In 1972, windswept DeClare, Oklahoma, was consumed by the murder of a young mother, Gaylene Harjo, and the disappearance of her baby, Nicky Jack. When the child's pajama bottoms were discovered on the banks of Willow Creek, everyone feared that he, too, had been killed, although his body was never found.Nearly thirty years later, Nicky Jack mysteriously returns to DeClare, shocking the town and stirring up long-buried memories. But what he discovers about the night he vanished is more astonishing than he or anyone could have imagine. Piece by piece, what emerges is a story of dashed hopes, desperate love, and a secret that still cries out for justice...and redemption.

    They gave me the land--and a property tax bill for two million dollars. Which is why I, Nora Blackbird, a former socialite who never really held a job in all of my thirty-one years, found myself in dire need of a paycheck. . ."Now Nora has a job as a society page columnist for a Philadelphia paper. This down—and almost,—out former debutante is happy to reclaim her place within the city's elite. Until her first party assignment, when she stumbles upon the murdered body of the host—a millionaire art collector and old family friend. Her sisters—sexy, hard-edged Emma and flaky earth mother Libby, who has her hands full with husband number two and four kids—only complicate matters as Nora investigates. And meanwhile the son of a rumored New Jersey crime boss is pursuing her with bone-melting come-ons she can barely resist. Priorities, Nora, think priorities...

    Unwed, unemployed, and over thirty, she's flat broke and about to lose the family plantation. Not to mention being haunted by the ghost of her great-great-grandmother's nanny, who never misses an opportunity to remind her of her sorry state--or to suggest a plan of action, like ransoming her friend's prize pooch to raise some cash.But soon Sarah Booth's walk on the criminal side leads her deeper into unladylike territory, and she's hired to solve a murder. Did gorgeous, landed Hamilton Garrett V really kill his mother twenty years ago? And if so, what is Sarah Booth doing falling for this possible murderer? When she asks one too many questions and a new corpse turns up, she is suddenly a suspect herself...and Sarah Booth finds that digging up the bones of the past could leave her rolling over in her grave.

    Mary Alice—“Sister”—is big, brassy, flamboyant, and bold. Together they have a knack for finding themselves in the center of some of Birmingham’s most unfortunate unpleasantness.Country Western is red hot these days, so overimpulsive Mary Alice thinks it makes perfect sense to buy the Skoot ‘n’ Boot bar—since that’s where the many-times-divorced “Sister” and her boyfriend du jour like to hang out anyway. Sensible retired schoolteacher Patricia Anne is inclined to disagree—especially when they find a strangled and stabbed dead body dangling in the pub’s wishing well. The sheriff has some questions for Mouse and her sister Sister, who were the last people, besides the murderer, of course, to see the ill-fated victim alive. And they had better come up with some answers soon—because a killer with unfinished business has begun sending them some mighty threatening messages…

    And just when Stephanie thinks her life can't get any more complicated, in walks the mysterious Diesel. A man who seems to show up at the most inconvenient moments. This time, he's the instigator for Stephanie's new adventure, which involves camping in the Pine Barrens with Lula, and perhaps even a sighting of the Jersey Devilso hang on for a Stephanie Plum novel that is sure to send chills up your spine-it gives new meaning to the words hilarious, and "spooky."

    When a grandfather she never knew bequeaths her a house and 60 acres of land in Sweetwater, Tenn., a restless young artist leaves New York to recover her past and rethink her future. Cassie Simon's mother Ellen died when Cassie was only three; raised in Boston by her grieving father, she never knew her maternal relatives. Unprepared for the thick veil of mystery that surrounds them, Cassie is especially bewildered by her brusque grandmother, whom rumor credits with hiding a terrible secret about Ellen's death. In alternating sections told from their respective points of view, Cassie and her grandmother fight their separate battles to cope with the truth about the tragedy. Kline perfectly renders each woman's voice: Cassie's, probing and often uncertain, propels the narrative and creates an appropriate level of psychological suspense; the grandmother's quavers with the weight of memory as Cassie's search forces her beyond family myth to a painful and perhaps dangerous truth. The result is a powerful, immensely readable tale of loyalty and betrayal, family and memory, made fresh by Kline's often beautiful and always lucid prose.

    Raw with grief and reeling from the knowledge that her reserved mother hid something so momentous, Olivia leaves San Francisco and crosses the pond to unravel the mystery of a lifetime.One glance at the breathtaking Rosemere Priory and Olivia understands why the manor, magnificent even in disrepair, was the subject of her mother’s exquisite paintings. What she doesn’t understand is why her mother never mentioned it to her. As Olivia begins digging into her mother’s past, she discovers that the peeling wallpaper, debris-laden halls, and ceiling-high Elizabethan windows covered in lush green vines hide unimaginable secrets.Although personal problems and her life back home beckon, Olivia finds herself falling for the charming English village and its residents. But before she can decide what Rosemere’s and her own future hold, Olivia must first untangle the secrets of her past.

    Wollie is meeting plenty of eligible bachelors but not falling in love, not until she stumbles over a dead body en route to Rio Pescado—a state-run mental hospital—and is momentarily taken hostage by a charismatic “doctor” who is on the run from the Mob. Wollie fears that her beloved brother, a paranoid schizophrenic living at Rio Pescado, is involved in the murder, so rather than go to the authorities, she decides to solve the crime on her own. As she meets up with an array of small-time crooks and swaggering mobsters only slightly more sinister than the men she’s been dating, Wollie realizes that “getting dumped” is the least of her problems. Finding true love, she discovers, sometimes means learning how to avoid getting killed . . . Dating Dead Men will keep readers guessing until the final bullet is shot—and cheering for the irresistible Wollie as she makes her way out of confusion and into the welcoming embrace of Mr. Right.

