Three years later, their safari lodge is in trouble - and so, too, is their marriage.When a Hollywood movie crew descends to film on location, Mara knows this could be the lodge's salvation. She thrives on her sudden responsibility and independence, but she also finds herself dangerously attracted to the film's leading man.From an internationally bestselling author comes this poignant love story set against the breathtaking backdrop of Tanzania. The Hunter's Wife is a powerful and moving story of a young woman's heartfelt struggle to reconcile duty and desire.

    Now that Sparrow, her ward, has reached nine years of age, she reckons he needs a male role model in his life. With typical efficiency she sets about finding a father-figure by drawing up a series of checklists for each candidate, and following a strict protocol for interviewing them.So far, all the contenders have failed miserably to get enough ticks in the right boxes. But Ferne is focused and nothing is going to stop her from fulfilling her responsibilities…...except maybe a saboteur out to wreck her business; drunken neighbours; her unfortunate past from which it is so difficult to escape; her estranged mother; long-lost sister; and her Jack Russell, Merrie, who is not above galloping over and nipping any prospective role models she thinks Will Not Do.Katie Fforde (best-selling rom com author and President of the Romantic Novelists' Association) said of 'All His Own Hair': 'Susan Alison handles difficult issues with quirky humour and uplifting results.'(To give you some idea of length - 'White Lies and Custard Creams' is 83,700 words long and 'All His Own Hair' is 87,300 words long.)Susan Alison is the Katie Fforde Bursary Award winner for 2011. She has won competition awards for short fiction and sold numerous stories to commercial publications. Her fiction concentrates on the relationships humans forge with each other (and quite often with their dogs). She is a freelance artist.Jill Mansell (best-selling rom com author) said of 'White Lies and Custard Creams': "Susan Alison has written a lovely, quirky romp packed with off-the-wall characters - original, intriguing and great fun!"

    With high hopes the twins attempt to flee from home, but only LaMamo escapes successfully and is able to live their dream of becoming a soldier who meets beautiful women. Mamo, the sickly, awkward twin, is doomed to remain in the village with his father. Gradually he comes out of his father's shadow and gains local fame as a historian, and, using Plutarch's Parallel Lives as his model, he embarks on the ambitious project of writing a "true" history of his people. But when the rains fail and famine rages, religious zealots incite the people to violence—and LaMamo returns to fight the enemy at home.A novel of ardent loyalty, encroaching modernity, political desire, and personal liberation, Measuring Time is a heart-wrenching history of Nigeria, portrayed through the eyes of a single family.

    The Boers have turned out to be more resilient than expected, so the British have sent a call to arms to their colonies — and an a great number of men from the Canadian prairies answer the call and join the Canadian Mounted Rifles: a unit in which they can use their own beloved horses. They assume their horses will be able to handle the desert terrain of the Great Karoo as readily as the plains of their homeland. Frank Adams, a cowboy from Pincher Creek, joins the Rifles, along with other young men from the ranches and towns nearby — a mix of cowboys and mounted policeman, who, for whatever reason, feel a desire to fight for the Empire in this far-off war.Against a landscape of extremes, Frank forms intense bonds with Ovide Smith, a French cowboy who proves to be a reluctant soldier, and Jefferson Davis, the nephew of a prominent Blood Indian chief, who is determined to prove himself in a “white man’s war.” As the young Canadians engage in battle with an entrenched and wily enemy, they are forced to realize the bounds of their own loyalty and courage, and confront the arrogance and indifference of those who have led them into conflict. For Frank, disillusionment comes quickly, and his allegiance to those from the Distict of Alberta, soon displaces any sense of patriotism to Canada or Britain, or belief that he’s fighting for a just cause.The events of the novel follow the trajectory of the war. The British strategy of burning Boer farms, destroying herds, and moving Boer families into camps weakens the Boer rebels, but they refuse to give up. The thousands of Boer women and children who die in the camp make the war ever more unpopular among liberals in Britain. (In fact, this conflict marked the first use of the term “concentration camp” in war.) Seeing the ramifications of such short-sighted military decisions, and how they affect what happens to Frank and the other Canadians, is crucial to depicting the reality of the Boer War. By focusing on the experiences of a small group of men from southern Alberta, Fred Stenson brings the reality of what it would have been like to be a soldier in this brutal war to vivid life. The Great Karoo is a deeply satisfying novel, marked by the complexities of its plot, the subtleties of its relationships, and the scale of its terrain. Exhilarating and gruesome by turns, it explores with passion and insight the lasting warmth of friendship and the legacy of devastation occasioned by war.

