The story of how firmly they were bound in fetters of family, caste and society, and how fiercely they fought to escape, needs to be told. In Lady Doctors, Kavitha Rao unearths the extraordinary stories of six women from the 1860s to the 1930s, who defied the idea that they were unfit for medicine by virtue of their gender. From Anandibai Joshi, who broke caste rules by crossing an ocean, to Rukhmabai Raut, who escaped a child marriage, divorced her husband and studied to be a doctor; from Kadambini Ganguly, who took care of eight children while she worked, to child widow Haimabati Sen, who overcame poverty and hardship—these women had a profound and lasting impact. And in their forgotten lives lie many lessons for modern women.In truth, the compelling stories of these radical women have been erased from our textbooks and memories, because histories have mostly been written by men, about men. In an immensely readable narrative, and with impeccable research, Lady Doctors rectifies this omission.

    (And SHE WHO MUST BE OBEYED….in spirit form. Cybernagger! Astralnagger! ) There are two routes to Ladakh - the Srinagar-Leh road and the Manali-Leh road. Which one should we do? Ah...Let’s do both! What other places should we go to? Ah...Let’s go everywhere! The most epic ride of India deserves a most epic travel story! Read the madcap adventures of the Amigos. Adi - Mr Perpetual Motion, the sunglass executioner. Delzad - the Ghost rider, the tandoori fanatic. Ketan - the cool rider. the husband of SHE WHO MUST BE OBEYED! The most hilarious ride story ever written. Check out the sample right now! EXPLORE INDIA WITH THE AMIGOS Ketan, Adi and Delzad ride all over India on their Royal Enfield motorcycles and have the most amazing and hilarious adventures. Join the Amigos as they ride and get insights on Indian history, culture, customs and a bellyaching amount of laughs. Three Men on Motorcycles - The Amigos Ride to Ladakh Three Men Ride Again- The Amigos Ride to Spiti Three Men Ride South The Amigos Ride to Coorg Three Men Ride the Cliffhanger The Amigos Ride the Most Dangerous Roads in the World Check out photos and videos of the rides on www.ketanjoshi.net

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    His plan is to put the humble cane-panipuri vendor, found in every other street in a metropolitan city, on a digital platform.As they gear up to launch an app to sell panipuri, the cloud of risk looms large. All five entrepreneurs who earlier ventured into the business had died in road accidents. But all that is overlooked and forgotten in the excitement of the team reaching the verge of a VC funding.Is the death of all five entrepreneurs a coincidence? Can Sagar and his team overcome the odds? Why are the ordinary vendors dying one after another like a pack of cards?The Panipuri Crimes is a thrilling story weaving together the world of entrepreneurship and struggle, love and other demons, and the murky world of crime.

    There could be many reasons for this—issues at work, unhappy family life, financial troubles or embarrassing social situations. Most of us could use a little advice in these circumstances. Chanakya Neeti provides precisely that guidance to face life’s many daunting challenges. Chanakya, the great thinker and teacher, is well-known for his insights into the needs of both the privileged and the masses. The original Chanakya Neeti was written over two thousand years ago, but its brilliant verses are still applicable today because the basic quests of man remain the same—peace, prosperity and happiness. In this volume, Radhakrishnan Pillai offers a modern interpretation of Chanakya’s crisp and practical maxims in his characteristic easy-to-follow and elegant prose. Imbibe Chanakya’s wisdom to break loose from the web of troubles and create the life you desire on your terms.Radhakrishnan Pillai is the bestselling author of Corporate Chanakya, Chanakya’s 7 Secrets of Leadership, Chanakya in You, Katha Chanakya and Thus Spoke Chanakya. He has a Master’s degree in Sanskrit and has done his PhD in Kautilya’s Arthashastra. A renowned management consultant and speaker, he is the Deputy Director of the Chanakya International Institute of Leadership Studies (CIILS) at the University of Mumbai. He tweets using the handle @rchanakyapillai and is also active on other major social media platforms.

