That it culminated in an unlikely World Series win—during a campaign split by the longest player strike in baseball history—is not even the most interesting thing about this team. The Dodgers were led by the garrulous Tommy Lasorda—part manager, part cheerleader—who unyieldingly proclaimed devotion to the franchise through monologues about bleeding Dodger blue and worshiping the “Big Dodger in the Sky,” and whose office hosted a regular stream of Hollywood celebrities. Steve Garvey, the All-American, All-Star first baseman, had anchored the most durable infield in major league history, and, along with Davey Lopes, Bill Russell, and Ron Cey, was glaringly aware that 1981 would represent the end of their run together. The season’s real story, however, was one that nobody expected at the outset: a chubby lefthander nearly straight out of Mexico, twenty years old with a wild delivery and a screwball as his flippin’ out pitch. The Dodgers had been trying for decades to find a Hispanic star to activate the local Mexican population; Fernando Valenzuela was the first to succeed, and it didn’t take long for Fernandomania to sweep far beyond the boundaries of Chavez Ravine.They Bled Blue is the rollicking yarn of the Los Angeles Dodgers’ crazy 1981 season.

    He won over fans nationwide with his wildly endearing antics such as talking to the ball---and throwing back the ones that "had hits in them"; getting down on his knees to "manicure" the mound of any cleat marks; and shaking hands with just about everyone from teammates to groundskeepers to cops during and after games. Female fans tried to obtain locks of his hair from his barber and even named babies after him.But The Bird was no mere sideshow. The non-roster invitee to spring training that year quickly emerged as one of the best pitchers in the game. Meanwhile, his boyish enthusiasm, his famously modest lifestyle, and his refusal to sign with an agent during the days of labor disputes and free agency made him such a breath of fresh air for fans that not only did attendance in Detroit increase---by tens of thousands---for games he pitched, opposing teams would specifically ask the Tigers to shuffle their rotation so Fidrych would pitch in their cities, too. A rare player who transcended pop culture, Fidrych was named starting pitcher in the All-Star Game as a rookie (the first of his two All-Star nods) and became the first athlete to appear on the cover of Rolling Stone magazine.Baseball researcher Doug Wilson delivers the first biography of this once-in-a-lifetime player. Through extensive interviews and meticulous research, the author recounts Fidrych's meteoric rise from Northborough, Massachusetts, to the big leagues, his heartbreaking fall after a torn knee ligament and then rotator cuff, his comeback attempts with the Tigers and in the Red Sox system, and one unforgettable night when The Bird pitched a swan song for the Pawtucket Red Sox against future star Dave Righetti in a game that remains part of local folklore. Finally, Wilson captures Fidrych's post-baseball life and his roles in the community, tragically culminating with his death in a freak accident in 2009.The Bird gives readers a long-overdue look into the life of a player whom baseball had never seen before---and has never seen since.

    Opening Day was postponed and later played in the shadow of Martin Luther King, Jr.’s funeral. That summer, as the pennant races were heating up, the assassination of Robert Kennedy was later followed by rioting at the Democratic National Convention in Chicago. But even as tensions boiled over and violence spilled into the streets, something remarkable was happening in major league ballparks across the country. Pitchers were dominating like never before, and with records falling and shut-outs mounting, many began hailing ’68 as “The Year of the Pitcher.” In Summer of ’68, Tim Wendel takes us on a wild ride through a season that saw such legends as Bob Gibson, Denny McLain, Don Drysdale, and Luis Tiant set new standards for excellence on the mound, each chasing perfection against the backdrop of one of the most divisive and turbulent years in American history. For some players, baseball would become an insular retreat from the turmoil encircling them that season, but for a select few, including Gibson and the defending champion St. Louis Cardinals, the conflicts of ’68 would spur their performances to incredible heights and set the stage for their own run at history. Meanwhile in Detroit—which had burned just the summer before during one of the worst riots in American history—’68 instead found the city rallying together behind a colorful Tigers team led by McLain, Mickey Lolich, Willie Horton, and Al Kaline. The Tigers would finish atop the American League, setting themselves on a highly anticipated collision course with Gibson’s Cardinals. And with both teams’ seasons culminating in a thrilling World Series for the ages—one team playing to establish a dynasty, the other fighting to help pull a city from the ashes—what ultimately lay at stake was something even larger: baseball’s place in a rapidly changing America that would never be the same. In vivid, novelistic detail, Summer of ’68 tells the story of this unforgettable season—the last before rule changes and expansion would alter baseball forever—when the country was captivated by the national pastime at the moment it needed the game most.