    She’s an aspiring, young seamstress who is enchanted by a charming new suitor. His worldly ways and grandeur captivate her—until secrets, lies and unsavory behaviors bring her harm.Uncovering more than she ever imagined, Lillie is pushed to make decisions that she never expected. With the help of a close family friend and her brother Frank, Lillie tries to leave behind her mistakes.The discovery of a 1951 convertible dragged out of its watery grave leads reporters to the doorstep of Lillie Mae. The Cotton Blossom is a spellbinding journey about finding your power, learning from your mistakes and trusting your heart.

    You can only use the experiences you live through to make your future better, wiser. Anna and her best friend George meet every week to remember, to sigh, to laugh, to reminisce about their moments of glory, guilt and mischief and share their sorrows over a glass or three of wine. The things they've done still make them blush. Anna wanted to be a poet - a famous poet. George left home in a childish rage and years later returned with her baby.When Anna is asked to look after the boy across the road for a few hours each week, she isn't sure. She doesn't really do children. But she takes the job on and, gradually, a child's view of her world shows her a different place.George remembers a flat she stayed in when she ran away from home. It had the kitchen of all kitchens and, oh, how she'd love to see it again. Anna sets out to see if it still exists and discovers a cookbook full of recipes, intimates notes and drawings from George's life.Does all this mark an ending or the beginning of something new and marvelous for Anna and George?

    Short stories set in the South Africa of Alan Paton's "Cry The Beloved Country"Stories:Debbie Go Home; Ha'penny; The Divided House; Life for a Life;Death of a Tsotsi; The Worst Thing of his Life; The Waste Land; A Drink in the Passage; Sponono; The Elephant-Shooter

    The most one can do is make some sort of start and then work toward some kind of ending.One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Windhoek, Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, in South Africa, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university.But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived.

    The most unexpected consequences.When Anna’s husband cheats on her, she’s sure she’ll never be happy again. But then she meets 94-year-old Grace. Despite an age gap of more than fifty years, the pair set out together on a life-changing journey halfway across the country in search of some answers. Sometimes the only way to move on is to revisit the past. But will Anna and Grace be prepared for what they find? A story about love, female friendship, heartbreak and learning to forgive.

    Suddenly, no amount of cocktails can cure the stress that simultaneously unsettles their lives. Nandi’s final wedding arrangements are nearly in place so why is she feeling on edge? Zaza, the “trophy wife”, waits for the day her affair comes to light and her husband gives her a one-way ticket back to the township. Tumi has only one wish to complete her perfect life – a child. But when her wish is granted, it’s not exactly how she pictured it. And Princess? For the first time ever, she has fallen in love – with Leo, a painter who seems to press all the right buttons. But soon she discovers – like her friends already have – that life is not a bed of roses, and happiness never comes with a manual . . .

    A Man Who Is Not A Man recounts the personal trauma of a young Xhosa initiate after a rite-of-passage circumcision has gone wrong. With frankness and courage, author Thando Mgqolozana's powerful novel details the pain and lifelong shame that is experienced as a result of not just the physical trauma, but the social ostracism of being labeled 'a failed man.' He decodes the values and mysteries of this deep-seated cultural tradition and calls to account the elders for the disintegrating support systems that allow such tragic outcomes to happen. But it is also through this life-changing experience that his protagonist is forced to find his strength and humanity, and reassess what it really means to be a man.

    Her hired guide, a displaced and tough Zimbabwean named Peter Leigh, opens up a whole new world for her, full of love and adventure. Unfortunately their wonderful holiday is brutally sidetracked when they are accosted by ruthless carjackers and Peter and Mandy become hopelessly lost inside the rugged Kruger National Park. Can the two new lovers ever find their perilous way back to civilization, as they struggle to avoid lurking lions, raging bush fires, and murderous poachers in the heart of Africa?

    

    When her dreams of rising through the police ranks like her late father crash around her, 26-year-old Emma Djan is unsure what will become of her life in Accra. Through a sympathetic former colleague, Emma gets an interview with a private detective agency tracking down missing persons, thefts, and marital infidelities. It’s not the future she imagined, but it’s her best option. Meanwhile, Gordon Tilson, a middle-aged widower in Washington, DC, has found solace in an online community after his wife’s passing. Through the support group, he’s even met a young Ghanaian widow he really cares about, and when her sister gets into a car accident, he sends her thousands of dollars to cover the hospital bill—to the horror of his only son, Derek. When Gordon runs off to Ghana to surprise his new love and disappears, Derek chases after him, fearing for his father’s life. The case of the missing American man will drag both Emma and Derek into a world of sakawa scams, fetish priests, and those willing to keep things secret through death.

    British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past.She flies to the state’s capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate.Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa’s colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman’s anguished quest for redemption.