All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past.Enter Slewfoot, a powerful spirit of antiquity newly woken… and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.

    It is the first of what will hopefully become an annual, non-themed horror anthology of entirely original stories, showcasing the very best short fiction that the genre has to offer. Contents List:BUTTERFLY ISLAND by C.J. TudorRESEARCH by Tim LebbonSWANSKIN by Alison LittlewoodTHAT’S THE SPIRIT by Sarah LotzGAVE by Michael BaileyWHEREVER YOU LOOK by Ramsey CampbellSAME TIME NEXT YEAR by Angela SlatterMINE SEVEN by Elana GomelIT DOESN’T FEEL RIGHT by Michael Marshall SmithCREEPING IVY by Laura PurcellLAST RITES FOR THE FOURTH WORLD by Rick CrossWE ALL COME HOME by Simon BestwickTHE IMPORTANCE OF ORAL HYGIENE by Robert ShearmanBOKEH by Thana NiveauMURDER BOARD by Grady HendrixALICE’S REBELLION by John LanganTHE MIRROR HOUSE by Jonathan Robbins LeonTHE NAUGHTY STEP by Stephen VolkA HOTEL IN GERMANY by Catriona WardBRANCH LINE by Paul FinchFLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

    This is true.Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two.This was a terrible plan.Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    A great marriage. A baby on the way. All that's missing is a house--one idyllic enough to fill the Norman Rockwell-shaped spaces in her mind. So when Kim's husband, Eddie, books a property tour of a home Kim has been eyeing online, it's love at first sight.Far too expensive for them to afford, Kim and Eddie, make an offer anyway...and score the deal of a lifetime.The house is suddenly theirs, and Kim sees it as destiny.The house is where they're supposed to raise their baby, joyful and free and full of nothing but the best memories. But homes--especially the perfect ones--are never what they seem. Before Kim and Eddie are even moved in, something begins to squirm beneath Kim's skin.Something portentous. A warning. Don't buy this house.But she ignores her misgivings.As if sensing its mother's foreboding, the baby begins to squirm beneath Kim's skin as well. Twisting. Writing. But Kim ignores that too.Blinded by the idea of storybook happiness, Kim barrels headlong into a dream that quickly proves to be anything but and unwittingly seals her family's diabolical fate.Paying homage to Ira Levin's Rosemary's Baby, Ahlborn's Palmetto takes the classic story of wanting it all and asks: how much would you sacrifice to have what you desire? And, watching your dream become a waking nightmare, how loud would you scream?

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    They are drawn to the suspiciously inexpensive Cliff End, feared amongst locals as a place of disturbance and ill omen. Gradually, the Fitzgeralds learn of the mysterious deaths of Mary Meredith and another strange young woman. Together, they must unravel the mystery of Cliff End's uncanny past - and keep the troubled young Stella, who was raised in the house as a baby, from returning to the nursery where something waits to tuck her in at night... The second in Tramp's Recovered Voices series, this strange, bone-chilling story was first published in 1942, and was adapted for the screen as one of Hollywood's most successful ghost stories, The Uninvited, in 1944.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

    Tucked away on a charming side street and surrounded by lush grounds, the three-hundred year old townhouse in the port city of Charleston offers a refuge and a place to start over. But all is not as it seems at 5 Rue Lane and she soon finds that her new house harbors something that has been there for a very long time. Something that refuses to stay buried.

    But when they arrive at high school, things change. Gretchen begins to act….different. And as the strange coincidences and bizarre behavior start to pile up, Abby realizes there’s only one possible explanation: Gretchen, her favorite person in the world, has a demon living inside her. And Abby is not about to let anyone or anything come between her and her best friend. With help from some unlikely allies, Abby embarks on a quest to save Gretchen. But is their friendship powerful enough to beat the devil?

    One fantastic story.Collected together for the first time, T. Frohock’s three novellas—In Midnight’s Silence, Without Light or Guide, and The Second Death—brings to life the world of Los Nefilim, Spanish Nephilim that possess the power to harness music and light in the supernatural war between the angels and daimons. In 1931, Los Nefilim’s existence is shaken by the preternatural forces commanding them … and a half-breed caught in-between.Diago Alvarez, a singular being of daimonic and angelic descent, is pulled into the ranks of Los Nefilim in order to protect his newly-found son. As an angelic war brews in the numinous realms, and Spain marches closer to civil war, the destiny of two worlds hangs on Diago’s actions. Yet it is the combined fates of his lover, Miquel, and his young son, Rafael, that weighs most heavily on his soul.Lyrical and magical, Los Nefilim explores whether moving towards the light is necessarily the right move, and what it means to live amongst the shadows.

