Kevin Brockmeier's fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive--or, as it happens, not to be.

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    These stories feature characters struggling to find a foothold in a world that is forever washing out from under them, people who must reckon with their ambivalence about belonging to a place so continually in flux.An overwhelmed teenage mother leaves her infant son in a closet to buy herself a night out; a teacher with a terminally ill husband fantasizes about another man; a retiree surveys the devastation left by a hurricane and decides the fate of a lost cat; and a young woman out of options tries to drag her brother to Mexico for surgery, desperate to save his life and her own.As Lauren Groff did for the Sunshine State in Florida, Stephanie Soileau demonstrates that Louisiana is as much a state of mind as it is a place on the map. Her fiction is a powerful reminder of the rich variety of Southern culture, and brings back into focus the Cajun language, life rhythms, and customs that still make Louisiana so unique.

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    These twenty original stories tell of scary futures, magical adventures, and the joys and heartbreaks of teenage life. Featuring New York Times bestselling and award winning authors along with newer voices: Garth Nix, Sofia Samatar, William Alexander, Karen Healey, E.C. Myers, Tansy Rayner Roberts, Ken Liu, Vylar Kaftan, Sean Williams, Amal El-Mohtar, Jim C. Hines, Faith Mudge, John Chu, Alena McNamara, Tim Susman, Gabriela Lee, Dirk Flinthart, Holly Kench, Sean Eads, and Shveta Thakrar

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    The result is an intimate document of niche moments, when relationships either run their course, take flight, or enter holding patterns.The characters in this collection are as intelligent and charming as they are lonely. In some stories, realistic urges materialize in magical settings: a couple discovers the ability to stop time together; another couple lives in an apartment where only one of them can hear a constant beeping, while the other must try to believe. In other stories, a nameless voice narrates the arc of a love affair through a list of the couple’s best and worst kisses; a father leaves his daughter in Israel to pursue a painting career in New York; and a sex worker falls in love with the Israeli photographer who studies her.The stories in this ambitious and exciting debut share a prevailing sense of existential strangeness, otherworldliness, and the search to belong, while the altering of time and space and memory creates unexpected magic. And yet there is something entirely familiar about the experiences of these characters, who are so brilliantly and subtly rendered by Shelly Oria’s capable mind.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    We meet a runaway teen, a mattress salesman, feral kittens, an elderly bachelorette wearing a horsehair locket, and a little girl named after Shania Twain. Here, time and memory circle above Phillips’ characters like vultures and angels, as they navigate the only landscape they’ve ever known. Corn reaches for rain, deer run blindly, and no matter how hungry or hurt, some forgotten hymn is always remembered. “The literary love child of Carson McCullers and John the Baptist, Ashleigh Bryant Phillips’ imagination is profoundly original and private," writes Rebecca Lee. Sleepovers is the winner of the 2019 C. Michael Curtis Short Story Book Prize, selected by Lauren Groff.

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Valente, Dexter Palmer and others KAREN JOY FOWLER, guest editor, is the author of six novels and four short story collections, including We Are All Completely Beside Ourselves. She is the winner of the 2014 PEN/Faulkner Award, a finalist for the Man Booker Prize, and has won numerous Nebula and World Fantasy awards. JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds and Wastelands. He is the editor and publisher of the digital magazines Lightspeed and Nightmare and is the editor of John Joseph Adams Books, a new science fiction/fantasy novel imprint from Houghton Mifflin Harcourt.Table of Contents:"Meet Me in Iram" by Sofia Samatar"The Game of Smash and Recovery" by Kelly Link"Interesting Facts" by Adam Johnson"Planet Lion" by Catherynne M. Valente"The Apartment Dweller’s Bestiary" by Kij Johnson"By Degrees and Dilatory Time" by S.L. Huang"The Mushroom Queen" by Liz Ziemska"The Daydreamer by Proxy" by Dexter Palmer"Tea Time" by Rachel Swirsky"Headshot" by Julian Mortimer Smith"The Duniazát" by Salman Rushdie"No Placeholder for You, My Love" by Nick Wolven"The Thirteen Mercies" by Maria Dahvana Headley"Lightning Jack’s Last Ride" by Dale Bailey"Things You Can Buy for a Penny" by Will Kaufman"Rat Catcher’s Yellows" by Charlie Jane Anders"The Heat of Us: Notes Toward an Oral History" by Sam J. Miller"Three Bodies at Mitanni" by Seth Dickinson"Ambiguity Machines: an Examination" by Vandana Singh"The Great Silence" by Ted Chiang

    In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.