This debut book by one of America's most acclaimed young journalists illuminates the inner lives of ordinary people doing the extraordinary--lives that are too often hidden, underreported, or ignored by the rest of the world.

    Listening to his sermons, sharing coconut-flavored ices on their walks through town, roaming through the house that held together many members of a colorful extended family, Edwidge grew profoundly attached to Joseph. He was the man who “knew all the verses for love.” And so she experiences a jumble of emotions when, at twelve, she joins her parents in New York City. She is at last reunited with her two youngest brothers, and with her mother and father, whom she has struggled to remember. But she must also leave behind Joseph and the only home she’s ever known. Edwidge tells of making a new life in a new country while fearing for the safety of those still in Haiti as the political situation deteriorates. But Brother I’m Dying soon becomes a terrifying tale of good people caught up in events beyond their control. Late in 2004, his life threatened by an angry mob, forced to flee his church, the frail, eighty-one-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by U.S. Customs, held by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world. His brother, Mira, will soon join him in death, but not before he holds hope in his arms: Edwidge’s firstborn, who will bear his name—and the family’s stories, both joyous and tragic—into the next generation. Told with tremendous feeling, this is a true-life epic on an intimate scale: a deeply affecting story of home and family—of two men’s lives and deaths, and of a daughter’s great love for them both.

    The noted author/photographer recounts his life and the bitter struggle he has faced, since he was sixteen-years-old, against poverty and racial prejudice.

    Mauled in street battles with the Chicago police during the Days of Rage demonstrations, Weather concluded that traditional political protest was insufficient to end the war. They turned instead to underground guerrilla combat.In this highly readable history, Ron Jacobs captures the hair-raising drama of a campaign which planted bombs in banks, military installations and, twice on successive days, in the US Capitol. He describes the group’s formation of clandestine revolutionary cells, its leaders’ disavowal of monogamous relationships, and their use of LSD to strengthen bonds between members. He recounts the operational failures of the group—three members died when a bomb they were building exploded in Greenwich Village—as well as its victories including a successful jailbreak of Timothy Leary. Never short-changing the fierce debates which underpinned the Weather’s strategy, Jacobs argues that the groups eventual demise resulted as much from the contradictions of its politics as from the increasingly repressive FBI attention.

    Suddenly, the eyes of the world turned to Baltimore. In nearly 100 stunning black and white photos, Allen documents the uprising, his city, and the people who live there, revealing a world of love, courage, struggle and hope. Each photo reveals the personality, beauty and spirit of Baltimore and those who live there, as his camera complicates the stereotype of a “ghetto”. We find smiles where one might least expect them, hope doing battle against a system that sows desperation and fear, and above all, resistance, to the unrelenting pressures of racism in twenty-first-century America.““Allen’s work demonstrates a connection between resistance as a daily activity, a way of life in the ghetto, and resistance as a political act, as played out in the streets last spring. He documents resistance without judgment, without asking the usual questions that outsiders might: Is it justified? Is it effective? Is it legal? Resistance is represented not as a tactic, but as a fundamental aspect of life.”—Washington PostDevin Allen is one of the first amateur photographers to have their his work featured on the cover of Time magazine. His photographs have also appeared in New York Magazine, the Washington Post, the New York Times, CNN, BBC, NBC News, Aperture Magazine, and Yahoo!.

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    High school sweethearts, Keyton, and Tori find themselves married and deeply in love with each other. With a list of broken promises and lies being told by Keyton; Tori finds herself at a crossroad. Does she stay and try to salvage her marriage with the love of her life or move on from all of the pain and turmoil that being with Keyton have brought her? How can you keep loving someone that causes you pain? How do you stay in a place that you know is a dead end… literally? TaNia is as independent as they come, thick and beautiful! She keeps her business in order and doesn’t depend on anyone for anything. After losing her father, she moves back home to take care of her mother, which is taking a lot of adjusting on her part. In the midst of all the changes her life is taking, Lemonte is on a mission to make her his. He kept his eye on her over the years and he’s done with just being her friend. He wants more… a lot more, whether TaNia is ready for that or not! Winter has always depended on someone, whether it was her parents or the man she was in a relationship with. She no longer wants to be that girl, so she makes some changes and learns to stand on her own two feet. She lives a lifestyle that she is not particularly proud of, but it makes her goals and dreams that much easier to accomplish. Her parents are traditional and old school so she hides her life from them, but when she lands in the scope of a Demarco, she has to make a choice between love and comfort.