    Facing down batter after batter, he breaks down his though process and recounts in vivid and candid detail his analysis of the players who stepped into the batter's box against him, his control of both the ball and the elements of the day, and his moments of synchronicity with teammate Tim McCarver, all the while capturing the fascinating relationship and unspoken dialogue that carries on between pitcher and catcher over the course of nine critical innings.From the dugout to the locker room, Gibson offers a behind-the-scenes look at the lives of the players, the team's chemistry, and clubhouse culture. He recounts the story of Curt Flood, Gibson's best friend and the Cardinal center fielder, who would go on to become one of the pioneers of free agency; shares colorful anecdotes of his interactions with some of baseball's most unforgettable names, from Denny McLain and Roger Maris to Sandy Koufax and Harry Caray; and relives the confluence of events, both on and off the field, that led to one of his---and baseball's---most memorable games ever.This deep, unfiltered insider look at one particular afternoon of baseball allows for a better understanding of how pros play the game and all the variables that a pitcher contends with as he navigates his way through a formidable lineup. Gibson's extraordinary and engrossing tale is retold from the unique viewpoint of an extremely perceptive pitcher who happens to be one of baseball's all-time greats.

    On the way out of the park, his father asked him to make a promise. “Promise me you will never be a Cubs fan. The Cubs do not win,” he explained, “and because of that, a Cubs fan will have a diminished life determined by low expectations. That team will screw up your life.” As a result, Cohen became not just a Cubs fan but one of the biggest Cubs fans in the world. In this book, he captures the story of the team, its players and crazy days. Billy Sunday and Ernie Banks, Three Finger Brown and Ryne Sandberg, Bill Buckner, the Bartman Ball, Kris Bryant, Anthony Rizzo—the early dominance followed by a 107 year trek across the wilderness. It’s all here—not just what happened, but what it felt like and what it meant. He searches for the cause of the famous curse. Was it the billy goat, kicked out of Wrigley Field in Game 5 of the 1945 World Series, or does it go back further, to the very origins of the franchise? Driven mad with futility, he went on the road with the team in search of answers, interviewed great players present and past, researched in libraries but also in the bleachers, double-fisted, a frosty malt in each hand, demanding answers. He came to see the curse as a burden but also as a blessing. Cubs fans are unique, emissaries from a higher realm, warning of hubris and vanity. The blue cap with the red C said, “My Kingdom is not of this world.” He interviewed the architects of the 2016 Cubs, the team that broke the curse. Here’s what he asked: How the hell did you do it? He was at (almost) every game of the 2016 playoff run—a run that culminated in (maybe) the single greatest baseball game ever played. He was excited but also terrified. Losing is easy. What would it mean to win? Wearing a Yankees hat meant corporate excellence. Wearing a Mets hat meant miracles. But wearing a Cubs hat meant loving the game on its most humdrum afternoon—September 13, 1979, say, 14 games out of first place, Larry Bittner driving in Ivan DeJesus. Would we lose that? Would being a Cubs become ordinary? A mix of memoir, reporting, history and baseball theology, this book, forty years in the making, has never been written because it never could be—only with the 2016 World Series can the true arc of the story finally be understood.

