Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    For Edwin, it was where hewas going to chase his dreams, but for Charlie, it was just another place tobe with his only friend. However, when he meets Aster, who was silentlywalking through instabilities of her own destiny, he was in for anabsolute unthoughtful phase of profoundness that was going to lastforever.

    

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction“The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.

    He wrote his poetry in Urdu and Farsi (1873-1938), and that bridged and encompassed the past many centuries of man's endeavours in the realms of thought and intuition. He emblazoned the high standards set by Mirza Asadullah Khan 'Ghalib', and glorified the literature in his own way. He was a scholarly personality, and wrote on various subjects, from philosophy to politics, from romance to emotions and so on. He wrote world famous poem 'sare jahan se acha Hindustan hamara' and many other such 'nazams' which are even today considered as great poetical creations. He was honoured with the title 'sir' by the British Government for his contributions to the literature.The present collection is a representative of Iqbal's Urdu poetry, which has been transliterated into English verses, with translation into Devanagari (Hindi) and Roman script. The English translation has been done by Khwaja Tariq Mahmood, who earlier translated the poems of Mirza Ghalib and Sahir Ludhianvi, and is now working on many other collections.

    Native American Studies. Amongst the poems and prose of OLD SHIRTS & NEW SKINS appear illustrations by Elizabeth Woody, an enrolled member of the Confederated Tribes of Warm Springs, Oregon. In the best tradition of confronting American reality and exacting vision and meaning from it, Sherman Alexie chooses to use poetic power. His vision is an amazing celebration of endurance, intimacy, love, and creative insight; finally, it is a victory that can be known only by a people who refuse to submit to the thieves, liars, and killers that have made them suffer tremendous loss and pain. "Like the woman who pours her life into a stew of survival, Sherman Alexie has created a meal, not for a reader to consume but for a reader to be changed by. Survival is being documented, changes measured"--Linda Hogan.

    You know those ….. drifting kinds of thoughts? When it’s easy to believe that someone else is dreaming you? Well that’s Trance Poetry. The purpose of the poems in this book are to try and show how words alone can lift you up and take you places, how they can enchant and bewitch, creating the illusion that just for a few minutes everything’s alright with the world. When I started to write poetry I searched around for subject matter, and chose colour. Not yellow, red and blue, but Paprika, Jet, Ochre, Huckleberry Blue, Fiesta etc. and went inside trying to see where that ‘colour’ would take me. From this I created a series of poems which I entitled Colour-oetry, and I’ve included these here as well. Only half of this book is poetry, well 56% to be precise. A while ago I took an interest in the parallel lives of the chef and the writer. How the chef creates his magic in the chaotic environment of the kitchen compares well with how the writer creates his hocus-pocus in the peace and quiet of his study. A chef’s wizardry is in his ingredients, whilst a writer’s sorcery is in his words. So I wrote a few chapters on food, following it all over the world at one stage, attempting to paint pictures with my words. But I also focused on the 'writer,' comparing him or her not only to the chef but also to other master tradesmen, even a bricklayer at one stage. Deep down this is the purpose of this book, to discuss the art of the writer and the sorcery in his words. Whether I’ve succeeded or not, only the reader can tell. I’ve finished the book with three chapters on parenting experiences. True stories actually. My goal here is to use the writer’s sorcery to establish emotion and hopefully leave you with a lump in your throat. I hope you enjoy reading this, because I loved writing it!

    Except for a few journeys when she was young, Emily lived the life of a recluse in her father’s house, spending her days writing poems and letters.In 1862, she sent a few of her poems to a publisher. He replied that her work was too unusual, too different. This was her first and last attempt to reach the public ear. From then on, she bound her work in small hand-stitched collections that she kept in her bureau drawer. After Emily’s death in 1885, her sister discovered over a thousand poems hidden away in drawers and boxes.Although Emily’s experiences were limited, her poems are profound, often playful, contemplations of life, love, nature, time, and eternity. Each exhibits her extraordinary talent for combining startling imagery and unexpected rhymes. In addition to commentary and a selection of Dickinson’s letters, this audioproduction includes 75 of her most treasured poems.

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    Many, though not all, of the visitors to ‘Zen Garden’ were, like Subroto himself, high-performance entrepreneurs. But the one thing that was common to every guest was that they were pathmakers – rather than choosing to follow the well-trodden path, they had charted new paths that other could tread on.This book features the very best conversations from ‘Zen Garden’, including those with the Dalai Lama, Sadhguru Jaggi Zasudev, Nandan Nilekani, Aamir Khan, Dr. Devi Shetty, Kiran Mazumdar Shaw, Ekta Kapoor, social entrepreneur Harish Hande, Sanjeev Bikchandani of naukri.com, Deep Kalra of makemytrip.com, Café Coffee Day’s V.G. Siddhartha, Vikram Bakshi (the man who brought McDonald’s to India) and India’s top windmaker, Rajeev Samant.In their own words, these game changers reveal what it was that made them think differently, what gave them the courage to step off the beaten track, and how they sustained their vision in the face of seemingly insurmountable odds.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    It tells about love desired, love lost, love enjoyed, love lost and love -- a different kind of love -- found again.

    His first major collection--Traveling Through the Dark--won the National Book Award. He published more than sixty-five volumes of poetry and prose and was Poetry Consultant to the Library of Congress-a position now known as the Poet Laureate. Before his death in 1993, he gave his son Kim the greatest gift and challenge: to be his literary executor.In Early Morning, Kim creates an intimate portrait of a father and son who shared many passions: archery, photography, carpentry, and finally, writing itself. But Kim also confronts the great paradox at the center of William Stafford's life. The public man, the poet who was always communicating with warmth and feeling-even with strangers-was capable of profound, and often painful, silence within the family. By piecing together a collage of his personal and family memories, and sifting through thousands of pages of his father's daily writing and poems, Kim illuminates a fascinating and richly lived life.