Now, nearly a decade later, a secret brings them back together.  Nine years ago Button and Winnalee began recording observations in their Book of Bright Ideas, a tome they believed would solve the mystery of how to live a mistake-free life. Now it’s 1970, a time of peace, love, war, and personal heartbreak. Button’s mother is dead and her grieving father has all but abandoned his children. Quiet, thoughtful Button has traded college for a sewing job in her mother’s bridal shop to help her Aunt Verdella raise her whirlwind six-year-old brother. In Button’s free time, she writes letters to the boy she loved from afar through high school, hoping he will come to love her as more than a friend.Then, like that magical Wisconsin summer of ’61, Button is greeted with the wild, gusty arrival of Winnalee. Now a beautiful flower child, Winnalee is everything Button is not. She’s been to Woodstock and enjoys “free love,” but their steadfast bond of friendship is tested as Button begins to notice the cracks in Winnalee’s carefree façade. And then Winnalee’s mother arrives with a surprise that Button never sees coming, and the fiery determination to put things right in both families once and for all. Look for special features inside.Join the Circle for author chats and more.RandomHouseReadersCircle.com

    When Chad’s sister, Gretchen offers the couple an egg, their search for a surrogate leads them to Miguel’s old friend Emily, happily married to an eccentric Irish playwright, Nick, with whom she is raising two boys. Into this web falls Miguel's sister Lina, a former addict and stripper, who begins a passionate affair with Nick while deciphering the mysteries of her past.But every action these couples make has unforeseen consequences. As Lina faces her long-hidden demons, and the fragile friendships between Miguel and Chad and Nick and Emily begin to fray as the baby's birth draws near, a shocking turn of events—and the secret Lina's been hiding—threaten to break them apart forever.By turns funny, dark and sexy, Every Kind of Wanting strips bare the layers of the American family today. Tackling issues such as assimilation, the legacy of secrets, the morality of desire, and ultimately who "owns" love, the characters—across all ethnicities, nationalities, and sexualities—are blisteringly alive.

    She is a girl looking to be rescued from her own insecurities and bad decisions. Unable to afford rent in New York City proper, she is craving a life of luxury that isn’t hers, while subsisting on bagels and coffee. In desperate need of support - emotional and otherwise -, she clings to potential saviors, never bothering to question if the attachments she forms really fit her. In a parallel storyline, her mother, Maria, is trying to reject all offers of help, especially those of her estranged husband, whose unexpected generosity forces her to revisit past mistakes she hasn't come to terms with. Enmeshed in her own drama, she doesn’t notice her daughter’s troubles until it’s too late. Desperate to keep Liliana from making a mistake that will alter the course of her life, Maria reveals her best-kept secret, a story so shocking it might have the power to jerk Liliana back to reality. It could, on the other hand, alienate her forever. DOGS WITH BAGELS is a story about the American dream gone bad. It is also a story about mothers and daughters, about female friendships, the struggle to survive in one of the world’s most expensive cities, and women’s secret desire to have wild passionate sex with their exes. A cross between Bridgett Jones’ Diary and Sex and the City - with an accent! -, DOGS WITH BAGELS is as addictive as a trashy tabloid you can't seem to put down.

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.

    In a millisecond, her halo crumbles and she has a moment so crazed it is forever known as the one…The Mother of All Meltdowns. The following anthology was written by women who have had their moments. Together we have experienced the anguish and frustration of the adult-sized tantrum. We have shed the tears, dropped to our knees in agony, and asked the age-old question, “Why me?” From poop-decorated rooms to having our liquid gold scrutinized and confiscated by TSA, we’re not afraid to share our collection of thirty tell-all stories. We are survivalists and know that within every meltdown there is a silver lining.

    Can she make them realise what she is really capable of, before it’s too late?Libby is visually impaired but that doesn’t stop her being a keen photographer. She loves going out walking with her guide dog, Samson, and taking photos, but her family worry about her – and Libby wishes she could be more independent.The day that the boy gives her a secret note to deliver changes everything. Because soon after, the boy goes missing, and no one – except Libby and her new friend Kyle – thinks there is anything to worry about.Libby knows there's no way her parents would let her get involved. But what if she’s the only person who can solve the mystery...?A compulsive page-turner for readers aged 12 and up.