    As he did with classics of sports literature, Bums (a history of the Brooklyn Dodgers) and Dynasty (a history of the New York Yankees), Golenbock turns to a team that has won and broken the hearts of generations of fans; the Chicago Cubs. Utilizing dozens of personal interviews with players, coaches, fans, sportswriters, and clubhouse personnel, as well as out-of-print memiors by nineteeth-century players, Peter Golenbock has created a perfect gift for every baseball fan: a book that entertains, warms the heart, and touches the soul. This updated edition includes material from the team's past five years, such as Harry Caray's death, the magical seasons of Sammy Sosa and Kerry Wood, and the Cubs' 1998 playoff dive.

    From the Preface:This new enlarged edition of The Glory of Their Times contains the complete text and all the photographs that were in the original book, published in 1966, plus for the first time the first-person stories of four additional major-league players - George Gibson, Babe Herman, Specs Toporcer, and Hall of Famer Hank Greenberg.

    That day these rousing ball clubs would meet at Fenway Park. Both had won ninety-nine games. Only one would win one hundred. The Yankees should have been reaching for their golf clubs-they had feuded until they were fourteen games out of first place. Then their fortunes turned, and they capped one of the most thrilling comebacks in baseball history by defeating the Red Sox that October afternoon in a game that many still remember as the greatest ever played. Transporting us into the midst of this unforgettable team, Roger Kahn weaves the first in-depth account of the legendary season of '78 and reaffirms his standing as our nation's master storyteller of baseball.

    In that year—the same in which the US Supreme Court unanimously ruled, in the case of Brown vs. Board of Education, that segregation of the races be outlawed in America's public schools—Larry Doby's Indians won an American League record 111 games, dethroned the five-straight World Series champion Yankees, and went on to play Willie Mays's Giants in the first World Series that featured players of color on both teams.   Seven years after Jackie Robinson had broken the baseball color line, 1954 was a triumphant watershed season for black players—and, in a larger sense, for baseball and the country as a whole. While Doby was the dominant player in the American League, Mays emerged as the preeminent player in the National League, with a flair and boyish innocence that all fans, black and white, quickly came to embrace. Mays was almost instantly beloved in 1954, much of that due to how seemingly easy it was for him to live up to the effusive buildup from his Giants manager, Leo Durocher, a man more widely known for his ferocious "nice guys finish last" attitude.   Award-winning, New York Times bestselling author Bill Madden delivers the first major book to fully examine the 1954 baseball season, drawn largely from exclusive recent interviews with the major players themselves, including Mays and Doby as well as New York baseball legends from that era: Yogi Berra and Whitey Ford of the Yankees, Monte Irvin of the Giants, and Carl Erskine of the Dodgers. 1954 transports readers across the baseball landscape of the time—from the spring training camps in Florida and Arizona to baseball cities including New York, Baltimore, Chicago, and Cleveland—as future superstars such as Hank Aaron, Ernie Banks, and others entered the leagues and continued to integrate the sport. Weaving together the narrative of one of baseball's greatest seasons with the racially charged events of that year, 1954 demonstrates how our national pastime—with the notable exception of the Yankees, who represented "white supremacy" in the game—was actually ahead of the curve in terms of the acceptance of black Americans, while the nation at large continued to struggle with tolerance.

    Two teams from the same city squared off against each other in an intracity World Series, pitting the heavily favored Cubs of the National League against the hardscrabble American League champion White Sox. Now, for its centennial anniversary, noted historian Bernard A. Weisberger tells the tale of a unique time in baseball, a unique time in America, and a time when Chicago was at the center of it all.At the turn of the century, American baseball and America itself were, to a modern observer, both completely alien and yet timelessly similar to what we know today. In 1906 the sport of baseball was still mired in the "dead ball" era, when defense won championships, and players didn't need bodybuilder physiques in order to be competitive. The league was racially segregated. A six-day workweek was threatened by early game times, as the first night game wouldn't be played for another three decades. There was no radio to broadcast the contest. Only one ball was used throughout the game. And yet it was still ninety feet between bases. The home team still batted in the bottom of the ninth inning. And the final score could still capture the attention of a nation.It was a time when the accomplishments on the field mirrored those beyond the diamond. America was the land of the self-made man, the land where hard work and determination could make a person's fortune. A. G. Spalding proved instrumental in making baseball what it is today -- a thriving business and a national pastime. Charles Comiskey worked his way from scoring runs as a player to becoming one of the most influential owners in baseball history. Mordecai "Three-Finger" Brown overcame a horribly disfiguring injury to become a Hall of Fame pitcher for the Cubs. And Tinkers-to-Evers-to-Chance proved that you could use teamwork to stand out as stars.A city that had rebuilt itself from the ashes of the Great Fire thirty-five years earlier was now the focal point of an entire baseball-loving country. The contest that could be called the Great Streetcar Series would electrify the city of Chicago, and prove to be one of the most unique and exciting World Series ever to be played.

