She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    BEST BEHAVIOR, the new novel by Noah Cicero, is his boldest work yet. As the subject matter becomes increasingly autobiographical, the landscape more bleak, its impact is blunt, brutal, but somehow still hilarious. This is the literature of pain: of living in a world where nothing is right a temple to capitalism with no room for any kind of human spirit and, despite everything, trying to find some way to deal with it; then eventually failing. BEST BEHAVIOR might be the truest story ever told. BEST BEHAVIOR is slice-of-life, and that's as it should be. Where the classics have beginnings, middles, and ends that are relevant to the mainstream consciousness of the times, BEST BEHAVIOR is a couple of days in the life, making it a more honest and useful cultural artifact Rebecca Haze."

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    Bender's prose is glorious, musical, and colloquial, an anthology of the bizarre. In 'The Rememberer', a man undergoes reverse evolution -- from man to ape to salamander -- at which point a friend releases him into the sea, while in another story a woman gives birth to her mother. A grief-stricken librarian decides to have sex with every man who enters her library. A half-mad, unbearably beautiful heiress follows a strange man home, seeking total sexual abandon: He only wants to watch game shows. A woman falls in love with a hunchback; when his deformity turns out to be a prosthesis, she leaves him. A wife whose husband has just returned from the war struggles with the heartrending question: Can she still love a man who has no lips?Contents:The rememberer --Call my name --What you left in the ditch --The bowl --Marzipan --Quiet please --Skinless --Fugue --Drunken Mimi --Fell this girl --The healer --Loser --Legacy --Dreaming in Polish --The ring --The girl in the flamable skirt.

    Together and apart, the two undertake an odyssey of carnage, a holocaust of erotic. "An elegy for the world of our fathers," as Kathy Acker calls it, where the terrorists and the wretched of the earth are in command, marching down a road charted by Genet to a Marseillaise composed by Sade.

    But California is not as he imagined: drought, wildfire, and corporate corruption are omnipresent, and the company behind a mysterious new brand of synthetic water seems to be at the root of it all. Partnering with Cassidy--after having been her reluctant chauffeur for weeks--the two of them investigate the sun-scorched city's darker crevices, where they discover that catastrophe resembles order until the last possible second.In this poised and all-too-timely story, Kleeman grapples with an issue that is very much front-of-mind: the corruption of our environment in the age of alternative facts. She does so with a meticulous and deeply felt accounting of our very human anxieties, liabilities, dependencies, and ultimately, our responsibility to truth.

    With steadily increasing doses of a strange new hallucinogen, Eric finds that the drug allows him to reassemble his past in broken fragments. But as he begins to lose touch with the present, his distinction between truth and fantasy begins to crumble, creating a world where divisions between love and loss, violence and tenderness, and fact and fiction are less discernible than they ought to be.

    It is not the first, and will not be the last.Reactions to the attacks are polarized. Police activity intensifies. Della’s revolutionary parents welcome the upheaval but are trapped within their own insular beliefs. Her activist restaurant co-workers, who would rather change their identities than the world around them, resume a shallow rebellion of hair-dye, sex parties, and self-absorption. As those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape.Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.

    He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical...Meanwhile, Victoria is up in the Midlands, renovating her dead mother's house, trying to make new friends. But what, exactly, happened to her mother? Why has the local waitress disappeared into a shallow pool in a field behind the house? And why is the town so obsessed with that old Victorian morality tale, The Water Babies?As Shaw and Victoria struggle to maintain their relationship, the sunken lands are rising up again, unnoticed in the shadows around them.

    G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.

    I hereby declare you Generation A, as much at the beginning of a series of astonishing triumphs and failures as Adam and Eve were so long ago.” — Kurt Vonnegut, Syracuse University commencement address May 8, 1994A brilliant, timely and very Couplandesque novel about honey bees and the world we may soon live in. Once again, Douglas Coupland captures the spirit of a generation….In the near future bees are extinct — until one autumn when five people are stung in different places around the world. This shared experience unites them in a way they never could have imagined.Generation A mirrors 1991’s Generation X. It explores new ways of looking at the act of reading and storytelling in a digital world.

    Now, Ball returns with this haunting tale of love and storytelling, hope and identity.When Selah Morse sees a young woman get hit by a speeding taxicab, he rushes her to the hospital. The girl has lost her memory; she is delirious and has no identification, so Selah poses as her boyfriend. She is released into his care, but the doctor charges him to keep her awake, and to help her remember her past. Through the long night, he tells her stories, inventing and inventing, trying to get closer to what might be true, and hoping she will recognize herself in one of his tales. Offering up moments of pure insight and unexpected, exuberant humor, The Way Through Doors demonstrates Jesse Ball's great artistry and gift for and narrative.

    John Darnielle hears [Black Sabbath's Master of Reality] through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish, or love to an android, hoping to convince his captors to give him back his tapes.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate—a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray’s stunning collection of stories: Museum of the Weird.Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weirdinvites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own.