And while the elderly Russian woman cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—her distant past is preserved: vivid images that rise unbidden of her youth in war-torn Leningrad.In the fall of 1941, the German army approached the outskirts of Leningrad, signaling the beginning of what would become a long and torturous siege. During the ensuing months, the city's inhabitants would brave starvation and the bitter cold, all while fending off the constant German onslaught. Marina, then a tour guide at the Hermitage Museum, along with other staff members, was instructed to take down the museum's priceless masterpieces for safekeeping, yet leave the frames hanging empty on the walls—a symbol of the artworks' eventual return. To hold on to sanity when the Luftwaffe's bombs began to fall, she burned to memory, brushstroke by brushstroke, these exquisite artworks: the nude figures of women, the angels, the serene Madonnas that had so shortly before gazed down upon her. She used them to furnish a "memory palace," a personal Hermitage in her mind to which she retreated to escape terror, hunger, and encroaching death. A refuge that would stay buried deep within her, until she needed it once more. . . .

    This department was responsible for kidnapping, assassination, sabotage, and guerrilla warfare during World War II, it also set up illegal networks in the United States and Western Europe, and, most crucially, carried out atomic espionage in the United States, Great Britain, and Canada. Sudoplatov served the KGB for over fifty years, at one point controlling more than twenty thousand guerrillas, moles, and spies. But his involvement with the most nefarious Soviet activities-- and the rulers who ordered them-- made Sudoplatov an unwanted witness, and he was arrested in 1953 after Beria's fall. Despite torture and solitary confinement he refused to "confess", disavowing any criminal actions. He spent fifteen years in prison, then struggled two decades more for rehabilitation. "Special Tasks" is an astonishing memoir and a singular historical document of a man who knew and did too much for the Soviet empire.

    This is the true story of one of those families-Carl and Elisabeth Werner and their young daughter Margaret-and their terrifying life in Russia under brutal dictator Joseph Stalin. Margaret was seventeen when her father was arrested on trumped-up charges of treason. Heartbroken and afraid, she and her mother were left to withstand the hardships of life under the oppressive Soviet state, an existence marked by poverty, starvation, and fear. Refusing to comply with the Socialist agenda, Margaret was ultimately sentenced to ten years of hard labor in Stalin's Gulag. Filth, malnutrition, and despair accompanied merciless physical labor. Yet in the midst of inhumane conditions came glimpses of hope and love as Margaret came to realize her dependence upon "the grace, favor, and protection of an unseen God."In all, it would be thirty long years before Margaret returned to kiss the ground of home. Of all the Americans who made this virtually unknown journey-ultimately spending years in Siberian death camps-Margaret Werner was the only woman who lived to tell about it. Written by her son, Karl Tobien, Dancing Under the Red Star is Margaret's unforgettable true story: an inspiring chronicle of faith, defiance, and personal triumph

    It is also a wonderful piece of travel writing. Custine, who met with people in all walks of life, including the Czar himself, offers vivid descriptions of St. Petersburg and Moscow, of life at court and on the street, and of the impoverished Russian countryside. But together with a wealth of sharply delineated incident and detail, Custine's great work also presents an indelible picture--roundly denounced by both Czarist and Communist regimes--of a country crushed by despotism and "intoxicated with slavery."Letters from Russia, here published in a new edition prepared by Anka Muhlstein, the author of the Goncourt Prize-winning biography of Custine, stands with Tocqueville's Democracy in America as a profound and passionate encounter with historical forces that are still very much at work in the world today.

    Now, drawing on sources newly available since the collapse of the Soviet Union and the reunification of Germany, historian and journalist Chris Bellamy presents the first full account of this deadly conflict.Bellamy outlines the lead-up to the war—in which the fragile alliance between Hitler and Stalin was unceremoniously broken—and takes us headlong into the hostilities. He presents a shocking picture of battle in which the traditional restraints of “civilized” warfare were shed. He makes clear how the Soviets quickly rallied against Hitler, choosing homegrown despotism over foreign domination in a struggle that the Russian people call the Great Patriotic War.Bellamy charts the early gains of the German army, whose advances into Soviet territory were brought to a halt in Moscow in the winter of 1941, and whose defeat was sealed in the Battle of Stalingrad, the most merciless campaign of the bloodiest front. He shows how Soviet men—and women—joined to fight a war whose casualties were later steeply underestimated by their government, and how even the true death toll, at 27 million, does not take into account the millions of lives on both sides that lay shattered in the aftermath.Finally, Bellamy examines the far-reaching consequences of the battle’s outcome—the reverberations of which are still felt today—and argues that the cost of victory was ultimately too much for the Soviet Union to bear.A magisterial study, and an essential addition to our understanding of contemporary world history.

    Simultaneously a political, social and oral history, this book will quickly become the preeminent short history of Russia's recent past. Photos.

    From the persecution of his family under Stalin to his first political steps to his extraordinary rise within the Communist Party, Gorbachev recounts the events that led to his own disillusionment, without which the eventual implosion of communism would not have taken place. of photos.