    Every time he pulls away, something goes array and sucks him back in. A natural born leader and peace maker, he gives himself two months to be free from the streets while saving every dollar he can to fulfill the promise he made to himself. Taj Ali Adams has a bright future ahead of her and an undeniable light that everyone around her wants to protect, especially her older brother. With tragedy lingering around her, the light that shined so bright goes dim. Taj is forced to adjust to a whole new world after her father packs them up and moves unexpectedly. In a haze, Taj questions everything. Then fate steps in and guides two souls to each other. But the question is, will fate play fair and bring back Taj’s light to be a guide or will it diminish forever? Find out in Indigo Haze: Thug Love is the Best Love.

    All the narratives are drawn from AARP's Voices of Civil Rights project, and they present a wide-ranging picture of the struggle.This new and helpful readers' group guide includes a clear and succinct introduction especially directed to those studying the book; thought-provoking questions for discussion; praise for the author; and a brief author biography.Juan Williams doesn't merely retell familiar tales about this tumultuous time: he showcases stories of personal transformation that bring a pivotal moment in American history profoundly alive. And it isn't just about the past: the vivid language and intimate experiences that unfold on every page reveal just how much the civil rights revolution remains a vital force today. Every speaker makes clear that the fight for equality must continue now, and into the future."David Halberstam provides an excellent overview...the combination of analysis and intimacy with powerful documentary photos makes for gripping narrative. Best of all are the connections with contemporary struggles for equality...Marion Wright Edelman's final impassioned essay speaks for the millions of all races who continue to be 'left behind in our land of plenty.'"--Booklist "Individual transformation is the organizing theme...The stories seem fresh because events played out differently for each contributor."--Washington Post

    The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. It shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations in America.

    This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more—including a short piece by Nikki Giovanni entitled "Remembering Gwen."By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks’s Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems.This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage—including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas.

    On the surface he’s the least likely candidate for a rap impresario. But with his signature charm and passion, he plunges headfirst into the wards, clubs, and projects of New Orleans, opening up a world closed to most outsiders: a journey into the heart of the hip-hop dream, and into larger question of racial identity in America. Written before Hurricane Katrina struck (and published here with an afterword that chronicles how Katrina altered the lives of those he met) Triksta now stands as an elegy to a city, its music, and its people.

