With language as taut as classic works by Cormac McCarthy, and a richness reminiscent of early Toni Morrison, Marlon James reveals his unique narrative command that will firmly establish his place as one of today's freshest, most talented young writers.In the village of Gibbeah--where certain women fly and certain men protect secrets with their lives--magic coexists with religion, and good and evil are never as they seem. In this town, a battle is fought between two men of God. The story begins when a drunkard named Hector Bligh (the "Rum Preacher") is dragged from his pulpit by a man calling himself "Apostle" York. Handsome and brash, York demands a fire-and-brimstone church, but sets in motion a phenomenal and deadly struggle for the soul of Gibbeah itself. John Crow's Devil is a novel about religious mania, redemption, sexual obsession, and the eternal struggle inside all of us between the righteous and the wicked.

    Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

    Their task is to map a rail route through an uncharted wilderness.They overcome the many obstacles posed by nature-bears, bees, bats, river crossings, cliff falls, impossible weather-but can they survive the treachery of their competitors?This is a fast-paced and charming novel. Its children are brave and competent but not always right. Its world is magical enough to be intriguing but close enough to our own to keep the reader on firm ground.

    Mariamar’s father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it’s no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the ancient witchcraft of the women themselves.Both a riveting mystery and a poignant examination of women’s oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.

    Every evening after dinner he entrances his fellow travellers with the tale of how he sailed with the fabled vessel the Argo on the Argonauts’ quest to retrieve the Golden Fleece.A master storyteller, Sjón seamlessly blends seafaring yarns of the ancient world with the manners of the modern age.

    The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.

    Alone at the edge of the world, hope is all they have left.Desperate to save them, Omat journeys across the icy wastes, fighting for survival with every step. When she meets a Viking warrior and his strange new gods, they set in motion a conflict that could shatter her world...or save it.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    Set in the fourteenth century in Europe’s most far-flung outpost, a land of glittering fjords, blasting winds, sun-warmed meadows, and high, dark mountains, The Greenlanders is the story of one family–proud landowner Asgeir Gunnarsson; his daughter Margret, whose willful independence leads her into passionate adultery and exile; and his son Gunnar, whose quest for knowledge is at the compelling center of this unforgettable book. Jane Smiley takes us into this world of farmers, priests, and lawspeakers, of hunts and feasts and long-standing feuds, and by an act of literary magic, makes a remote time, place, and people not only real but dear to us.

    A sinister totalitarian ministry called the Palace of Dreams recruits Mark-Alem to sort, classify, and interpret the dreams of the people in the empire, seeking the master-dreams that give clues to the empire's destiny.

    A messed-up, grown-up, Little Red Riding Hood.Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One terrible, hungover morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher named Eugene Wolff. By the time she staggers into the tent, the service is over. But as she is about to leave, she hears an unmistakable voice.She turns, and there Victor is. The same face, the same eyes, the same hands. But his hair is short and he's wearing a suit and he doesn't recognize her at all. No, he insists, she's the one suffering a delusion: he's the Reverend Wolff and his only mission is to bring his people to Jesus. Except that, as Joan soon discovers, that's not all the enigmatic Wolff is doing.With only the help of Ajean, a foul-mouthed euchre shark with a knowledge of the old ways, and her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, Joan has to find a way to remind the Reverend Wolff of who he really is. If he really is Victor. Her life, and the life of everyone she loves, depends upon it.

    Hush. Be still for just a moment. Hear its thundering waves crashing on unseen shores.Spanning four generations, with a focus on the 1960s and 70s, an era of rapid social change and burgeoning Aboriginal rights, Where the Fruit Falls is a re-imagining of the epic Australian novel.Brigid Devlin, a young Aboriginal woman, and her twin daughters navigate a troubled nation of First Peoples, settlers and refugees – all determined to shape a future on stolen land. Leaving the sanctuary of her family’s apple orchard, Brigid sets off with no destination and a willy wagtail for company. As she moves through an ever changing landscape, Brigid unravels family secrets to recover what she’d lost – by facing the past, she finally accepts herself. Her twin daughters continue her journey with their own search for self-acceptance, truth and justice."This evocative family saga celebrates the strength and resilience of First Nations women, while touching on deeply traumatic aspects of Australian history. Threads of magic realism shimmer throughout the story, offering a deeper understanding of reality and challenging the reader to imagine a kinder, more just, more human world." Sally Morgan, Author of My Place."In poetic and evocative storytelling, this writing celebrates the agency of Indigenous women to traverse ever-present landscapes of colonisation and intergenerational trauma. Country has an omniscient presence in their story lines, guiding the women across vivid desert and coastal landscapes. Where the Fruit Falls recognises both the open wounds of living histories of colonisation and the healing power of belonging to Country." 2020 Dorothy Hewett Award judges.

    He lands in coastal Gabriel’s Bay, billed as ‘a well-appointed small town’ on its website (last updated two decades ago). Here Kerry hopes to prove he’s not a complete failure. Or, at least, to give his most convincing impression.But Gabriel’s Bay has its own problems – low employment, no tourists, and a daunting hill road between it and civilisation. And Kerry must also run the gauntlet of its inhabitants: Sidney, single mother deserted by a feckless ex; Mac, the straight-shooting doctor’s receptionist; a team of unruly nine-year-olds; a giant restaurateur; and the local progressive association, who’ll debate apostrophe placement until the crack of doom.Can Kerry win their respect, and perhaps even love? Will his brilliant plan to transform the town’s fortunes earn him a lasting welcome in Gabriel’s Bay?