    Designed to dislodge the German Army from its position west of Moscow, Mars cost the Soviets an estimated 335,000 dead, missing, and wounded men and over 1,600 tanks. But in Russian history books, it was a battle that never happened. It became instead another victim of Stalin's postwar censorship.David Glantz now offers the first definitive account of this forgotten catastrophe, revealing the key players and detailing the major events of Operation Mars. Using neglected sources in both German and Russian archives, he reconstructs the historical context of Mars and reviews the entire operation from High Command to platoon level.Orchestrated and led by Marshal Georgy Kostantinovich Zhukov, one of the Soviet Union's great military heroes, the twin operations Mars and Uranus formed the centerpiece of Soviet strategic efforts in the fall of 1942. Launched in tandem with Operation Uranus, the successful counteroffensive at Stalingrad, Mars proved a monumental setback. Fought in bad weather and on impossible terrain, the ambitious offensive faltered (despite spectacular initial success in some sectors). Zhukov kept sending in more troops and tanks only to see them decimated by the entrenched Germans.Illuminating the painful progress of Operation Mars with vivid battle scenes and numerous maps and illustrations, Glantz presents Mars as a major failure of Zhukov's renowned command. Yet, both during and after the war, that failure was masked from public view by the successful Stalingrad operation, thus eliminating any stain from Zhukov's public image as a hero of the Great PatrioticWar.For three grueling weeks, Operation Mars was one of the most tragic and agonizing episodes in Soviet military history. Glantz's reconstruction of that failed offensive fills a major gap in our knowledge of World War II, even as it raises important questions about the reputations of national military heroes.

    He brings to life his friends - now reduced to pieces of flesh - revisiting their first loves, their passion for rock music, their quests for martyrdom. And he immerses us in the intoxicating beauty of his homeland's mountains, blossoms and the flocks of migratory swallows that fill its skies.I Am a Chechen! is an intensely personal journey through the carnage of the war, exploring the pain, the challenge, and above all the meaning of being a Chechen.

    His name brings to mind brutal terrorism and ruthless oppression. Yet, as New York Times bestselling author Ian Grey shows, at the core of the Man of Steel was a humble, puritanical Georgian peasant. What set him above others was his intelligence, discipline, perception, indomitable will, and above all, a messianic determination to lead Russia to a grand destiny. Grey's comprehensive biography portrays Stalin as a complex, paradoxical figure - a leader whose power was rooted in the tsarist traditions he abhorred and whose tyranny was based on an ambition to ensure the strength of his party. In his single-minded dedication to the growth of Russia under communism, Stalin was able to disregard all sense of morality. Yet, through his magnetism, he commanded the respect of his colleagues and the adulation of his people. Even Winston Churchill held him in awe. Stalin is a powerful history of Russia's evolution from backward nation to world power, as well as a dramatic portrait of a man who was called both "The Implacable" and "Beloved Father."

    With the collapse of the Soviet Union, the country had an opportunity to face its tortured past. In Inside the Stalin Archives, Jonathan Brent asks, why didn't this happen? Why are the anti-Semitic Protocols of Zion sold openly in the lobby of the State Duma? Why are archivists under surveillance and phones still tapped? Why does Stalin, a man responsible for the deaths of millions of his own people, remain popular enough to appear on boxes of chocolate sold in Moscow's airport?Brent draws on fifteen years of unprecedented access to high-level Soviet Archives to answer these questions. He shows us a Russia where, in 1992, used toothbrushes were sold on the sidewalks, while now shops are filled with luxury goods and the streets are jammed with Mercedes. Stalin's specter hovers throughout, and in the book's crescendo Brent takes us deep into the dictator's personal papers to glimpse the dark heart of the new Russia. Both cultural history and personal memoir, Inside the Stalin Archives is a deeply felt and vivid portrait of Russia in the twenty-first century.

    The autobiography of the first cosmonaut.

    In fact much of Baldaev's family moved through the Soviet prison system, while he became a guard. At his father's suggestion, Danzig used his access to document and study the tattoos that were pervasive among the truly criminal portion of the prison population, the vory v zakonye, or legitimate thieves, a semi-professional class who kept their own brutal laws. During his 30 years supervising inmates in St. Petersburg's notorious Kresty Prison, Baldaev recorded more than 3,000 of their tattoos and parsed their meanings, in the drawings and text that made the first volume of the Russian Criminal Tattoo Encyclopedia a bestseller. This essential second volume, which collects all-new, previously unseen photographs and drawings, goes to the extremes of his incredible collection. Sergei Vasiliev's photographs authenticate the images, Baldaev's drawings make sense of them and through them both we glimpse an extraordinary world where the criminal's position, history and even sexual preference are displayed indelibly on his body.

    From 1851, in the space of little more than a decade, the world was reshaped by technology, trade, mass migration and war. As instantaneous electric communication bridged the vast gulfs that separated human societies, millions of settlers travelled to the far corners of the Earth, building vast cities out of nothing in lightning-quick time. A new generation of fast steamships and railways connected these burgeoning frontier societies, shrinking the world and creating an interlinked global economy.In the company of fortune-seekers and ordinary migrants, we journey to these rapidly expanding frontiers, savouring the frenetic activity and optimism of the boom-towns of the 1850s in Australia, New Zealand the United States. This is a story not only of rapid progress, but of the victims of an assurgent West: indigenous peoples who stood in the pathways of economic expansion, Asian societies engulfed by the forces of modernisation. We join, among others, Muslim guerrilla fighters in the Caucasus mountains and freelance empire-builders in the jungles of Nicaragua, British free trade zealots preying on China and samurai warriors resisting Western incursions in Japan. No less important are the inventions, discoveries and technologies that powered progress, and the great engineering projects that characterised the Victorian heyday, notably the transatlantic telegraph cable.In a fast-paced, kaleidoscopic narrative, Ben Wilson recreates a time of explosive energy and dizzying change, a rollercoaster ride of booms and bust, witnessed through the eyes of the men and women reshaping its frontiers. At the centre stands Great Britain. The country was the peak of its power between 1851 and the mid-1860s as it attempted to determine the destinies of hundreds of millions of people. Heyday is a dazzlingly innovative take on a period of extraordinary transformation, a little-known decade that was fundamental in the making not only of Britain but of the modern world.

    On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.