    Ludo reads Homer in the original Greek at 4 before moving on to Hebrew, Japanese, Old Norse, and Inuit; studying advanced mathematical techniques (Fourier analysis and Laplace transformations); and, as the title hints, endlessly watching and analyzing Akira Kurosawa's masterpiece, The Seven Samurai. But the one question that eludes an answer is that of the name of his father: Sibylla believes the film obliquely provides the male role models that Ludo's genetic father cannot, and refuses to be drawn on the question of paternal identity. The child thinks differently, however, and eventually sets out on a search, one that leads him beyond the certainties of acquired knowledge into the complex and messy world of adults.The novel draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, divides itself into two halves: the first describes Ludo's education, the second follows him in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition, and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the world of emotion, human ambitions, and their attendant frustrations and failures.The Last Samurai is about the pleasure of ideas, the rich varieties of human thought, the possibilities that life offers us, and, ultimately, the balance between the structures we make of the world and the chaos that it proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, capturing the intrusions of unspoken thought that punctuate conversation while providing tantalizing disquisitions on, for example, Japanese grammar or the physics of aerodynamics. It is remarkable, profound, and often very funny. Arigato DeWitt-sensei. --Burhan Tufail

    Neither of those works, however, undertakes to give a detailed account of the great Anarchy that marked the conclusion of the eighteenth century, the dark time that came before the dawn of British power in the land of the Moghul.

    Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to this protective bubble, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation.When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricable coming-of-age stories. In lush prose, Rojas Contreras sheds light on the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

    But an unexpected call from the local police takes the successful lawyer back to her provincial hometown and pulls her into the family trouble she thought she'd left far behind: Her lying, party-loving sister, Vicky, is dead. Alma is told that a very drunk Vicky had wandered away from a party and died of exposure after a night in the brutal cold. But when Alma returns home to bury Vicky and see to her orphaned niece, she discovers that the death may not have been an accident.The Home Place is a story of secrets that will not lie still, human bonds that will not break, and crippling memories that will not be silenced. It is a story of rural towns and runaways, of tensions corporate and racial, of childhood trauma and adolescent betrayal, and of the guilt that even forgiveness cannot ease. Most of all, this is a story of the place we carry in us always: home.

    Pranab loves Sujata, the awkward, prickly, younger sister but, out of obligation, marries Aloka, the gracious, beautiful, older sister. When all of their secrets are revealed, the three are forced to leave Darjeeling. Aloka and Pranab flee to New York City and Sujata to Canada. The story opens ten years later, when their Grandmother summons everyone home to the family tea plantation to celebrate her birthday. Despite the fact that Aloka is still very much in love with Pranab, they are in the process of getting a divorce. Sujata, who is still single, runs a successful business importing tea, a business that doesn't fill her broken heart. This trip forces the sisters to wrestle with their bitterness and anger and to try to heal old wounds. What complicates matters is that Pranab, too, is going to India and is intent on rekindling his relationship with Sujata now that his marriage is over.Although filled with the rich foods, smells, and social confines of another culture, Darjeeling is really about the universally human emotions of jealousy, rivalry, love, and honor. It is a complex novel about family, exile, sisterly relations, and how one incident can haunt us for the rest of our lives.

    One spring night, while at home on a break from college, the threesome embarks on a night of adventure and experimentation, driving recklessly through the Connecticut Valley. Stopping at the French King Bridge, David -- full of hubris and hallucinogens -- dares to jump, mistakenly believing he'll be able to swim ashore. With this one act, he sets in motion an inexorable chain of events that indelibly alters the lives of everyone involved.Told through the alternating voices of Kay, Michael, and David's father, Kevin, The River Road is a closely observed and psychologically penetrating narrative of the accusations, murder investigation, and courtroom battle that follow.

    They must take only what they can carry, give up their money and never return.For Asha and Pran, married a matter of months, it means abandoning the family business that Pran has worked so hard to save. For his mother, Jaya, it means saying goodbye to the house that has been her home for decades. But violence is escalating in Kampala, and people are disappearing. Will they all make it to safety in Britain and will they be given refuge if they do?And all the while, a terrible secret about the expulsion hangs over them, threatening to tear the family apart.From the green hilltops of Kampala, to the terraced houses of London, Neema Shah’s extraordinarily moving debut Kololo Hill explores what it means to leave your home behind, what it takes to start again, and the lengths some will go to protect their loved ones.

    Overnight, Sophia becomes an unlikely nerd whisperer. Whether her success is due to dumb luck, savage assertiveness, insightful finesse (learned by dealing with her irrational Chinese immigrant mother), or a combination of all three, in her rarified position she finds she can truly shine.As Scott Kraft’s right-hand woman, whip-smart Sophia is in the eye of the storm, sometimes floundering, sometimes nearly losing relationships and her health, but ultimately learning what it means to take charge of her own future the way the men around her do. But when engineer/inventor Andre Stark hires her to run his company’s investor relations, Sophia discovers that the big paycheck and high-status career she’s created for herself may not be worth living in the toxic environment of a boys-club gone bad.