His exams have not gone well. At home he is looking after his father, when surely it should be the other way round, and if he thinks about the future at all, it is with a kind of dread.Then Fran Fisher bursts into his life and despite himself, Charlie begins to hope.But if Charlie wants to be with Fran, he must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling.The price of hope, it seems, is Shakespeare.Poignant, funny, enchanting, devastating, Sweet Sorrow is a tragicomedy about the rocky path to adulthood and the confusion of family life, a celebration of the reviving power of friendship and that brief, searing explosion of first love that can only be looked at directly after it has burned out.

    When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn’t think much of it. They haven’t seen each other in nearly a year and thanks to Nora’s fierce aloofness, their relationship consists mostly of infrequent phone calls and an occasional email or text. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora’s “something” is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and not to utter a word about the child to anyone, especially not their buttoned-up mother who seems determined to pretend everything is perfect. But before Quinn can ask even one of the million questions swirling around her head, Nora disappears, and Quinn finds herself the unlikely caretaker of a girl introduced simply as Lucy. While Quinn struggles to honor her sister’s desperate request and care for the lost, scared Lucy, she fears that Nora may have gotten involved in something way over her head—something that will threaten them all. But Quinn’s worries are nothing compared to the firestorm that Nora is facing. It’s a matter of life and death, of family and freedom, and ultimately, about the lengths a woman will go to protect the ones she loves.

    . . In Danielle Steel’s powerful novel, four San Francisco trauma doctors – the best and brightest in their field – confront exciting and exacting new challenges, both personally and professionally, when given a rare opportunity. Bill Browning heads the trauma unit at San Francisco’s busiest emergency room. With his ex-wife and daughters in London, he immerses himself in his work and lives for the little time he can spend with his children. A rising star at her teaching hospital, Stephanie Lawrence has two young sons, a frustrated stay-at-home husband, and not enough time for any of them. Harvard-educated Wendy Jones is a dedicated trauma doctor, trapped in a dead-end relationship with a married cardiac surgeon. And Tom Wylie’s popularity with women rivals the superb medical skills he employs at his medical centre, but he refuses to let anyone get too close, determined to remain unattached forever. These exceptional doctors are chosen for an honour and a unique project: to work with their counterparts in Paris in a mass-casualty training programme. As professionals they will gain invaluable knowledge, but as ordinary men and women they will find that the City of Light opens up incredible new possibilities, exhilarating, enticing and frightening. When an unspeakable act of mass violence galvanizes them into action, their temporary life in Paris becomes a stark turning point: a time to make harder choices than they have ever faced before – with consequences that will last a lifetime.

    She must prove to Anders Sæterdal, her trapping partner who makes no secret of his disdain, that a woman is fit for the task. Over the course of a Svalbard winter, Wanny and Sæterdal will confront polar bears, traverse glaciers, withstand blizzards and the dangers of sea ice, and hike miles to trap Arctic fox, all in the frigid darkness of the four-month polar night. For Wanny, the darkness hides her own deceptions that, if exposed, speak to the untenable sacrifice of a 1930s woman longing to fulfil a dream. Alongside the raw, confronting nature of the trappers’ work, is the story of a young blue Arctic fox, itself a hunter, who must eke out a living and navigate the trappers’ world if it is to survive its first Arctic winter.

    Her prodigal baby sister, Margot, who left home after a devastating argument with their mother, reluctantly agrees, though their family home is the site of so much pain for her. Meanwhile, their eldest sister, Eve, has thrown herself into a tailspin planning the details of the wedding—anything to distract herself from how her own life is unraveling—and their long-separated artist parents are forced to play the roles of cheerful hosts through gritted teeth.As the Sorrells come together for a week of celebration and confrontation, their painful memories are revisited and their relationships stretched to the breaking point.Moving, poignant, and unforgettable, The River Home showcases once again Hannah Richell’s talent for creating characters readers can relate to—and telling stories that linger in the mind long after the final page.

    While she has made a happy life for herself since moving to Broome, she's never told her friends there why she divorced her husband, nor why she made the heartbreaking decision to return home to Australia, leaving her son behind in France. Jean-Luc's yearly visits to the Kimberley are her happiest periods, matched only by her sadness each time their annual reunions end.Jacqui's tranquil existence is about to be disrupted. A charming filmmaker's flattering attention reminds her that it might be time to put the past behind her. A childhood acquaintance who appears in Broome irritates her just as much as he did when they were young. And the community she has come to love threatens to tear itself apart when a proposed mining development forces people to take sides. Jacqui is faced with difficult choices on all fronts. She wants to do the right thing, but how can she know what the right thing is?