    Source: Wikipedia. Pages: 22. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Gods, Demons and Others is a collection of short stories by R. K. Narayan adapted from Indian history and mythology, including epics like The Ramayana and The Mahabharatha. In this book, Narayan provides both vitality and an original viewpoint to ancient legends. Gods, Demons and Others is a collection of ancient tales from India's complex history and mythology presented in their traditional setting, albeit with Narayan's urbane and affectionate, satirical style, bereft of any didactic interludes. The selection of stories includes only those that center on outstanding personalities who transcend the boundaries of time and age. The book consists of 15 stories. LavanaThe story of Lavana, an asura from the Ramayana. ChudalaThe story of a king trying to attain self realisation. YayatiThe story of Yayati, an asura king. DeviThe story of the Goddess Devi, responsible for all, in Hindu mythology. ViswamitraStory of Viswamitra, one of the most revered rishis of ancient India, who attains enormous power but stays unsatisfied until he realizes that the power should not be used for self-gratification. ManmataStory of Manmata, the cupid of Indian mythology. RavanaStory of the asura king Ravana, Rama's nemesis in the Ramayana. ValmikiStory of Adi Kavi Valmiki, the author of the Ramayana who is said to have discovered the first loka that set the base for Sanskrit poetry. DraupadiStory of Draupadi, the wife of the Pandavas in the Mahabharatha. NalaThe story of how Nala a pure and righteous king is corrupted by a demon and thereby s...More: http: //booksllc.net/?id=2352047

    They moved to America as young boys and helped tame the Wild West with not only their fists, but impeccable manners! In all that time, they kept hearing bits and pieces of a tale their mother told them. Over the years however, not to mention the loss of their mother, they lost most of the story and could only remember one major detail. A crocodile. Oh, and their third cousin the earl of course, who later became a duke, and whose duchy eventually fell to Duncan – but that’s another tale. This tale is something else entirely …Anthony Sayer had toiled for the East India Company for many years and after the death of his father was more than happy to return to England once and for all. Unfortunately, the Company had other ideas for Anthony, ones he wasn’t too thrilled to take on. Little did he know he’d be taking on so much more.Isabelle Bainbridge – better known as Isabelle Painbridge (or Hurricane Isabelle, depending on which circles one ran in) had given up any hopes of marriage. At twenty-six she was considered “on the shelf” by most of the ton and began to despair of ever finding a husband. Enter one Anthony Sayer. He was handsome, an earl and, better yet, available! But when a diary is delivered to her, its secrets turn Isabelle’s life upside down. Wishing to escape the horrible truths of the diary, she heads for India hoping to escape the scandal that will surely follow should anyone learn the book’s secrets. Unfortunately she runs into something else while abroad. Namely, one Anthony Sayer. And he isn’t exactly glad to see her. After all, Anthony has secrets of his own ...Enjoy this clean and wholesome romance full of fun, adventure, and a few critters to boot!

    Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and has been playing to rave reviews and a sold-out theatre at the Noël Coward in London. The London production is directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theatre company, Cheek by Jowl. A Broadway transfer is planned for Spring 2015.

    Richly illustrated in pop art, and littered with absurd situations - which the author assures us are completely true - Welcome to Advertising! Now, Get Lost has prompted at least one ad guru to regret that he hadn't written it himself.

    

    He has travelled far and wide across the country and the world and, with an active role in India's governance and politics, he has observed it grow and change over the last four decades. In turn philosophical, sensitive and laced with gentle humour, this is a book that provides the reader with a window into that evolution of India, and the part played by civil servants in its advancement.From attending lavish parties at exclusive clubs, to working in isolation in far- flung, impoverished corners of India; from dealing with the complexities of bureaucracy, to his contributions to policy-making and development; from encountering both brilliance and apathy in men and women, to the satisfaction of being able to help ones fellow citizens Robin Gupta documents his experiences with candour, warmth and a deep appreciation of the absurdities of the human condition. Lucid and poignant, And What Remains in the End is not only an account of a rich life but also a portrait of a country in motion and a testament to those who dedicated their lives to serving their nation.

    Struggling to contain his men and the ambitions of his superiors, the commanding officer attempts to negotiate the unspoken rules of this alien country. He seeks to restore peace to a country ravaged by war. This is Scotland in the eleventh century at the height of the fight for succession of the Scottish throne.David Greig's Dunsinane premiered in February 2010 at Hampstead Theatre, London, in a production by the Royal Shakespeare Company.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    The play is a political satire, written as historical drama. Based on the life of Nana Phadnavis (1741–1800), one of the prominent ministers in the court of the Peshwa of Pune. Its theme is how men in power give rise to ideologies to serve their purposes, and later destroy them when they become useless.