Set to inspire, this book includes some of the most stirring and eloquent addresses by Rabindranath Tagore, Swami Vivekananda, Sardar Vallabhbhai Patel, Mother Teresa, JRD Tata, Abdul Kalam, Nardendra Modi and other influential Indian leaders.This impelling selection of expressive moments of oratory would provide the reader a fresh perspective; evoke feelings of patriotism, inspiration and unbounded motivation. Nitin Aggarwal introduces each speech with relevant information, providing valuable insight.

    Bejewelled parasites, they cared more, we are told, for elephants and palaces than for schools and public works. The British cheerfully circulated the idea that brown royalty needed ‘enlightened’ white hands to guide it, and by the twentieth century many Indians too bought into the stereotype, viewing princely India as packed with imperial stooges. Indeed, even today the princes are either remembered with frothy nostalgia or dismissed as greedy fools, with no role in the making of contemporary India. In this brilliantly researched book, Manu S. Pillai disputes this view. Tracking the travels of the iconic painter Ravi Varma through five princely states – from the 1860s to the early 1900s – he uncovers a picture far removed from the clichés in which the princes are trapped. The world we discover is not of dancing girls, but of sedition, legal battles, the defiance of imperial dictates, and resistance. We meet maharajahs obsessed with industrialization, and rulers who funded nationalists, these men anything but pushovers for the Raj to manipulate. Outward deference aside, the princes, Pillai shows, forever tested the Raj – from denying white officials the right to wear shoes in durbars to trying to surpass British administrative standards. Good governance became a spectacularly subversive act, by which maharajahs and the ‘native statesmen’ assisting them refuted claims that Indians could not rule themselves. For decades this made the princes heroes in the eyes of nationalists and anti-colonial thinkers – a facet of history we have forgotten and ignored. By refocusing attention on princely India, False Allies takes us on an unforgettable journey and reminds us that the maharajahs were serious political actors – essential to knowing modern India.

    It was reduced to dust. Soon I had to admit that there were things far beyond the scope of my rational mind.' What is it that draws one to a mystic? What is it like to know at close quarters a man whose powers are beyond the conscious mind? What does it feel like to be fulfilled spiritually, to feel understood, to stand revealed? As Ismita Tandon and Swami Vidyananda Om explore their feelings for Om Swami, their baffling experiences with him, a secret world of mystical phenomena lights up. They talk about the intimacy of their daily lives with Swami, observing his sheer power, his simplicity, his empathy for every living creature he encounters and the care with which he chooses every word he speaks, no matter how big or small the matter. They speak of his beauty, his divinity. What emerges is a moving portrait of devotion and trust, and the startling image of a saint who was able to inspire such depth of feeling.

    The author has painstakingly analysed the documents now available in the British Transfer of Power Archives. He has methodically identified the key British decision makers in London and New Delhi in the critical period from 1945-1947, and examined their letters and reports about the INA trials and their violent aftermath (November-December 1945) and then the mutiny in the Royal Indian Navy (February 1946). Relevant letters from the Viceroy and military appreciation of the situation by Fd Mshl Auchinleck, alongwith reports from the Governors of the various provinces, as also the report of the Director IB, have been reproduced in the original alongwith Letters from the Prime minister Lord Clement Attlee and Secretary of state for India, Pethik Lawerence. The documentary paper trail is chillingly clear. The British were shaken by the wide spread violence in support of the INA and the serious question mark it raised about the continued loyalty of some 2.5 million Indian soldiers then being de-mobilized after the war. There were less than 40,000 British troops in India then. They were war-weary and home-sick. How could they have quelled a revolt by 2.5 million combat hardened Indian Soldiers? It was this stark maths that forced the British to leave when they did. Nelson Mandela in South Africa, continued with the non-violent methods of the Mahatma. Unfortunately South Africa got its freedom only in April 1994. The unfortunate fact is that the British left but handed over power to an anglophile elite that faithfully carried on with the narratives and constructs of the Raj.

    But only those who have gone through an engineering college life know that it's not completely true. There is a difference between calling yourself as an engineering graduate and an engineer. India produces millions of engineering graduates like you and me but only very few of us are actual engineers. Many of us just graduate with an engineering degree, with an artistic dream in mind. What do you think is the difference between engineers in many countries around the world and engineers from India? In other countries, if David Pascal studied electrical engineering in college, few years later you can find him working as an electrical engineer. In India, if Ram Krishnamurthy studied electrical engineering, few years later you can find him working in a completely irrelevant field like software coding, banking, photography and even movie directing. This book is not about the few engineering students in your class who love engineering. I don't hate them. In fact, I am very jealous that they study what they love. This book is about the majority of engineering graduates whose lives are wasted in engineering and is intended to tell you why you should make an attempt in pursuing your real passion, instead of being suffocated under the weight of an engineering degree. This is a story of India's Youth. Welcome to India, the land of Wasted Engineers.

