Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history.And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives."

    Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    She struggles for survival and for self-esteem, embarking on a love affair with the 18-year-old son of her most powerful opponent, brutal and charismatic rancher, Buck Calder.

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise. But over the twenty-five year span of this ambitious novel, the Mulvaneys will slide, almost imperceptibly at first, from the pinnacle of happiness, transformed by the vagaries of fate into a scattered collection of lost and lonely souls.It is the youngest son, Judd, now an adult, who attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that occasioned the family's tragic downfall. Each of the Mulvaneys endures some form of exile- physical or spiritual - but in the end they find a way to bridge the chasms that have opened up among them, reuniting in the spirit of love and healing.

    The Floating Opera and The End Of The Road are John Barth's first two novels.  Their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives.  Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on the emotions.  Separately they give two very different views of a universal human drama.

    Rich with the uncanny sense of life and action characteristic of his writing — from his earliest stories (In Our Time) to his last novella (The Old Man and the Sea) — this compelling novel contains both the warmth of recollection that inspired A Moveable Feast and a rare glimpse of Hemingway's rich and relaxed sense of humor, which enlivens scene after scene. Beginning in the 1930s, Islands in the Stream follows the fortunes of Thomas Hudson from his experiences as a painter on the Gulf Stream island of Bimini, where his loneliness is broken by the vacation visit of his three young sons, to his antisubmarine activities off the coast of Cuba during World War II. The greater part of the story takes place in a Havana bar, where a wildly diverse cast of characters — including an aging prostitute who stands out as one of Hemingway's most vivid creations — engages in incomparably rich dialogue. A brilliant portrait of the inner life of a complex and endlessly intriguing man, Islands in the Stream is Hemingway at his mature best.

    When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.

    With The Old Man and Me, written when Dundy was living in England in the early 1960s, she tackles the American girl in London, a bit older but certainly no wiser. Honey Flood (if that’s her real name) arrives in London with only her quick wits and a scheme. To get what she wants, she’ll have to seduce the city’s brightest literary star, no matter how many would-be bohemians she has to charm, how many smoky jazz clubs she has to brave, or how many Lady Something-Somethings she has to humor. But with success within her reach, Honey finds that in making the Soho scene, she’s made a big mistake.

    It quickly becomes clear that the throng determined to shut the city down--from environmentalists to teamsters to anarchists--are testing the patience of the police, and what started as a peaceful protest is threatening to erupt into violence.Over the course of one life-altering afternoon, the lives of seven people will change forever: foremost among them police chief Bishop, the estranged father Victor hasn't seen in three years, two protestors struggling to stay true to their non-violent principles as the day descends into chaos, two police officers in the street, and the coolly elegant financial minister from Sri Lanka whose life, as well as his country's fate, hinges on getting through the angry crowd, out of jail, and to his meeting with the president of the United States.In this raw and breathtaking novel, Yapa marries a deep rage with a deep humanity, and in doing so casts an unflinching eye on the nature and limits of compassion.

    This was a war to make the world safe for democracy. And if democracy was made safe, then nothing else mattered - not the millions of dead bodies, nor the thousands of ruined lives... This is no ordinary novel. This is a novel that never takes the easy way out: it is shocking, violent, terrifying, horrible, uncompromising, brutal, remorseless and gruesome... but so is war. Winner of the National Book Award.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    The acclaimed author of Ceremony has undertaken a weaving of ideas and lives, fate and history, passion and conquest in an attempt to re-create the moral history of the Americas, told from the point of view of the conquered, not the conquerors.

    He has lived grandly and ferociously-and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas which sustain humankind, or kill it, and much to Ravelstein's own surprise, he does and becomes a millionaire. Ravelstein suggests in turn that Chick write a memoir or a life of him, and during the course of a celebratory trip to Paris the two share thoughts on mortality, philosophy and history, loves and friends, old and new, and vaudeville routines from the remote past. The mood turns more somber once they have returned to the Midwest and Ravelstein succumbs to AIDS and Chick himself nearly dies.Deeply insightful and always moving, Saul Bellow's heartfelt novel is a journey through love and memory. It is brave, dark, and bleakly funny: an elegy to friendship and to lives well (or badly) lived.

    Ambitious, opportunistic, 'Miss Lonelyhearts,' as the conductor of the column is inevitably dubbed, begins with contempt of the correspondents and confidence in his own cleverness. As time goes on, the genuineness of the agony in the letters that come in gets under the skin of the columnist. He is distressed to find himself presiding over a monstrous swindle. For he is an idealist in collision with humanity, as his diabolical managing editor expresses it."