Accompanied by Alphonsus Lee's photography, SQ21 shows an unabashed straightforward honesty and celebrates the lives of these ordinary Singaporeans. Written in a light, readable style, these insprirational stories will touch the hearts of readers gay and straight, Singaporean and otherwise.

    He and his friends have a crappy band (an excuse to drink cheap beer and rock out to the Lemonheads) and hang out in parking lots doing stupid board tricks. But when Mike's girlfriend Lisa, who knows him better than he does, breaks up with him, he realizes he's about to have a major epiphany that will blow his mind. And worse--he gets elected to homecoming court.It's like the apocalypse came, only instead of nuclear bombs and zombies, Mike gets school participation, gay thoughts, and mother-effin' cheerleaders.With the free spirit of The Perks of Being a Wallflower, the raw voice of Winger, and characters reminiscent of Freaks & Geeks, this debut YA offers a standout voice and a fresh, modern take on the coming-out story.

    Childhood photographs are accompanied by sweet, funny, and at times heartbreaking personal stories. Collected from around the world and dating from the 1940s to today, these memories speak to the hardships of an unaccepting world and the triumph of pride, self-love, and self-acceptance. This intimate little book is a wonderful gift for all members of the LGBTQ community as well as their friends and families. Like Dan Savage’s It Gets Better Project, Born This Way gives young people everywhere the courage to say, “Yes, I’m gay. And I was born this way. I’ve known it since I was very young, and this is my story.”

    This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.

    African American Studies. LGBT Studies. PLEASE explores the points in our lives at which love and violence intersect. Drunk on its own rhythms and full of imaginative and often frightening imagery, PLEASE is the album playing in the background of the history and culture that surround African American/male identity and sexuality. Just as radio favorites like Marvin Gaye, Donny Hathaway, and Pink Floyd characterize loss, loneliness, addiction, and denial with their voices, these poems' chorus of speakers transform moments of intimacy and humor into spontaneous music. In PLEASE, Jericho Brown sings the influence soul culture has on American life with the accuracy of the blues.

    The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

    But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there’s fraternity and military hazing rituals, where new recruits are made to grab each other’s penises and stick fingers up their fellow members’ anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men. For Jane Ward, these sexual practices reveal a unique social space where straight white men can—and do—have sex with other straight white men; in fact, she argues, to do so reaffirms rather than challenges their gender and racial identity.Ward illustrates that sex between straight white men allows them to leverage whiteness and masculinity to authenticate their heterosexuality in the context of sex with men. By understanding their same-sex sexual practice as meaningless, accidental, or even necessary, straight white men can perform homosexual contact in heterosexual ways. These sex acts are not slippages into a queer way of being or expressions of a desired but unarticulated gay identity. Instead, Ward argues, they reveal the fluidity and complexity that characterizes all human sexual desire. In the end, Ward’s analysis offers a new way to think about heterosexuality—not as the opposite or absence of homosexuality, but as its own unique mode of engaging in homosexual sex, a mode characterized by pretense, dis-identification and racial and heterosexual privilege. Daring, insightful, and brimming with wit, Not Gay is a fascinating new take on the complexities of heterosexuality in the modern era.

    And it's mostly about sex. No, it isn't that kind of theory. Aki already knows she's bisexual—even if, until now, it's mostly been in the hypothetical sense. Aki has dated only guys so far, and her best friend, Lori, is the only person who knows she likes girls, too. Actually, Aki's theory is that she's got only one shot at living an interesting life—and that means she's got to stop sitting around and thinking so much. It's time for her to actually do something. Or at least try. So when Aki and Lori set off on a church youth-group trip to a small Mexican town for the summer and Aki meets Christa—slightly older, far more experienced—it seems her theory is prime for the testing. But it's not going to be easy. For one thing, how exactly do two girls have sex, anyway? And more important, how can you tell if you're in love? It's going to be a summer of testing theories—and the result may just be love.

    They share a gorgeous house in Antwerp, go out with their friends every weekend, and count down the days to their dream wedding. But their happy ending is shattered one late night, and just like that, Ollie is left bereft and alone.The months that follow are long and dark, but slowly Ollie emerges from his grief. He even braves the waters of online dating, though deep down he doesn’t believe he can find that connection again. He doesn’t think to look for love right in front of him: his bisexual friend Thomas, the gentle giant with a kind heart and sad eyes who’s wanted him all along.When Thomas suddenly discovers he has a son who needs him, he’s ill prepared. Ollie opens up his house—Sam’s house—and lets them in. Ollie doesn’t know what scares him more: the responsibility of caring for a baby, or the way Thomas is steadily winning his heart. It will take all the courage he has to discover whether or not fairy tales can happen for real.

    She pitches and prays while courting the music industry elite until her plans are derailed by hotness-in-high-heels.Bette is at the conference on a mission—to find a human with untapped talents that she can mold and control. Bette uses her cursed violin to lure Claire in with a haunting song, which unravels Claire’s life as her new talents emerge. To make matters worse, Claire is attracted to two unlikely people— Bette and her hunky associate, Gregor. Both can light Claire’s fire, but is either of them the only one?Unfortunately for Claire, life isn’t all song lyrics and seduction. Tied to darkness by blood and power, Claire must harness her abilities if she has any hope of returning home to her daughter and regaining her former life… if that’s what she really wants.Kill Me, the debut novel from author Alex Owens, is a quirky paranormal fantasy complete with music, magic, fangs and freaks. It is also the first in a planned series, with the second book due out by the Fall of 2012. Be forewarned, this is not your daughter’s paranormal.

    It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems for, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women's bodies, while maintaining a vivid wildness that the tongue aches to speak aloud. Known best for breathtaking last lines and truths that will bowl you over, Drive Here and Devastate Me will "relinquish you from the possibility of meeting who you could have been, and regretting who you became."

    Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, "Hick," as she's known to her friends and admirers, is not quite instantly charmed by the idealistic, patrician Eleanor. But then, as her connection with the future first lady deepens into intimacy, what begins as a powerful passion matures into a lasting love, and a life that Hick never expected to have.She moves into the White House, where her status as "first friend" is an open secret, as are FDR's own lovers. After she takes a job in the Roosevelt administration, promoting and protecting both Roosevelts, she comes to know Franklin not only as a great president but as a complicated rival and an irresistible friend, capable of changing lives even after his death. Through it all, even as Hick's bond with Eleanor is tested by forces both extraordinary and common, and as she grows as a woman and a writer, she never loses sight of the love of her life.From Washington, D.C. to Hyde Park, from a little white house on Long Island to an apartment on Manhattan's Washington Square, Amy Bloom's new novel moves elegantly through fascinating places and times, written in compelling prose and with emotional depth, wit, and acuity.

    Also, he thinks she's a boy.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    Along the way they witness and partake in an American landscape filled with poverty, warm six-packs, roulette wheels, murder sites, and their own family.