    He outslugged Willie Mays, Hank Aaron, and Mickey Mantle when they were in their prime, but while they made repeated World Series appearances in the 1950s and 60s, Banks spent his entire career with the woebegone Chicago Cubs, who didn't win a pennant in his adult lifetime.Today, Banks is remembered best for his signature phrase, "Let's play two," which has entered the American lexicon and exemplifies the enthusiasm that endeared him to fans everywhere. But Banks's public display of good cheer was a mask that hid a deeply conflicted, melancholy, and often quite lonely man. Despite the poverty and racism he endured as a young man, he was among the star players of baseball's early days of integration who were reluctant to speak out about Civil Rights. Being known as one of the greatest players never to reach the World Series also took its toll. At one point, Banks even saw a psychiatrist to see if that would help. It didn't. Yet Banks smiled through it all, enduring the scorn of Cubs manager Leo Durocher as an aging superstar and never uttering a single complaint.Let's Play Two is based on numerous conversations with Banks and on interviews with more than a hundred of his family members, teammates, friends, and associates as well as oral histories, court records, and thousands of other documents and sources. Together, they explain how Banks was so different from the caricature he created for the public. The book tells of Banks's early life in segregated Dallas, his years in the Negro Leagues, and his difficult life after retirement; and features compelling portraits of Buck O'Neil, Philip K. Wrigley, the Bleacher Bums, the doomed pennant race of 1969, and much more from a long-lost baseball era.

    Forget Abner Doubleday and Cooperstown. Forget Alexander Joy Cartwright and the New York Knickerbockers. Instead, meet Daniel Lucius Adams, William Rufus Wheaton, and Louis Fenn Wadsworth, each of whom has a stronger claim to baseball paternity than Doubleday or Cartwright. But did baseball even have a father—or did it just evolve from other bat-and-ball games? John Thorn, baseball’s preeminent historian, examines the creation story of the game and finds it all to be a gigantic lie, not only the Doubleday legend, so long recognized with a wink and a nudge. From its earliest days baseball was a vehicle for gambling (much like cricket, a far more popular game in early America), a proxy form of class warfare, infused with racism as was the larger society, invigorated if ultimately corrupted by gamblers, hustlers, and shady entrepreneurs. Thorn traces the rise of the New York version of the game over other variations popular in Massachusetts and Philadelphia. He shows how the sport’s increasing popularity in the early decades of the nineteenth century mirrored the migration of young men from farms and small towns to cities, especially New York. And he charts the rise of secret professionalism and the origin of the notorious “reserve clause,” essential innovations for gamblers and capitalists. No matter how much you know about the history of baseball, you will find something new in every chapter. Thorn also introduces us to a host of early baseball stars who helped to drive the tremendous popularity and growth of the game in the post–Civil War era: Jim Creighton, perhaps the first true professional player; Candy Cummings, the pitcher who claimed to have invented the curveball; Albert Spalding, the ballplayer who would grow rich from the game and shape its creation myth; Hall of Fame brothers George and Harry Wright; Cap Anson, the first man to record three thousand hits and a virulent racist; and many others. Add bluff, bluster, and bravado, and toss in an illicit romance, an unknown son, a lost ball club, an epidemic scare, and you have a baseball detective story like none ever written. Thorn shows how a small religious cult became instrumental in the commission that was established to determine the origins of the game and why the selection of Abner Doubleday as baseball’s father was as strangely logical as it was patently absurd. Entertaining from the first page to the last, Baseball in the Garden of Eden is a tale of good and evil, and the snake proves the most interesting character. It is full of heroes, scoundrels, and dupes; it contains more scandal by far than the 1919 Black Sox World Series fix. More than a history of the game, Baseball in the Garden of Eden tells the story of nineteenth-century America, a land of opportunity and limitation, of glory and greed—all present in the wondrous alloy that is our nation and its pastime.

