It is also a world of boomtowns and bars, oil rigs and seismic soundings; of white energy speculators, ranchers, and sports hunters. Brody came to this dual world with the job of "mapping" the lands of northwest British Columbia as well as the way of life of a small group of Beaver Indians with a viable hunting economy living in the path of a projected oil pipeline. The result is Maps and Dreams, Brody's account of his extraordinary eighteen-month journey through the world of a people who have no intention of vanishing into the past. In this beautifully written book, readers go on a moose hunt; trap beaver; mourn at a funeral; drink in white bars; visit camps, cabins, and traplines by pickup truck, on horseback, and on foot. Brody's powerful commentary also retraces the history of the ever-expanding white frontier from the first eighteenth-century explorer to the wildest corporate energy dreams of the present day. In the process, readers see how Indian dreams and white dreams, Indians maps and white maps, collide.

    He faces many obstacles on his quest and sacrifices much to help others in need. But the mouse's compassion and faith in himself prove to be a source of great power...and bring him rewards even beyond his dreams.

    White settlers, however, sharply curtailed their freedom. With the courage and resilience embodied by their legendary leader Tecumseh, the Shawnee tribe waged a war of territorial and cultural resistance that lasted for more than sixty years. For a time the Shawnees and their allies met American forces on nearly equal terms—but their story is of an embattled nation fighting to maintain its cultural and political independence. Here is the account of the early American settlers’ drive to occupy the West, the Shawnees’ unwavering defense of their homeland, and the bitter battles that resulted. Here too are the alliances that the Shawnees forged with their Indian neighbors to present a united resistance, as well as instances of cooperation, collaboration, and intermarriage between the opposing forces.

    A must for all Rollins fans.

    These lyrical poems and striking paintings celebrate the wonder of the seasons, from the Northern Cheyenne's Moon of the Popping Trees to the Big Moon of the Abenaki."This book instills a spiritual respect for our land and an appreciation for the people who were its first caring guardians." —American BooksellerA Notable Children's Trade Book in the Language ArtsAn IRA Teacher's Choice BookA Notable Children's Trade Book in the Field of Social Studies

    The Desert People know. so do the animals. Both love the land, and "share the feeling of being brothers in the desert, of being desert creatures together." Byrd Baylor's spare, poetic text and Peter Parnall's striking illustrations lime the sky, stone and sand of the desert in this haunting book.

    This sparkling creation by multi-award-winning designer David Pelham will amaze and delight all who take the journey through this remarkable book.

    . . there aren't many titles that haven’t been bestowed on LEGO toys, and it’s not hard to see why. From its inception in the early 1930s right up until today, the LEGO Group’s history is as colorful as the toys it makes. Few other playthings share the LEGO brand’s creative spirit, educative benefits, resilience, quality, and universal appeal. The LEGO name is now synonymous with playtime, but it wasn’t always so. This history charts the birth of the LEGO Group in the workshop of a Danish carpenter and its steady growth as a small, family-run toy manufacturer to its current position as a market-leading, award-winning brand. The company’s ever-increasing catalogof products—including the earliest wooden toys, plastic bricks, play themes, and other building systems such as DUPLO, Technic, and MINDSTORMS—are chronicled in detail, alongside the manufacturing process, LEGOLAND parks, licensed toys, and computer games. Learn all about how LEGO pulled itself out of an economic crisis and embraced technology to make building blocks relevant to twenty-first-century children and discover the vibrant fan community of kids and adults whose conventions, websites, and artwork keep the LEGO spirit alive. As nostalgic as it is contemporary, A Million Little Bricks will have you reminiscing about old Classic Space sets, rummaging through the attic for forgotten Minifigure friends, and playing with whatever LEGO bricks you can get your hands on (even if it means sharing with your kids).

    The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

    Graeme Base takes the reader on a journey of discovery, from the plains of Africa and the jungles of the Amazon to the woodlands of North America and the deserts of the Australian outback.

    Saddened by her loss, Gree Shrek names the calf Xiao Han (“Little Moose”) and the moose and man form an authentic attachment. Xiao Han accompanies Gree Shrek as the hunter-gatherer herds reindeer, sets up camp, forages for food in the forest, and visits his peoples’ village, where many fun adventures happen. But as the little moose grows bigger, Gree Shrek knows he must return his companion to the forest.

    In AMERICA THE BEAUTIFUL, these ideas are translated into gorgeous illustrations by such top artists as Bryan Collier, Jon J Muth, Diane Goode, Mary GrandPre, Raul Colon, Sonia Lynn Sadler, Yuyi Morales, John Hendrix, LeUyen Pham, and Chris Soentpiet. Each of these talented illustrators has found a unique way to interpret the values and beliefs that have built our great country.Through moving illustrations, AMERICA THE BEAUTIFUL integrates the lyrics of the familiar patriotic tune with inspiring presidential quotations. AMERICA THE BEAUTIFUL will help teach children about our country's great leaders while highlighting American values such as diversity, unity, and freedom. In addition, the back cover will feature a quote from the acceptance speech of the winner of the 2012 presidential election.

    As we read the wisdom of these peoples, it is possible to feel a reconnection with our land and ourselves. This beautiful collection of the best of Native American wisdom features the thoughts of Chief Joseph, Sitting Bull, Red Cloud, Black Elk, Ohiyesa, and many others on Native American ways of living, learning, and dying. Taken from orations, recorded observations of life and social affairs, and other first-person testimonies, this book selects a wide range of Native American wisdom and distills it to its essence in short, digestible quotes that are meaningful and timeless -- perhaps even more timely now than when they were written.

    However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians—individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.

    That's why some images of Indians can be so unexpected and disorienting: What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions, even as the latter continue to dominate relations between Native and non-Native Americans.Philip Deloria explores this cultural discordance to show how stereotypes and Indian experiences have competed for ascendancy in the wake of the military conquest of Native America and the nation's subsequent embrace of Native "authenticity." Rewriting the story of the national encounter with modernity, Deloria provides revealing accounts of Indians doing unexpected things—singing opera, driving cars, acting in Hollywood—in ways that suggest new directions for American Indian history.Focusing on the late nineteenth and early twentieth centuries—a time when, according to most standard American narratives, Indian people almost dropped out of history itself—Deloria argues that a great many Indians engaged the very same forces of modernization that were leading non-Indians to reevaluate their own understandings of themselves and their society. He examines longstanding stereotypes of Indians as invariably violent, suggesting that even as such views continued in American popular culture, they were also transformed by the violence at Wounded Knee. He tells how Indians came to represent themselves in Wild West shows and Hollywood films and also examines sports, music, and even Indian people's use of the automobile—an ironic counterpoint to today's highways teeming with Dakota pick-ups and Cherokee sport utility vehicles.Throughout, Deloria shows us anomalies that resist pigeonholing and force us to rethink familiar expectations. Whether considering the Hollywood films of James Young Deer or the Hall of Fame baseball career of pitcher Charles Albert Bender, he persuasively demonstrates that a significant number of Indian people engaged in modernity—and helped shape its anxieties and its textures—at the very moment they were being defined as "primitive."These "secret histories," Deloria suggests, compel us to reconsider our own current expectations about what Indian people should be, how they should act, and even what they should look like. More important, he shows how such seemingly harmless (even if unconscious) expectations contribute to the racism and injustice that still haunt the experience of many Native American people today.