With him ride his wives, his sisters, his daughters, his aunts and his distant female relatives. Unhindered by a relatively recent conversion to Islam, these women will help found a culture of such magnificence and beauty that it will become a by-word for opulence in the world. These Mughal women of Hindustan—unmarried daughters, eccentric sisters, fiery milk-mothers and beautiful wives, will contribute to the great syncretic culture of the Mughals by writing biographies, building monuments, engaging in diplomacy, and patronizing the arts. And even as the zenana changes from the earlier nomadic, tented spaces to the later more sequestered grandeur within the high stone walls of mighty qilas, the influence of the women remains visible and unquestioned. This book looks at the lives of these Mughal women, and the enigma of their disappearance, except as objects of curiosity, from our collective memory.

    In Blueprints for Building Better Girls, her highly anticipated follow-up, she has crafted another provocative, keenly observed, and wickedly smart work of fiction that maps America's shifting cultural landscape from the late 1970s to the present day.In these eight darkly funny linked stories, Schappell delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother— to explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In “Monsters of the Deep,” teenage Heather struggles to balance intimacy with a bad reputation; years later in “I’m Only Going to Tell You This Once,” she must reconcile her memories of the past with her role as the mother of an adolescent son. In “The Joy of Cooking,” a phone conversation between Emily, a recovering anorexic, and her mother explores a complex bond; in “Elephant” we see Emily’s sister, Paige, finally able to voice her ambivalent feelings about motherhood to her new best friend, Charlotte. And in “Are You Comfortable?” we meet a twenty-one-year-old Charlotte cracking under the burden of a dark secret, the effects of which push Bender, a troubled college girl, to the edge in “Out of the Blue into the Black.” Weaving in and out of one another’s lives, whether connected by blood, or friendship, or necessity, these women create deep and lasting impressions. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell, with dazzling wit and poignant prose, has forever altered how we think about the nature of female identity and how it evolves.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    

    This is usually because the right questions are not asked. In the world of investing, where honest and common sense advice is scarce, here is a book that simplifies key concepts in money management and guides you to invest with a specific goal in mind. ‘You can be rich –With Goal Based Investing’ arms you with the relevant questions to ask. It also gives you access to a bouquet of practical yet enlightening calculators that enable you develop personalized investment solutions. If used regularly, these mirror the progress of your investment plans and help you gauge if are going in the intended direction. Investors who have the discipline to follow the simple steps suggested in this book could attain results that are vastly superior to even those achieved by professionals. Most importantly, successfully securing goals due to appropriate investing delivers an improved life with more time to spend on what is really important for you and your loved ones.. If you are in the process of creating wealth – irrespective of whether you are a beginner, mid-way through your journey or almost there – you can find nuggets of simple, practical wisdom in the pages of this book.

    Nobody has done more harm to me than Jawaharlal Nehru,' wrote Subhas Chandra Bose in 1939.Had relations between the two great nationalist leaders soured to the extent that Bose had begun to view Nehru as his enemy? But then, why did he name one of the regiments of the Indian National Army after Jawaharlal? And what prompted Nehru to weep when he heard of Bose's untimely death in 1945, and to recount soon after, 'I used to treat him as my younger brother'?Rudrangshu Mukherjee's fascinating book tracks the growth of these two towering figures against the backdrop of the independence movement, delicately tracing the contours of a friendship that did not quite blossom as political ideologies diverged, and delineates the shadow that fell between them-for, Gandhi saw Nehru as his chosen heir and Bose as a prodigal son.Nehru and Bose: Parallel Lives brings to light the riveting story of two contrasting personalities who would go on to define modern India.

    With a mix of traditional, literary prose and bold – some might even say irresponsible – experimentation, Ben Greenman explores the ins and outs of modern romance. Expect tears, nudity, and recrimination.Both familiar in their humanness and wholly original, these imaginative stories take us all over the map in time, place, and circumstance. From the halfhearted summer affair between a part-time bartender and a married doctor in a Miami hotel to the cryptic pseudo-erotic love letters to a friend who is “more than a friend,” we experience the love of pop songs, the love of cohabitation in Chicago, and love that is so transporting it takes us to the moon–literally.