    When Bess Warner arrives in town with her husband Cole and their kids, she thinks she knows what to expect. Sure, moving to Cole’s small hometown means she’ll have to live across the street from her mother-in-law, and yes, there’s going to be a lot to learn as they take over Cole’s family’s inn-keeping business, but Bess believes it will be the perfect escape from Washington. She needs it to be. After losing her White House job under a cloud of scandal, she hardly knows who she is anymore.But Bess quickly discovers that fitting in is easier said than done. Instead of the simpler life she’d banked on, she finds herself preoccupied by barbed questions from gossipy locals and her own worries over how her twins are acclimating at the town’s elite private school. When the opportunity to write an article for the Washington Post’s lifestyle supplement falls into Bess’s lap, she thinks it might finally be her opportunity to find her footing here…even if the subject of the piece is Greyhill’s most notorious resident.Susannah “Cricket” Lane, fruit of the town’s deepest-rooted family tree, is a special sort of outsider, having just returned to Greyhill from New York after a decades-long hiatus. The long absence has always been the subject of suspicion, not that the eccentric Susannah cares what anyone thinks; as a matter of fact, she seems bent on antagonizing as many people as possible. But is Susannah being sincere with Bess—or is she using their strangely intense interview sessions for her to further an agenda that includes peeling back the layers of Greyhill’s darkest secrets?As Bess discovers unsettling truths about Susannah and Greyhill at large, ones that bring her into the secrets of prior generations, she begins to learn how difficult it is to start over in a town that runs on talk, and that sometimes, the best way to find yourself is to uncover what everyone around you is hiding....

    There, at The End of the Road of the South, the family malt shop freezer holds unspeakable things, society maven Mrs. Dot hosts Junior Debutante meetings and shares inspired thoughts for the week (such as “sincerity is as valuable as radium”), and Daisy Fay’s Daddy hatches a quick-cash scheme that involves resurrecting his daughter from the dead in a carefully orchestrated miracle. Along the way, Daisy Fay does a lot of growing up, emerging as one of the most hilarious, appealing, and prized characters in modern fiction.

    Not so, lately. Four women have disappeared from Cleary over the past two years. And there’s always a blue ribbon left near the spot where each of the women was last seen. There are no bodies, no other clues, and no suspicion as to who their abductor might be. And now, another woman has disappeared without a trace. It is to this backdrop that Lilly Martin returns to close the sale of her mountain cabin, marking the end of her turbulent eight-year marriage to Dutch Burton, Cleary’s chief of police. Dutch’s reluctance to let her go isn’t Lilly’s only obstacle. As she’s trying to outrun a snowstorm, her car skids on the icy road and strikes a man who emerges from the woods on foot. She recognizes the injured man as Ben Tierney, whom she’d met the previous summer. They’re forced to wait out the storm in the cabin, but as the hours of their confinement mount, Lilly begins to wonder if the greatest danger to her safety isn’t the blizzard outside, but the mysterious man right beside her. Is Ben Tierney the feared abductor? Or is he who he claims to be...her rescuer from harm and from the tragedy that haunts her?

    The girl's parents want to attempt a rescue of the body; environmentalists areconvinced the rescue operation will cause permanent damage to the river and set a dangerous precedent. Torn between the two sides is Maggie Glenn, a twenty-eightyear-old newspaper photographer who grew up in the town and has been sent to document the incident. Since leaving home almost ten years ago, Maggie has done her best to avoid her father, but now, as the town's conflict opens old wounds, she finds herself revisiting the past she's fought so hard to leave behind.

    That was before she found the body of a woman with whom she had traded heated words the previous night, left her fingerprints on the murder weapon, and came under attack for trying to clear her name. When her cheating ex-fiance shows up, intent on convincing her to come back to work for him, Tess—armed with an extra batch of éclairs—decides to take control and solve the mystery herself, with the help of friends and frenemies alike. But will that be enough to save her when she gets too close and the killer decides it’s safer to get her out of the way?

    Her car has been stolen so she has to walk to the train station to get to her office at St. Thomas, a college in the Bronx, New York. When she arrived she finds two homicide detectives waiting for her. The good news is that they found her car; the bad news is that in the trunk was the body of one of the students in her Shakespeare seminar.Trying to get her name off of the handsome Detective Crawford’s suspect list turns out to be just one of her problems. Alison has to bail her ex out of jail; deal with the victim’s distraught parents, classmates of hers when she was a student at St. Thomas; and grade those Shakespeare exams, which seem to be getting a lot of attention for a boring old stack of reports. And in the meantime, who would want to kill college student Kathy Miceli?

    Allegra Gardner's sister Fiona was murdered six years ago, and it seemed like an open-and-shut case: the accused, Lonnie Stall, was seen fleeing the scene; his blood was on Fiona and her blood was on him; most damningly, Lonnie Stall pleaded guilty. But Allegra believes Lonnie is innocent and has been wrongly imprisoned. The Gardner family is one of the most powerful in the country and Allegra's parents don't believe in reopening the case, so taking it on is risky. But the Rosato & Associates firm can never resist an underdog. Was justice really served all those years ago? It will take a team of unstoppable female lawyers, plus one thirteen-year-old genius, to find out.