With help from a couple of neighborhood boys, Faith lugs her priceless Louis XV elephant clock, countless Tiffany lamps, and everything else from her nineteenth-century mansion out onto her long, sloping lawn.Why is a recluse of twenty years suddenly selling off her dearest possessions? Becasue God told her to.As the townspeople grab up five generations of heirlooms, everyone drawn to the sale--including Faith's lon-lost daughter--finds that the antiques not only hold family secrets but also inspire some of life's most imponderable questions: Do our possessions possess us? What are we without our memories? Is there life after death or second chances here on earth? And is Faith really selling that Tiffany lamp for $1?READERS GUIDE INCLUDED

    Now, unable to play, adrift in an alcoholic daze, and with only fragmented memories of his past, Braden wants desperately to escape the darkness of the last eleven years.When his ex-wife and son are killed in a car accident, Braden returns home, hoping to forge a relationship with his troubled seventeen-year-old daughter, Allie. But how can he hope to rescue her from the curse that seems to shadow his family?Ophelia “Phee” MacPhee, granddaughter of the eccentric old man who sold Braden his cello, believes the curse is real. She swore an oath to her dying grandfather that she would ensure Braden plays the cello as long as he lives. But he can’t play, and as the shadows deepen and Phee finds herself falling for Braden, she’ll do anything to save him. It will take a miracle of forgiveness and love to bring all three of them back to the healing power of music.

    Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

    The year is 1364, and the brothers Grossbart have embarked on a naïve quest for fortune. Descended from a long line of graverobbers, they are determined to follow their family's footsteps to the fabled crypts of Gyptland. To get there, they will have to brave dangerous and unknown lands and keep company with all manner of desperate travelers-merchants, priests, and scoundrels alike. For theirs is a world both familiar and distant; a world of living saints and livelier demons, of monsters and madmen. The Brothers Grossbart are about to discover that all legends have their truths, and worse fates than death await those who would take the red road of villainy.

    When sixteen-year-old Nouf goes missing, along with a truck and her favorite camel, her prominent family calls on Nayir al-Sharqi, a desert guide, to lead a search party. Ten days later, just as Nayir is about to give up in frustration, her body is discovered by anonymous desert travelers. But when the coroner’s office determines that Nouf died not of dehydration but from drowning, and her family seems suspiciously uninterested in getting at the truth, Nayir takes it upon himself to find out what really happened to her. This mission will push gentle, hulking, pious Nayir, a Palestinian orphan raised by his bachelor uncle, to delve into the secret life of a rich, protected teenage girl -- in one of the most rigidly gender-segregated of Middle Eastern societies. Initially horrified at the idea of a woman bold enough to bare her face and to work in public, Nayir soon realizes that if he wants to gain access to the hidden world of women, he will have to join forces with Katya Hijazi, a lab worker at the coroner’s office. Their partnership challenges Nayir, bringing him face to face with his desire for female companionship and the limitations imposed by his beliefs. It also ultimately leads them both to surprising revelations. Fast-paced and utterly transporting, Finding Nouf offers an intimate glimpse inside a closed society and a riveting literary mystery. First published as Night of the Mi'raj in the UK.

    He discovers that everything is fragile: love turns to loss, friends become enemies and everyone is looking for a place to belong.Isabella Hammad delicately unpicks the tangled politics and personal tragedies of a turbulent era – the Palestinian struggle for independence from the British Mandate, the strife of the early twentieth century and the looming shadow of the Second World War. An intensely human story amidst a global conflict, The Parisian is historical fiction with a remarkable contemporary voice.

    The Islamic Revolution is just around the corner, as is a massive solar eclipse. In this epic novel set in the small Iranian city of Naishapur, a retired judge and his wife, Bibi, grow apples, plums, peaches, and sour cherries, as well as manage several generations of family members. The days here are marked by long, elaborate lunches on the terrace and arguments about the corrupt monarchy in Iran and the rise of Islamic fundamentalism. And yet life in the orchard continues. An uncle develops into a powerful cleric. A young nephew goes to university, hoping to lead the fight for a new Iran and marry his childhood sweetheart. Another nephew surrenders to opium, while his widowed father dreams of a life in the West. Told through a host of vivid, unforgettable characters that range from servants to elderly friends of the family, To Keep the Sun Alive is the kind of rich, compelling story that not only informs the past, but raises questions about political and religious extremism today.

    Evelyn “Button” Peters is nine the summer Winnalee and her fiery-spirited older sister, Freeda, blow into her small town–and from the moment she sees them, Button knows this will be a summer unlike any other.Much to her mother’s dismay, Button is fascinated by the Malone sisters, especially Winnalee, a feisty scrap of a thing who carries around a shiny silver urn containing her mother’s ashes and a tome she calls “The Book of Bright Ideas.” It is here, Winnalee tells Button, that she records everything she learns: her answers to the mysteries of life. But sometimes those mysteries conceal a truth better left buried. And when a devastating secret is suddenly revealed, dividing loyalties and uprooting lives, no one–from Winnalee and her sister to Button and her family–will ever be the same.

    While there, Phoebe is drawn to a stranger, the enigmatic Nathaniel Samuels who heralds dramatic changes in the lives of all three women. When offered the position of companion to Nathaniel's reclusive wife, Phoebe leaves her life in London's East End for Dinwood Court in Herefordshire — a house that may well be haunted and which holds the darkest of truths. In a gloriously gothic debut, Essie Fox weaves a spellbinding tale of guilt and deception, regret and lost love.

