.

    However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans.Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—'The Gallery' poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower."The first book of real magnitude to come out of the last war." —John Dos Passos

    One of the first filmmakers to project an unabashed gay sensibility onto screen, Jarman creates here a montage of autobiography, interviews, and social history that shifts back and forth through time, resulting in an intriguing portrait of his personal and artistic growth from the 1940s to the present. Jarman is able to distill the essence of an era with just a few well-chosen anecdotes. He is outraged at what he sees as the complicit passivity of the British government's response to the AIDS epidemic; throughout, he drops the uncaring words of government officials like deadly bombs. Some readers may find his honesty brazen and offensive, but Jarman is truly a spokesman for his tribe, a teacher and a sage who, while staring death in the face, keeps his eyes open to report back with a deep understanding of what is important to the gay community. Highly recommended.- Jeffery Ingram, Newport P.L., Ore.Copyright 1992 Reed Business Information, Inc.

    This collection of Violet's letters explores her part in the affair and provides details of the other principals involved.

    In 1895, Bosie's father, the Marquess of Queensberry, delivered a note to the Albemarle Club addressed to "Oscar Wilde posing as sodomite." With Bosie's encouragement, Wilde sued the Marquess for libel. He not only lost but he was tried twice for "gross indecency" and sent to prison with two years' hard labor.With this publication of the uncensored trial transcripts,readers can for the first time in more than a century hear Wilde at his most articulate and brilliant. The Real Trial of Oscar Wilde documents an alarmingly swift fall from grace; it is also a supremely moving testament to the right to live, work, and love as one's heart dictates.

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    Four decades later, in June 2011, New York legalized gay marriage—the most populous state in the country to do so thus far. The armed services stopped enforcing Don't Ask, Don't Tell, ending a law that had long discriminated against gay and lesbian members of the military. Successful social movements are always extraordinary, but these advances were something of a miracle.Political columnist Linda Hirshman recounts the long roads that led to these victories, viewing the gay rights movement within the tradition of American freedom as the third great modern social-justice movement, alongside the civil rights movement and the women's rights movement. Drawing on an abundance of published and archival material, and hundreds of in-depth interviews, Hirshman shows, in this astute political analysis, how the fight for gay rights has changed the American landscape for all citizens—blurring rigid gender lines, altering the shared culture, and broadening our definitions of family.From the Communist cross-dresser Harry Hay in 1948 to New York's visionary senator Kirsten Gillibrand in 2010, the story includes dozens of brilliant, idiosyncratic characters. Written in vivid prose, at once emotional and erudite, Victory is an utterly vibrant work of reportage and eyewitness accounts, revealing how, in a matter of decades, while facing every social adversary—church, state, and medical establishment—a focused group of activists forged a classic campaign for cultural change that will serve as a model for all future political movements.

    From the moment a doctor in Raleigh, North Carolina, put "male" on Jacob Tobia's birth certificate, everything went wrong. Alongside "male" came many other, far less neutral words: words that carried expectations about who Jacob was and who Jacob should be, words like "masculine" and "aggressive" and "cargo shorts" and "SPORTS!"Naturally sensitive, playful, creative, and glitter-obsessed, as a child Jacob was given the label "sissy." In the two decades that followed, "sissy" joined forces with "gay," "trans," "nonbinary," and "too-queer-to-function" to become a source of pride and, today, a rallying cry for a much-needed gender revolution. Through revisiting their childhood and calling out the stereotypes that each of us have faced, Jacob invites us to rethink what we know about gender and offers a bold blueprint for a healed world--one free from gender-based trauma and bursting with trans-inclusive feminism.From Jacob's Methodist childhood and the hallowed halls of Duke University to the portrait-laden parlors of the White House, Sissy takes you on a gender odyssey you won't soon forget. Writing with the fierce honesty, wildly irreverent humor, and wrenching vulnerability that have made them a media sensation, Jacob shatters the long-held notion that people are easily sortable into "men" and "women." Sissy guarantees that you'll never think about gender--both other people's people's and your own--the same way again.

    But what was the truth about his sex life and sexuality—and how did it affect and influence his writing and public life? With In Bed with Gore Vidal: Hustlers, Hollywood, and the Private World of an American Master, Tim Teeman interviews many of Vidal’s closest family and friends, including Claire Bloom and Susan Sarandon, as well as surveying Vidal’s own rich personal archive, to build a rounded portrait of who this lion of American letters really was away from the page. Here, revealed for the first time, Teeman discovers the Hollywood stars Vidal slept with and the reality of his life with partner Howard Austen — and the hustlers they both enjoyed. Was Gore’s true love really a boy from prep school? Was he really, as he said, bisexual, and if so how close did he really get to marrying women, including Claire Bloom and Joanne Woodward? And if Vidal really was gay, why did he not want to say so? Did his own sex secrets underpin a legal fight with adversary William F. Buckley, still being played out after his death? Much as Vidal fought against being categorized, Teeman shows how he also proved himself to be a pugnacious advocate for gay sexual freedom in his books, articles, and high-profile media appearances. Teeman also, for the first time, vividly and movingly evokes the final, painful and tragic years of Vidal’s life, as he descended into alcoholism and dementia, his death, and the bitter, contentious legacy he has left behind.

    Nominated for the Edgar Award for best true-crime book of the year, it also marked the debut of an audaciously talented writer, James St. James, who himself had been a club kid and close friend and confidant of Michael Alig, the young man convicted of killing the drug dealer known as Angel. Now the book has been brought to the screen as Party Monster, with Macaulay Culkin playing killer Michael Alig and Seth Green as author/celebutante James St. James.

    Kincaid's incantatory, poetic, and often shockingly frank recounting of her brother's life and death is also a story of her family on the island of Antigua, a constellation centered on the powerful, sometimes threatening figure of the writer's mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.My Brother is a 1997 National Book Award Finalist for Nonfiction.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    Almost thirty years later, at the age of forty-two, he set out to find and face his abuser. The Tricky Part tells the story of this relationship and its complex effect on the man Moran became. He grew up in an exemplary Irish Catholic family-his great aunt was a cloistered nun; his father, a newspaper reporter. They might have lived in the Denver neighborhood of Virginia Vale, but they belonged to Christ the King, the church and school up the hill. And the lessons Martin absorbed, as a good Catholic boy, were filled with the fraught mysteries of the spirit and the flesh. Into that world came Bob-a Vietnam vet carving a ranch-camp out of the mountain wilderness, showing the boys under his care how to milk cows, mend barbed wire fence, and raft rivers. He drove a six-wheeled International Harvester truck; he could read the stars like a map. He also noticed a young boy who seemed a little unsure of himself, and he introduced that boy to the secret at the center of bodies.Told with startling candor and disarming humor, The Tricky Part carries us to the heart of a paradox-that what we think of as damage may be the very thing that gives rise to transformation, even grace.