One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    Dan and Linda talk on the phone every day. Twice a day. As Dan and Ellie’s intimate civil wedding ceremony gets transformed into a black-tie affair, Ellie begins to wonder if it’s possible to marry the man without marrying his mother. As troubles mount, Ellie turns to her friends—glamorous Lisa, who always looks like she’s just stepped off a runway, and wonderfully frazzled Trish—and tries to rediscover the independence she once had, and the man she still loves. But it seems that having a child and saving a marriage means growing up in ways she’d never imagined . . .A warm, witty, and wise look at mothers-in-law and what they teach us about ourselves, The Other Woman is sure to please Jane Green’s growing legion of fans.

    Then she'd finally be able to arrange a face-to-face meeting with Nick, the British hunk she met online, who still thinks she's a size four. She'd finally be confident and graceful and thin-and there's that big cash prize, too, to pay for all those slinky new clothes she'd need. She'd finally have the perfect life.

    This is the story for anyone who has ever wondered: How can I truly love the one I'm with when I can't forget the one who got away?Ellen and Andy's first year of marriage doesn't just seem perfect, it is perfect. There is no question how deep their devotion is, and how naturally they bring out the best in each other. But one fateful afternoon, Ellen runs into Leo for the first time in eight years. Leo, the one who brought out the worst in her. Leo, the one who left her heartbroken with no explanation. Leo, the one she could never quite forget. When his reappearance ignites long-dormant emotions, Ellen begins to question whether the life she's living is the one she's meant to live. Love the One You're With is a powerful story about one woman at the crossroads of true love and real life.

    Her once-loving husband is hardly ever home. The supermommies on the playground routinely snub her. Her days are spent carpooling and enduring endless games of Candy Land, and at night, most of her orgasms are of the do-it-yourself variety.When a fellow mother is murdered, Kate finds that the unsolved mystery is the most exciting thing to happen in Upchurch, Connecticut, since her neighbors broke ground for a guesthouse and cracked their septic tank. Even though the local police chief warns her that crime-fighting's a job best left to the professionals, Kate launches an unofficial investigation -- from 8:45 to 11:30 on Mondays, Wednesdays, and Fridays, when her kids are in nursery school.As Kate is drawn deeper into the murdered woman's past, she begins to uncover the secrets and lies behind Upchurch's picket-fence facade -- and considers the choices and compromises all modern women make as they navigate between marriage and independence, small towns and big cities, being a mother and having a life of one's own.

    Now, six years later, Pen is the single mother of a five-year-old girl, living with her older brother in Philadelphia and trying to make peace with the sudden death of her father. Even though she feels deserted by Will and Cat, she has never stopped wanting them back in her life, so when she receives an email from a desperate-sounding Cat asking her to meet her at their upcoming college reunion, Pen goes. What happens there sends past and present colliding and sends Pen and her friends on a journey across the world, a journey that will change everything.

    Finished with college, she should have been planning her wedding. After all, Ginny and Josh were made for each other—everyone said so. Except the love of her life didn't agree. Now Ginny is back in her hometown, unwillingly single, and stuck in a dead-end job. When she discovers she's pregnant, Ginny is convinced her life is ending. Instead of planning a future with Josh, she's learning the truth about morning sickness, juggling bills, and seeing just how far designer jeans can stretch.Her life-plan never included dating again (not even with her too-hot new boss), or being a single mother at 23. Now, with the help of her best friends, Annie and Jen, Ginny must try to re-imagine—and rebuild—a life she never wanted.

    . . but what would you do if you found out that you were never really married in the first place?In this irresistible romantic comedy from award-winning author Beth Kendrick, three wildly different women form an unlikely friendship as they try to decide whether they'd do it all again.They've had the white dresses and the fancy receptions. But now that the honeymoon's over, Stella, Casey, and Erin have each had to face some hard truths about the men they've married and the lives they've chosen. So when the news breaks that the pastor who presided over their weddings failed to file a few critical pieces of paper, none of these newlyweds are rushing down to the courthouse to legalize their vows. Instead, the brides share their hopes, disappointments, and secrets while grappling with that pivotal question: Should they stay or should they go?