    AUTHOR'S BIRTHCHAPTER II. REMOVAL FROM GRANDMOTHER'SCHAPTER III. TROUBLES OF CHILDHOODCHAPTER IV. A GENERAL SURVEY OF THE SLAVE PLANTATIONCHAPTER V. A SLAVEHOLDER'S CHARACTERCHAPTER VI. A CHILD'S REASONINGCHAPTER VII. LUXURIES AT THE GREAT HOUSECHAPTER VIII. CHARACTERISTICS OF OVERSEERSCHAPTER IX. CHANGE OF LOCATIONCHAPTER X. LEARNING TO READCHAPTER XI. GROWING IN KNOWLEDGECHAPTER XII. RELIGIOUS NATURE AWAKENEDCHAPTER XIII. THE VICISSITUDES OF SLAVE LIFECHAPTER XIV. EXPERIENCE IN ST. MICHAELSCHAPTER XV. COVEY, THE NEGRO BREAKERCHAPTER XVI. ANOTHER PRESSURE OF THE TYRANT'S VISECHAPTER XVII. THE LAST FLOGGINGCHAPTER XVIII. NEW RELATIONS AND DUTIESCHAPTER XIX. THE RUNAWAY PLOTCHAPTER XX.CHAPTER XXI. ESCAPE FROM SLAVERYSECOND PARTCHAPTER I. ESCAPE FROM SLAVERYCHAPTER II. LIFE AS A FREEMANCHAPTER III. INTRODUCED TO THE ABOLITIONISTSCHAPTER IV. RECOLLECTIONS OF OLD FRIENDSCHAPTER V. ONE HUNDRED CONVENTIONSCHAPTER VI. IMPRESSIONS ABROADCHAPTER VII. TRIUMPHS AND TRIALSCHAPTER VIII. JOHN BROWN AND MRS. STOWECHAPTER IX. INCREASING DEMANDS OF THE SLAVE POWERCHAPTER X. THE BEGINNING OF THE ENDCHAPTER XI. SECESSION AND WAR"MEN OF COLOR, TO ARMS!”THE BLACK MAN AT THE WHITE HOUSECHAPTER XII. HOPE FOR THE NATIONCHAPTER XIII. VAST CHANGESCHAPTER XIV. LIVING AND LEARNINGCHAPTER XV. WEIGHED IN THE BALANCECHAPTER XVI. "TIME MAKES ALL THINGS EVEN"CHAPTER XVII. INCIDENTS AND EVENTSCHAPTER XVIII. "HONOR TO WHOM HONOR"CHAPTER XIX. RETROSPECTIONCONCLUSIONAPPENDIXWEST INDIA EMANCIPATIONTHIRD PARTCHAPTER I. LATER LIFECHAPTER II. A GRAND OCCASIONCHAPTER III. DOUBTS AS TO GARFIELD'S COURSECHAPTER IV. RECORDER OF DEEDSCHAPTER V. PRESIDENT CLEVELAND'S ADMINISTRATIONCHAPTER VI. THE SUPREME COURT DECISIONCHAPTER VII. DEFEAT OF JAMES G. BLAINECHAPTER VIII. EUROPEAN TOURCHAPTER IX. CONTINUATION OF EUROPEAN TOURCHAPTER X. THE CAMPAIGN OF 1888CHAPTER XI. ADMINISTRATION OF PRESIDENT HARRISONCHAPTER XII. MINISTER TO HAÏTICHAPTER XIII. CONTINUED NEGOTIATIONS FOR THE MÔLE ST. NICOLASCOLLECTED ARTICLES OF FREDERICK DOUGLASS, A SLAVEMY ESCAPE FROM SLAVERYRECONSTRUCTIONMY BONDAGE and MY FREEDOMCONTENTSEDITORS PREFACEINTRODUCTIONLIFE AS A SLAVE?I--CHILDHOODII--REMOVED FROM MY FIRST HOMEIII--PARENTAGEIV--A GENERAL SURVEY OF THE SLAVE PLANTATIONV--GRADUAL INITIATION INTO THE MYSTERIES OF SLAVERYVI--TREATMENT OF SLAVES ON LLOYDS PLANTATIONVII--LIFE IN THE GREAT HOUSEVIII--A CHAPTER OF HORRORSIX--PERSONAL TREATMENTX--LIFE IN BALTIMOREXI--"A CHANGE CAME O'ER THE SPIRIT OF MY DREAM"XII--RELIGIOUS NATURE AW

    . . . A Notable Book of the Year."--New York Times Book Review (front page)"A keenly observed, often brilliant, Panther-busting book. . . . Pearson nevertheless portrays the Panthers' rise as an understandable reaction against . . . white chauvinism."--Los Angeles Times Book Review "This book will awaken profound misgivings--about gun-barrel rhetoric, about armed rebellion, about the ambiguities of justice."--The New Yorker"A bracing experience . . . Pearson has been able to present enough hard evidence to draw a chilling portrait of Murder Incorporated in revolutionary dress."--New York Newsday"Pearson . . . set out to write a very different book about his boyhood hero [Huey Newton] but didn't blink at the truth . . . honest and compelling judgment."--Detroit News

    Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago TribuneGem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.