He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    It’s the way I embody my love for the world.” The Human Line, Bass’ seventh book of poems, startles with its precise detail, intimate images, and wild metaphors. Bass brings attention to life’s endearing absurdities, and many of the poems flash with a keen sense of humor. She also faces many of the crucial moral dilemmas of our time—genetic engineering, environmental issues, continuous war, heterosexism—and grounds her vision in the small, private workings of the heart.  . . . When I get home,my son has a headache, and though he’salmost grown, asks me to sing him a song.We lie together on the lumpy couchand I warble out the old show tunes, Night and Day . . . They Can’t Take That Away from Me . . . A cheapsilver chain shimmers across his throatrising and falling with his pulse. There never wasanything else. Only these excruciatinglyinsignificant creatures we love. Ellen Bass is co-author of the million-selling book Courage to Heal. She lives and teaches in Santa Cruz, California.

    "Why what?" He asks. "Why you're being so nice to me," I say quietly, vulnerability seeping into my words. "How we even became friends." He sighs, "I want to know how."I scrunch my brow. "How what?"His response is soft, the opposite of his burly personality. "How you don't see it."*******Reagan Holt was about as average as a high school student could be. She didn't play any sports, didn't participate in the popular activities, and wasn't the girl all the boys chased after. All except one boy. He wrote her a letter every week. Each letter described something new for him to love about her. Whether it was how beautiful her laugh was or how his heart swelled with every smile she gave, he never failed to write how he felt. So the two should be together, right? That's the way Reagan wants it, but there's just one problem. He signs his letters"Love, Anonymous." Now add an obnoxious, conceited, sex god into the equation and you get a teenage girl confused on who really loves her. The sweet, tender written anonymous lover, or the cocky, ignorant asshole?

    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.

    Accidentally. On purpose.

    As unexpected as it is bold, Alsadir's ambitious tour de force demands we pay new attention to the current conversation about the nature of lyric - and human relationships - in the 21st century.

    In R's Boat, she brings us to the crossroads of poetry, theory, the body, and cultural criticism. These poems bring fresh vehemence to Robertson's ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.Praise for Lisa Robertson's The Men:"In The Men, as in much of her work, Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture."-Village Voice"Robertson writes both from within and against the tradition-splitting, seeding, and suturing the cracks in each ideational edifice. . . . Her occupations with past forms lead not to a backward-looking poetry but forward to a fresh field of inquiry, an imaginatively created utopia."-Boston Review

    Steph is a harassed mum who's considering an affair with her children's sexy headmaster. Penny is trying to deal with a crush on her boss, OCD and a sad secret from her childhood. And Mike is a vicar who is being blackmailed for his secret, although it's not all that it seems! Meanwhile, all three are being watched over by their own guardian angels, who try to push them in the right direction and help move their lives along - but not always successfully ... Doesn't Everyone Have a Secret? is genuinely laugh out loud funny, but also deals in a sensitive way with serious problems that any of us could face in life. Sue Shepherd's debut novel is bold, it doesn't pull any punches, and it has bucket loads of heart.

    Some are personal, most are enlightening, but all connect. Connect on a higher Level. A spiritual level.” —Kendrick Lamar, Grammy Award-winning artist, and winner of the 2018 Pulitzer Prize for Music A Lit Hub Favorite Book of 2018  The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.

    The film stars Katherine Heigl and James Marsden. The film was released January 10, 2008 in Australia and opened in the United States on January 18.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile.”—Edward Albee“An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged.”—GuardianWinner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story.Will Eno has been called “a Samuel Beckett for the Jon Stewart generation” (New York Times)—he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.

    Mateer expertly pulls her feelings apart on the page over the course of a year and invites an audience to watch as she puts everything back together. girl, isolated as a collection is similar in its intent and theme to poetry books like When the World Didn't End by Caroline Kaufman and Where Hope Comes From by Nikita Gill."I am writing to you now because I am having a hell of a time / because I don't know what else to do / because the words are kindling / and the poem is a little fire holding back the dark."Sometimes speaking to ex-lovers, sometimes speaking to herself, and sometimes speaking quite directly to the reader, the poems in girl, isolated offer the accessibility and comfort of a conversation between friends. A little over-sharing. A little pick-me-up. A little call-for-help. This collection is sure to resonate with anyone who's struggled with grief, anxiety, or depression. This collection includes: short poems, long poems, truisms, doodles, mixed media art, script pieces, notes, thoughts, and an interactive journal section as well.

    Perfect for fans of Nicholas Sparks and Jojo Moyes.Lucy, hi. It’s Tom. How are you? It’s been a while. I’ve been meaning to get in touch but it’s hard to know how to after so much time. I hear you’re doing really well up there. I knew you would be.You should come here, you know, back to Hideaway bay. Come and see everyone, see how little it’s all changed. Feel the sand between your toes, the Cornish sea breeze on your face. When the sun hits the surf in that way it does, it’s as magical as ever.That’s why I’m writing to you, actually. I want to get the gang back together again, one last time before…well…just one last time. You should come too. The four of us, a summer on the beach, like old times. We all want you here for it. I want you here for it. It’s been so long since I saw you.I still think about you.Tom

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.