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

    . . Two years have done little to ease veterinarian Audra Hughes's grief over her husband's untimely death. Eager for a fresh start, Audra plans to leave Portland for a new job in Philadelphia. Her seven-year-old son, Jack, seems apprehensive about flying--but it's just the beginning of an anxiety that grows to consume him.As Jack's fears continue to surface in recurring and violent nightmares, Audra hardly recognizes the introverted boy he has become. Desperate, she traces snippets of information unearthed in Jack's dreams, leading her to Sean Malloy, a struggling US Army veteran wounded in Afghanistan. Together they unravel a mystery dating back to World War II, and uncover old family secrets that still have the strength to wound--and perhaps, at last, to heal.Intricate and beautifully written, The Pieces We Keep illuminates those moments when life asks us to reach beyond what we know and embrace what was once unthinkable. Deftly weaving together past and present, herein lies a story that is at once poignant and thought-provoking, and as unpredictable as the human heart. "An expertly woven and richly satisfying work of historical fiction that will touch any reader who has experienced love, loss, tragedy, or the impact of family secrets." --The Boston Globe

    She is a curandera, one who heals with herbs and magic. 'We cannot let her live her last days in loneliness,' says Antonio's mother. 'It is not the way of our people,' agrees his father. And so Ultima comes to live with Antonio's family in New Mexico. Soon Tony will journey to the threshold of manhood. Always, Ultima watches over him. She graces him with the courage to face childhood bigotry, diabolical possession, the moral collapse of his brother, and too many violent deaths. Under her wise guidance, Tony will probe the family ties that bind him, and he will find in himself the magical secrets of the pagan past—a mythic legacy equally as palpable as the Catholicism of Latin America in which he has been schooled. At each turn in his life there is Ultima who will nurture the birth of his soul.

    . . . Tamila Soroush wanted it all. But in the Islamic Republic of Iran, dreams are a dangerous thing for a girl. Knowing they can never come true, Tami abandons them. . . . Until her twenty-fifth birthday, when her parents give her a one-way ticket to America, hoping she will “go and wake up her luck.” If they have their way, Tami will never return to Iran . . . which means she has three months to find a husband in America. Three months before she’s sent back for good.From her first Victoria’s Secret bra to her first ride on a motor scooter to her first country line-dance, Tami drinks in the freedom of an American girl. Inspired to pursue her passion for photography, she even captures her adventures on film. But looming over her is the fact that she must find an Iranian-born husband before her visa expires. To complicate matters, her friendship with Ike, a young American man, has grown stronger. And it is becoming harder for Tami to ignore the forbidden feelings she has for him.It’s in her English as a second language classes that Tami finds a support system. With the encouragement of headstrong Eva, loyal Nadia, and Agata and Josef, who are carving out a love story of their own, perhaps Tami can keep dreaming—and find a way to stay in America.

    Each of them is handed a tantalizing clue to her true heritage—a clue which takes Maia across the world to a crumbling mansion in Rio de Janeiro, Brazil. Once there, she begins to put together the pieces of her story and its beginnings.Eighty years earlier in Rio’s Belle Epoque of the 1920s, Izabela Bonifacio’s father has aspirations for his daughter to marry into the aristocracy. Meanwhile, architect Heitor da Silva Costa is devising plans for an enormous statue, to be called Christ the Redeemer, and will soon travel to Paris to find the right sculptor to complete his vision. Izabela—passionate and longing to see the world—convinces her father to allow her to accompany him and his family to Europe before she is married. There, at Paul Landowski’s studio and in the heady, vibrant cafes of Montparnasse, she meets ambitious young sculptor Laurent Brouilly, and knows at once that her life will never be the same again.In this sweeping, epic tale of love and loss—the first in a unique, spellbinding series of seven novels—Lucinda Riley showcases her storytelling talent like never before.

    Reviled and brought up in poverty, Truly finds her calling and a future that none expected.When Truly Plaice's mother was pregnant, the town of Aberdeen joined together in betting how record-breakingly huge the baby boy would ultimately be. The girl who proved to be Truly paid the price of her enormity; her father blamed her for her mother's death in childbirth and was totally ill equipped to raise either this giant child or her polar opposite sister Serena Jane, the epitome of feminine perfection. When he, too, relinquished his increasingly tenuous grip on life, Truly and Serena Jane are separated--Serena Jane to live a life of privilege as the future May Queen and Truly to live on the outskirts of town on the farm of the town sadsack, the subject of constant abuse and humiliation at the hands of her peers. Serena Jane's beauty proves to be her greatest blessing and her biggest curse, for it makes her the obsession of classmate Bob Bob Morgan, the youngest in a line of Robert Morgans who have been doctors in Aberdeen for generations. Though they have long been the pillars of the community, the earliest Robert Morgan married the town witch, Tabitha Dyerson, and the location of her fabled shadow book--containing mysterious secrets for healing and darker powers--has been the subject of town gossip ever since. Bob Bob Morgan, one of Truly's biggest tormentors, does the unthinkable to claim the prize of Serena Jane and changes the destiny of all Aberdeen from there on. When Serena Jane flees town and a loveless marriage to Bob Bob, it is Truly who must become the woman of a house that she did not choose and mother to her eight-year-old nephew Bobbie. Truly's brother-in-law is relentless and brutal; he criticizes her physique and the limitations of her health as a result and degrades her more than any one human could bear. It is only when Truly finds her calling--the ability to heal illness with herbs and naturopathic techniques--hidden within the folds of Robert Morgan's family quilt, that she begins to regain control over her life and herself. Unearthed family secrets, however, will lead to the kind of betrayal that eventually break the Morgan family apart forever, but Truly's reckoning with her own demons allows for both an uprooting of Aberdeen County, and the possibility of love in unexpected places.