The three characters are the eponymous designated mourner, Jack; his wife, Judy; and Judy's erudite father, Howard. Despite a passionate bond with her father, Judy is drawn to Jack, whose taste in cultural forms follows a disturbing path. When Jack abandons both Judy and Howard, he continues his riveting societal free-fall into a world of gleeful savagery. Other works by Wallace Shawn are "A Thought in Three Parts," "Our Late Night," "Marie and Bruce," "My Dinner With Andre" (co-written with Andre Gregory), "Aunt Dan and Lemon," and "The Fever."

    Moliere's farcical, tragic, anarchic Don Juan (1665) is the inspiration for Patrick Marber's new play in which the action of the original is relocated to present day Soho, London.Whereas Moliere condemned his anti-hero to a literal Hell, Marber condemns him to a hell of his own making.Don Juan in Soho premiered at the Donmar Warehouse in December 2006.

    Is destiny just the past, rewritten?

    They like to live by the sea.Two retired nuclear scientists in an isolated cottage by the sea as the world around them crumbles. Then an old friend arrives with a frightening request.Lucy Kirkwood's previous plays include Chimerica (winner of the Olivier Award for Best Play, the Evening Standard Award, the Critics' Circle Best New Play Award and the Susan Smith Blackburn Prize), small hours, NSFW, and it felt empty when the heart went at first but it is alright now. The Children premiered at the Royal Court, London, in November 2016 and will receive its US premiere at Manhattan Theatre Club in the fall of 2017.

    . . manages to sound both epic and rooted in a specific place. Listen closely, and you might hear that thrilling sound that is one of the main reasons we go to the theater, that beautiful music of a new voice.”—The New York Times“Taut, expressive drama, The Brothers Size realizes the potential of theater to elevate the ordinary. . . . McCraney’s writing can be arresting.”—Time Out New YorkThis is the first collection by Tarell Alvin McCraney, a major new playwright of the American theater. Lyrical and mythic, provocative and contemporary, McCraney’s dramas of kinship, love, and heartache are set in the bayou of Louisiana and loosely draw on West African myths. In the Red and Brown Water charts the story of Oya, a fast and beautiful track star who must make difficult choices on her journey to womanhood. The Brothers Size dramatizes the struggle between brothers who have taken different paths: Ogun, single-mindedly running his auto shop, and Oshoosi, recently returned from prison and fallen back with trouble. Marcus; or the Secret of Sweet explores a young man’s relationship with his history and friends as he discovers his sexuality and true self against the backdrop of an impending storm.Tarell Alvin McCraney’s other works include Wig Out! and The Breach. His plays have been produced at The Public Theater in New York, internationally at the Royal Court Theatre and Abbey Theatre, and throughout the United States.

    We both looked after Sophie and her baby. We had to. It’s not like Sophie was going to look after that baby herself. All she was interested in was weeping and wailing for her dead husband. She was so busy weeping and wailing for her dead husband that she rejected his baby who was right in front of her.When Olga’s friend Lara becomes a grandmother, Olga helps out whenever she can. After all, it’s a big imposition on Lara, looking after her bereaved daughter and the baby. And the new mother is not exactly considerate.But smoldering beneath Olga’s sensible support and loving generosity is a deep jealous need to be the centre of Lara’s attention and affection—a need that soon becomes a consuming, dangerous and ultimately tragic obsession.Gigi Fenster’s A Good Winter is an enthralling psychological thriller, a dark and complex portrait of a troubled mind.

    Jo's greatest fear is that her illegitimate baby might be mentally deficient like her own father. To soothe, clean and cook for her is Geof, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other.

    Since the death of her photographer husband, Stuart, the only people Kate allows near are her best friend, Orla, and her son, George. She loves them both more than anything in the world. Everyone else she keeps at a distance...including Paul Farrell. Paul was Stuart’s closest friend. An ex-war journalist, he and Kate have one thing in common. They both seem equally distant. Then Paul publishes an article, revealing an astonishing secret. On a trip to the Yorkshire moors with a group of teenage girls, Kate's scarred heart begins to open up But can she risk her son’s happiness, as well as her own? Praise for The Summer of Love and Secrets 'A beautiful, heart-wrenching story about love, loss and friendship. Fairfax creates characters that come to life and Kate is one of the best!' N.N. Light's Book Heaven 'A touching and engrossing love story...Several scenes will stay with me for a long time.' Marie Laval, bestselling author 'A romance that draws you in and won't let you go...Once I started this book, I really couldn't put it down' Helen Pollard, bestselling author 'I absolutely loved this book from beginning to end...A positive and life-affirming read from the start.' Amazon five star review 'A lovely, emotive and heart-warming contemporary romance story that draws in the audience and takes hold from the very beginning.' Caroline Barker, A Reader's Review book blog

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

    This lenticular journal cover sets in motion images of slithering, shuffling zombies from the bestselling graphic novel The Zombie Survival Guide: Recorded Attacks. Filled with lined pages, this all-purpose journal is perfect for jotting down notes, making to-do lists, plotting your own survival strategy, and is just the creepy thing for zombie fans everywhere.

    It shows his progression from a hard-nosed behavior therapist with a strong commitment to science to a psychodynamic therapist with an interest in narrative. Along the way he shows the way the main schools of psychotherapy (behavioral, cognitive, psychodynamic) work, drawing on case material from his professional practice. He shows the mistakes he made and the lessons he eventually learned from his patients. His focus on clinical cases enables readers to see psychotherapy in operation and get drawn into the ups and downs of trying to help some fascinating and often tricky people who rarely conform to what is expected of them.The book is free of jargon and can be enjoyed without any prior knowledge of psychology or psychotherapy. It is designed to entertain and inform the general readership about the mysterious world of psychotherapy, what goes on behind the consulting room door. It will be of particular interest to the increasing number of people who encounter psychotherapy either through their own experience of seeking help or the experiences of family and friends or through reading of popular books such as those of Oliver James and Irving Yalom.It should also prove invaluable for those interested in training as a clinical psychologist, counsellor or psychotherapist.

    Maggie defies Hobson by marrying his most talented worker - the timid and downtrodden Will. She helps Will to develop his potential and together they turn the tables on Hobson.

    

    In today‘s online economy it has become a commodity to be bought and sold. Bombarding us with free smartphone apps and news websites, developers and advertisers have turned what and how focus our attention into the world‘s fastest growing industry.In exchange for our attention, information and entertainment is ever at our fingertips. But at what cost? In this essay, at once personal and polemical, meditative and militant, Julia Bell asks what has been lost in this trade off. How can we reclaim our attention? In a world of infinite distraction, how can attention become radical?

    Forcibly sent there by a mother intent on keeping up appearances, Mary has to cope with both the shame and with the dawning realization that she will have to give the baby up for adoption.