    1658–1707), the sixth Mughal emperor, is widely reviled in India today. Hindu hater, murderer and religious zealot are just a handful of the modern caricatures of this maligned ruler. While many continue to accept the storyline peddled by colonial-era thinkers—that Aurangzeb, a Muslim, was a Hindu-loathing bigot—there is an untold side to him as a man who strove to be a just, worthy Indian king.In this bold and captivating biography, Audrey Truschke enters the public debate with a fresh look at the controversial Mughal emperor.

    But Dharavi is much more than cold a statistic. What makes it special are the extraordinary people who live there, many of whom have defied fate and an unhelpful State to prosper through a mix of backbreaking work, some luck and a great deal of ingenuity. It is these men and women whom journalist Kalpana Sharma brings to life through a series of spellbinding stories. While recounting their tales, she also traces the history of Dharavi from the days when it was one of the six great koliwadas or fishing villages to the present times when it, along with other slums, is home to almost half of Mumbai.

    The fragile peace between the two powers is threatened when Balaji Vishvanath Bhat, Peshwa of the Confederacy, foils the plans of Nizam Ul Mulk of the Mughal Empire, and asserts the power of the Marathas. However, little does the Peshwa know that he has dealt the Nizam an unintended wound—one with roots in his mysterious past and one that he would seek to avenge till his last breath.When the Peshwa surrenders his life to a terminal illness dark clouds gather over the Confederacy as it is threatened by a Mughal invasion as well as an internal rebellion.All the while a passive spectator, the Peshwa’s son, Bajirao Bhat, now needs to rise beyond the grief of his father’s passing, his scant military and administrative experience, and his intense love for his wife and newborn son to rescue everything he holds dear. Will the young man be able to protect the Confederacy from internal strife and crush the armies of the Empire all while battling inner demons? Will he live up to his title of Peshwa?

    S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India.Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man and a deluded American religious seeker. An Area of Darkness also abounds with Naipaul’s strikingly original responses to India’s paralyzing caste system, its apparently serene acceptance of poverty and squalor, and the conflict between its desire for self-determination and its nostalgia for the British raj. The result may be the most elegant and passionate book ever written about the subcontinent.

    At 15, she moves to the home of a "liberal" uncle in Lucknow. Here, during the 1930s, as the struggle for independence sharpens, Laila is surrounded by relatives and university friends caught up in politics. But Laila is unable to commit herself to any cause: her own fight for independence is a struggle with traditional life as she falls in love with a man not chosen by her family. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart, this is a classic of Muslim life.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    When the beautiful and lonely lady of the manor invites him to stay and share a story, his grief at the destruction of his glorious city spills forth in a story of two brothers, Taka and Wara - wolf and boy - a tale of love and loyalty, hurt and distrust. The storyteller is amazed when the lady, or Begum, responds with a tale of her own, of Aresh and Barab, and a friendship that transcends death. Transfixed by their storytelling duel and shocked by the discovery of forbidden love, the pair draw out their stories in order to delay the moment of their parting. Part fable, part fantasy, The Storyteller's Tale captures the twilight of the Mughals and transports the reader to the stunning setting of an unforgettable brief encounter. Adapting ancient traditions of storytelling, skilfully weaving history and the lives of ordinary people in a landscape of war and devastation, Ahmad's finely drawn tale draws from the great folklore traditions of One Thousand and One Nights and the Tales of Genji.

    The book captures rise of Bhindranwale whose extremism played wedge between Sikh and Hindu, Sikh and Sikh and Punjab and India, the indecisiveness of Indira Gandhi who paid for the catastrophic aftermath with her life. Tully and Jacob bring tragedy of Sikh from many arresting angles. They met Bhindranwale and many other central characters in the drama. They gathered eye witness account from every quarter to fill in this remarkable picture of what occurred and present their thought provoking analysis of what happened.