    It began with The Decision, that infamous televised moment when uber-star LeBron James revealed that he was leaving the Cleveland Cavaliers – thereby distancing himself from his role model Michael Jordan – to pursue his first championship with his former opponents on the Miami Heat.  To the great fortune of LeBron, the NBA and basketball itself, the mission didn’t work out as planned. In the cultural tradition of Moneyball and Friday Night Lights, veteran NBA writer Ian Thomsen portrays the NBA as a self-correcting society in which young LeBron is forced to absorb hard truths inflicted by his rivals Kobe Bryant, Doc Rivers and Dirk Nowitzki, in addition to lessons set forth by Pat Riley, Gregg Popovich, Larry Bird, David Stern, Joey Crawford and many more.  This is about the making of a champion. Brimming with inside access, The Soul of Basketball tells the inspiring story of LeBron’s loneliest year, insecure and uncertain, when his ultimate foe was an unlikely immigrant who renewed the American game’s ideals. From Miami to Boston, Los Angeles to Dallas, Germany to the NBA’s Manhattan headquarters, the biggest names in basketball are driven by something more valuable than money and fame  – a quest that will pave the way for Stephen Curry, Kevin Durant and future generations to thrive.

    Despite remaining popular and profitable into the twenty-first century, the game is losing young fans, among African Americans and women as well as white men. Furthermore, baseball’s greatest charm—a clockless suspension of time—is also its greatest liability in a culture of digital distraction. These paradoxes are explored by the historian and passionate baseball fan Susan Jacoby in a book that is both a love letter to the game and a tough-minded analysis of the current challenges to its special position—in reality and myth—in American culture. The concise but wide-ranging analysis moves from the Civil War—when many soldiers played ball in northern and southern prisoner-of-war camps—to interviews with top baseball officials and young men who prefer playing online “fantasy baseball” to attending real games. Revisiting her youthful days of watching televised baseball in her grandfather’s bar, the author links her love of the game with the informal education she received in everything from baseball’s history of racial segregation to pitch location. Jacoby argues forcefully that the major challenge to baseball today is a shortened attention span at odds with a long game in which great hitters fail two out of three times. Without sanitizing this basic problem, Why Baseball Matters remind us that the game has retained its grip on our hearts precisely because it has repeatedly demonstrated the ability to reinvent itself in times of immense social change.

    Perfect.”—Los Angeles Times In A Nice Little Place on the North Side, leading columnist George Will returns to baseball with a deeply personal look at his hapless Chicago Cubs and their often beatified home, Wrigley Field, as it turns one hundred years old. Baseball, Will argues, is full of metaphors for life, religion, and happiness, and Wrigley is considered one of its sacred spaces. But what is its true, hyperbole-free history? Winding beautifully like Wrigley’s iconic ivy, Will’s meditation on “The Friendly Confines” examines both the unforgettable stories that forged the field’s legend and the larger-than-life characters—from Wrigley and Ruth to Veeck, Durocher, and Banks—who brought it glory, heartbreak, and scandal. Drawing upon his trademark knowledge and inimitable sense of humor, Will also explores his childhood connections to the team, the Cubs’ future, and what keeps long-suffering fans rooting for the home team after so many years of futility. In the end, A Nice Little Place on the North Side is more than just the history of a ballpark. It is the story of Chicago, of baseball, and of America itself.