    Norah, the oldest, is a type A obsessive who hasn't forgiven Raine, the middle sister, for ruining her wedding day six years ago. Raine is Norah's opposite, a wild child/performance artist/follow-your-bliss hippie chick who ran off to California. The only thing the two have in common is their ability to drive Courtney, their youngest sister, crazy.When her longtime boyfriend proposes, Courtney decides it's finally time to call a truce and bring the three sisters together. After all, they're grown-ups now, right? But it turns out that family ghosts aren't easily defeated—and neither are first loves. Soon Courtney finds herself reexamining every choice she has made in the past six years—including the man she's about to marry—and the value of reconnecting with the sisters she knows she needs, in spite of everything.

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    Kathleen has been cut off financially by her family and forced to enter "the real world" for the very first time. Sari has fallen for the man who made her life a living hell in high school, but now desperately needs her help. Lucy, torn between emotion and reason, must reevaluate her life when her lab and her boyfriend are assailed by an animal-rights group. At their club meetings, they discuss the really important questions: how bad is it, really, to marry for money if you like the guy a lot anyway? Can you ever forgive someone for something truly atrocious that they've done? Is it better to be unhappily coupled than happily alone? And the little ones: Can you wear a bra with a hand-knit tube top? Is it ever acceptable to knit something for a boyfriend? And why do your stitches become lopsided after your second martini? In Claire LaZebnik's hilarious and sometimes heartbreaking novel, Sari, Lucy, and Kathleen's lives intersect, overlap, unravel, and come back together in an utterly satisfying read.

    Actually, Millie's relieved. She's happy to enjoy a man-free summer in Cornwall. But Orla has other ideas. She's determined that Millie should meet the man of her dreams. Trouble is, Millie's taste in men doesn't tally with Orla's. The one who really interests her is Hugh Emerson, and he's the man with whom Orla's adamant she mustn't get involved...

    Little Bitty Lies is a tantalizing tale about an abandoned Atlanta housewife and mother who tells one tiny white lie that sets her world spiraling outrageously out of control. This winning and wonderful romp focuses on about all the important things in life: marriage and divorce, mothers and daughters, friendship and betrayal. Throw in small town secrets, one woman’s lifelong quest for home, and the perfect chicken salad recipe, and you have an ideal escape for fans of Fannie Flagg, Jennifer Crusie, Adriana Trigiani, Emily Giffin, and the Sweet Potato Queens. No lie!

    He was the perfect boyfriend, but on the day he was to propose, she broke his heart. A year later he married his travel agent, while Sophie has been mortifyingly single ever since. Now Thomas is back in her life because Sophie has unexpectedly inherited his aunt Connie's house on Scribbly Gum Island -- home of the famously unsolved Munro Baby mystery. Sophie moves onto the island and begins a new life as part of an unconventional family where it seems everyone has a secret. Grace, a beautiful young mother, is feverishly planning a shocking escape from her perfect life. Margie, a frumpy housewife, has made a pact with a stranger, while dreamy Aunt Rose wonders if maybe it's about time she started making her own decisions. As Sophie's life becomes increasingly complicated, she discovers that sometimes you have to stop waiting around -- and come up with your own fairy-tale ending. As she so adroitly did in her smashing debut novel, Three Wishes, the incomparable Liane Moriarty once again combines sharp wit, lovable and eccentric characters, and a page-turning story for an unforgettable Last Anniversary.

    And yes, she's also the sister of Rascal Page, world famous novelist in his own right. So what does Elisabeth do? Much to her family's disappointment, Elisabeth is a pastry chef. And a pretty damn good one, at Beverly, the hottest restaurant in LA. The last relationship Elisabeth had was with Will, a man she grew up with and whose family ran in the same social circles as her family. But Will's constant jaunts around the world have left her lonely and brokenhearted in L.A. That is until Daniel Sullivan bids on one of Elisabeth's pastry tutorials at a charity auction. Daniel is everything her family is not: a basketball coach, a non-intellectual, his family doesn't summer on Martha's Vineyard, and the only metaphors he uses are about passing the ball and being a team player. But somehow they fit. Between her family, Will, and the new cooking show that Elisabeth is recruited to star in, Elisabeth's life is suddenly incredibly new and different--the question is, can she embrace being happy or has her family conditioned her to think she's just not good enough?Liza Palmer expertly depicts a woman trying to come to terms with professional success, personal success, and finally dealing with a family that might love her from the bottom of their heart but doesn't necessarily have her best interest always at heart.