    Beautiful and talented, Harriet will gain the affections of many of the men and women she meets and a bright future seems assured for her.But there is something strange about Harriet. Everyone she gets close to seems to sicken or die. Doctor Phillips has a theory: the blood of the vampire flows through Harriet's veins, and she is draining the life out of those she loves. Are the misfortunes that seem to follow Harriet merely coincidence? Or is she really afflicted with the curse of the vampire?One of the strangest novels by the prolific Florence Marryat (1837-1899), "The Blood of the Vampire" was the "other vampire novel" of 1897, appearing the same year as "Dracula." Marryat's novel is fascinating not only for its sensational plot and bizarre characters, but also because of its engagement with many of the issues that haunted the late Victorian imagination, such as race, heredity, women's roles, Spiritualism, and the occult. This edition includes the unabridged text of the exceedingly rare 1897 first edition and a new introduction by Brenda Hammack.

    It sits high on a hill overlooking town, shrouded by tall trees and rumors of murder, scandal and intrigue. Tickets are hard to come by, so hold yours close, else the Tour Guide may not let you in. And that would be a pity, for there are so many things to see within these walls–history, glamor, and riches beyond your wildest imagination. Just remember the following rules: don’t wander off alone, don’t be rude to the Guide, and don’t, whatever you do, touch the valuables.Because the ghosts don’t like it when you touch their things.Bram Stoker Award nominated author Gemma Amor brings you her newest tale of secrets, lies, love, betrayal, greed, family ties, and a house that has seen a great many sights, over the years.Praise for Six Rooms“Six Rooms starts as an almost whimsical ghost story but devolves inexorably into a series of genuinely dreadful horrors. This descent into violence and greed and regret will leave you thoroughly unsettled.” –Alan Baxter , author of THE GULP & THE ALEX CAINE SERIES“Gemma Amor turns her keen eye for character and atmosphere to the nightmare land of ghosts—a gorgeous blend of historical horror and hauntings done right, Six Rooms is at turns chilling and heartbreaking, with enough scares to make sure you leave the lights on. A delight.” –Laurel Hightower , author of CROSSROADS & WHISPERS IN THE DARK“Gemma Amor’s Six Rooms is a chilling ghost story that is full of her usual prose magic and haunting imagery. This deftly crafted paranormal yarn will chill the very marrow of your bones, whilst the frenetic pace and readability of Amor’s words will get your heart rate pumping until you turn that final page and can once more breathe easily. This is more than just a ghost story; this is a story about belonging, a story of finding one’s place in the world, but above all else it is a unique and masterful book that takes the paranormal trope and crafts something truly magical… Six Rooms will leave its mark long after reading, mark my words.” –Ross Jeffery , Bram Stoker Nominated author of TOME, JUNIPER & ONLY THE STAINS REMAIN

    She calls herself Rhee, but everyone else knows her by another name: Resurrection Mary. And when she’s transported home each night to a decrepit mansion on a lane to nowhere, she’s not alone.In the antique mirror, call her name three times, and Bloody Mary will appear. Outside, wandering through a garden of poisonous flowers is Mistress Mary, Quite Contrary, a nursery rhyme come to gruesome life. Downstairs is another jump-rope rhyme—Mary Mack, forever conscripted to build her own coffin. And brooding in the corner with her horse skull is the restless Mari Lwyd.They are the Marys, the embodiment of urban legend and what goes bump in the night. Every evening, they gather around the table and share nightmares like fine wine, savoring the flavors of those they’ve terrified.But other than these brief moments together, the Marys are alone, haunting a solitary gloom that knows them better than they know themselves. That’s because they don’t remember who they were before—or even if there was a before. And worst of all, they don’t know how to escape this fate.That is, until a moment of rage inspires Rhee to leap from the highway—and into the mirror with Bloody Mary. Suddenly, the Marys are learning how to move between their worlds, all while realizing how much stronger they are together.But just when freedom is within their reach, something in the gloom fights back—something that isn’t ready to let them go. Now with her sisters in danger of slipping into the darkness, Rhee must unravel the mystery of who the Marys were before they were every child’s nightmare. And she’ll have to do it before what’s in the shadows comes to claim her for its own.

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.