    In this revamped version, as NDTV's transgressions have been ruled on in the courts, the reader gets a ringside view of what happens when Business colludes with Bureaucrats and Bent Politicians. How a corrupt cabal manages to keep delaying the inevitable by tying up the cases in courts. Fake narratives and honey traps to coerce and blackmail. NDTV and the owner (who is revealed in the book) have resorted to every means foul to deny the truth from coming out. A compelling read for everyone who wants to know how the system has been thoroughly corrupted and compromised in India.

    Growing up in Bangalore and then Madras, in a household that resolutely kept out any hint of her father's superstardom, she was a quiet, introverted child whose greatest pleasure was a visit to Marina Beach and an occasional meal out. It was not cinema but law that became a preoccupation when she started thinking about college and career - but fate, and her mother, had other plans for her.Aishwaryaa writes with disarming honesty about life as Rajinikanth's daughter, of falling in love and raising two boys with Dhanush, of fighting her own demons and finding satisfaction in a career of her choice. She reflects on the many roles a woman has to juggle at home and outside - in her case, under the watchful gaze of cameras and celebrity-watchers.Intensely personal, but also inspirational, Aishwaryaa's memoir is an unusually frank insight into growing up in cinema-land. A playful meditation on the joys and difficulties of being a woman in this age, Standing on an Apple Box is as much a celebration of individual fulfilment as it is of family.

    

    A young man’s uncanny gift for sculpting statues out of sand makes the women of his village swoon–until the men plot to put a stop to it. A small town of “utter inconsequence” prepares excitedly for a visit from President Clinton. This stunning debut collection offers brilliant snapshots of life’s small reversals and a broad-stroke portrait of our times.

    In other words: it is great to read and offers ample food for thought and a reflection on the human condition.Much more importantly, Mughal history deserves to be widely read and reflected upon, because of its lasting cultural and socio-political relevance to today’s world in general and the Indian subcontinent in particular.For, whether we like it or not, the Mughals have left us with a legacy that cannot be erased. With regard to the eventful reigns of Babur, Humayun, Akbar, Jahangir, Shah Jahan, Aurangzeb or their successors, crucial questions arise. Where did they succeed? Where did they fail? And more importantly, what should we learn from their experiences, including both triumphs and failures?In this volume, the author attempts to narrate Mughal history from their perspective rather than from the viewpoint of, say, historians from the UK or other countries, while, at the same time, he does not shy away from dealing with controversial issues.

    Discover the Om Puri no one knows about - the tongue-tied actor from Punjab with stars in his eyes; the incorrigible flirt in drama school; the connoisseur of food and expert cook; and the complete family man. Featuring amusing anecdotes with his family, shocking episodes with the stalwarts of Indian and British cinema, and the nail-biting suspense of his love life, the tale is complemented by rare and unusual photographs. Told with wit, honesty, and élan, this book is a fitting tribute to the inspirational tale of Om Puri - one of the most talented actors of India.

    He broke hearts and he broke rules. He tinkered as furiously with his car as he did with his instrument, which he transformed technically to create the new sitar standard. And always there was the music, at the centre of his being, protected and unharmed—music that contained the sound of ‘fairies dancing, elephants walking’. Vilayat Khan saw music. He was the man who made the sitar sing. .Namita Devidayal, author of the acclaimed bestseller, The Music Room, recreates the extraordinary life of an artiste who fundamentally and forever changed Indian instrumental music. She follows his footsteps from Calcutta, through Delhi, Bombay, Shimla and Dehradun, to Princeton, USA, where he spent his last years. Filled with previously untold stories about the man and the musician, this is an intimate portrait of an uncommon genius. .It is also an absolute feat of research—and storytelling. .‘Vilayat Khan and Ravi Shankar promised each other they would never perform together after this. Kishan Maharaj later told someone, ‘If these two eyes of India play together again, one will shut for ever.’ i

    This is the impact of the words of Mukul Deva ... the country's first military thriller writer' - The HinduA warlord in the rugged Tribal Areas of Pakistan pushes his way to the crest of the jihadi wave, seeking to forge an alliance of terror groups to take on the American surge. One of his allies appears to be Pakistan's ISI. But are they using him to attain their own goals? Or is he using them? And for what?Facing the brunt of this deadly double game is the spirited Force 22 represented by Iqbal and Tanaz, just back from Pakistan after their search-and-destroy mission to eliminate Salim, who are catapulted into action as lethal intelligence operations begin to unfold. The third in the action thriller series from India's 'literary storm trooper', Blowback will keep you riveted with its tight plotting and heart-stopping pace.'For a land so strife-torn and terrorism plagued, Mukul Deva's books become topical, close to the hearts of millions of Indians, and offer hope and redemption.' - Eika Chaturvedi Banerjee'Gripping, well narrated action – I read the book in one go.' - Ananth Doraswamy'His in-depth knowledge of affairs military coupled with a lucid style of storytelling makes the reader crave for more.' - Brigadier Sanjeev Kanal'Mukul Deva is an extraordinary writer – his imagination and attention to detail make his characters come alive and one is almost sorry to reach the end.' - Neena Singh

    When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    Non fiction piece on Sardar Sarovar (Narmada) Project published in 1999.