Here is Wordsworth wandering “lonely as a cloud”; Poe confiding “all I loved, I loved alone”; Yeats’s communion with “the deep heart’s core”; and Han Shan’s heart of a hermit, “clean as a white lotus.” From Sir Edward Dyer’s “My Mind to Me a Kingdom Is,” to the spiritual searching of the Transcendentalists, to the meditative verse of Jorie Graham, some of the most indelible poems from every time and culture have grown out of the aloneness inherent in the poet’s art. The poems collected here, whether reflecting on the soul or on nature, addressing an absent loved one, or honoring the self, form a book of respite and contemplation, and a beautiful tribute to the interior life.

    Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

    As a first book of poems, it is remarkable for its accurate perceptions and its rich linguistic gifts.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    Frost scholar Lathem, who was also a close friend of the four-time Pulitzer Prize-winner, scrupulously annotated the 350-plus poems in this collection, which has been the standard edition of Frost's work since it first appeared in 1969.

    Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul.Includes poems by John Donne, Christina Rossetti, W. H. Auden, Edna St. Vincent Millay, Robert Graves, e. e. cummings, Dorothy Parker, William Shakespeare, Sappho, Bhartrhari, Anna Akhmatova, and W. B. Yeats, among many others.

    He delves into his youth to analyze its repercussions.

    Though capable of rendering rapture and delight in the most exquisite verse, in another mode Tennyson is brother in spirit to Poe and Baudelaire, the author of dark, passionate reveries. And though he treasured poetic tradition, his work nevertheless engaged directly with the great issues of his time, from industrialization and the crisis of faith to scientific progress and women’s rights. A master of the short, intense lyric, he can also be sardonic, humorous, voluptuous, earthy, and satirical.This collection includes, of course, such famous poems as “The Lady of Shalott” and “The Charge of the Light Brigade.” There are extracts from all the major masterpieces—“Idylls of the King,” “The Princess,” “In Memoriam”—and several complete long poems, such as “Ulysses” and “Demeter and Persephone,” that demonstrate his narrative grace. Finally, there are many of the short lyrical poems, such as “Come into the Garden, Maud” and “Break, Break, Break,” for which he is justly celebrated.

    His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    Her fist book, Pole Dancing to Gospel Hymns opened the door to Gibson's unapologetic voice, yet The Madness Vase manages to take an even more intimate look at the subjects of family, war, spirituality, gender, grief and hope. The poems' topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson's work seizes us by the collar and hauls us inside some of her darkest moments, then releases out the other side. Moments later, we find ourselves inhaling words that fill us with light. Her luminous imagery is a buoy that allows us to resurface from her world clutching new possibilities of our own. Throughout her career, Gibson's poems have always been a call to social justice. But this collection goes beyond awareness. Her images linger in our psyches and entreat us to action. They challenge us to grow into our own skin. The journey may be raw at times but we are continuously left inspired, held, and certain we are not alone. By the time you finish reading The Madness Vase, you too will believe, "Folks like us/We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

    The aim of the present complete edition, which contains a numbered sequence of the 224 poems written after 1956 together with a further 50 poems chosen from her pre-1956 work, is to bring Sylvia Plath's poetry together in one volume, including the various uncollected and unpublished pieces, and to set everything in as true a chronological order as is possible, so that the whole progress and achievement of this unusual poet will become accessible to readers.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    Eliot himself wished to preserve than this volume, published two years before his death in 1965.Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as 'The Waste Land' and 'Old Possum's Book of Practical Cats'.

    it contains black & white photographs paired with poetry pieces; giving it a photo diary feels.

    Sin's first book of poetry.