Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Brought up to share her disdain for authority and eclectic approach to education, he has little in common with other children and even less with Vee, who hurtles impulsively from one self-made crisis to the next. The war's thrown up new opportunities for making money but what Vee needs (and what she's never had) is a cool head and the ability to make a plan. On her own, she's a disaster. With Noel, she's a team. Together they cook up an idea. Criss-crossing the bombed suburbs of London, Vee starts to make a profit and Noel begins to regain his interest in life. But there are plenty of other people making money out of the war and some of them are dangerous. Noel may have been moved to safety, but he isn't actually safe at all…

    Poor Sylvie blames herself for the accident and Millie needs all her strength to comfort her children and overcome her grief. Then Pete's will is read and further heartache lies in store...Meanwhile, Pete's younger brother and his good-for-nothing sons try to take control of the family business, but they've underestimated Millie's indomitable spirit. She's worked in Maynard's perfume laboratory for eighteen years and is determined to protect her husband's legacy no matter what obstacles are thrown in her way...

    But this daughter was not one to let others define her; Amory became a woman who accepted no limits to what that could mean, and, from the time she picked up her first camera, one who would record her own version of events.Moving freely between London and New York, between photojournalism and fashion photography, and between the men who love her on complicated terms, Amory establishes her reputation as a risk taker and a passionate life traveler. Her hunger for experience draws her to the decadence of Weimar Berlin and the violence of London's blackshirt riots, to the Rhineland with Allied troops and into the political tangle of war-torn Vietnam. In her ambitious career, the seminal moments of the 20th century will become the unforgettable moments of her own biography, as well.In Sweet Caress, Amory Clay comes wondrously to life, her vibrant personality enveloping the reader from the start. And, running through the novel, her photographs over the decades allow us to experience this vast story not only with Amory's voice but with her vision. William Boyd's Sweet Caress captures an entire lifetime unforgettably within its pages. It captivates.

    A magnificently crafted novel of Regency manners and mores that will delight Austen enthusiasts with its wit and elegant expression.

    The best stories are often about the lowest points in our lives - the soul-crushing jobs, the bad boyfriends, the terrible holidays, the betrayals and heartbreaks. These are the stories I tell people to make them like me, but, more importantly, they've helped me learn how to like myself.So this book is a collection of thankyous and acknowledgments:∗ Thank you to an ex-lover who marvelled at the fact he could get hard with me, even though I wasn't up to his usual standard.∗ Thank you to the coked-up real estate agent who, while lecturing me and my friend about the importance of travelling, fell down a flight of stairs.∗ Thank you to the woman who approached me after a gig and told me she hoped her daughter wouldn't end up like me.You've all taught me that you can't control who comes into your life or what happens to you, but you can decide just what it is you take from them.

    Written later, and probably abandoned after her father's death, The Watsons is a tantalizing and highly delightful story whose vitality and optimism centre on the marital prospects of the Watson sisters in a small provincial town. Sanditon, Jane Austen's last fiction, is set in a seaside town and its themes concern the new speculative consumer society and foreshadow the great social upheavals of the Industrial Revolution.

    Each morning, he exits the prison gates and begins the short walk to a local charity shop, where he spends the day in the backroom sorting through other people's discarded belongings. All he needs to do is keep his nose out of trouble and in just a few months' time, he'll be out for good.One morning in the bustle of commuters on Brixton Hill, Rob notices a well-dressed woman trip over. He helps her up and they exchange a few words before parting ways, but she's made a lasting impression on him. From that day on, Rob keeps an eye out for her - and always seems to get lucky with a sighting. Despite coming from very different worlds, the pair slowly become acquainted and Rob gets increasingly desperate to hide his current residence from her.But who exactly is this woman who seems to have a growing interest in him? Rob must be very careful - one false step and it could set him back years . . .Brixton Hill is a teasing study of desperate lives delivered in a series of charged encounters on the streets of south London. Nail-biting in its execution, award-winning author Lottie Moggach ratchets up the tension, taking us behind the prison walls and into a world in which no one is quite who they seem.

    In Victoria and the Staveneys, a young woman gives birth to a child of mixed race and struggles with feelings of estrangement as her daughter gets drawn into a world of white privilege. The Reason for It traces the birth, faltering, and decline of an ancient culture, with enlightening modern resonances. A Love Child features a World War II soldier who believes he has fathered a love child during a fleeting wartime romance and cannot be convinced otherwise.

    The Fox in the Manger is a delightful mixture of gaiety, gravity, poetry and common sense by the author of the popular Mary Poppins books.

    Or so they think.

    At 32 years old, the recently married author found herself suddenly surrounded by babies, and the expectation of family and friends that she would soon have one herself. Altman’s ambivalence prompted a search for the meaning of motherhood –– one that led her to wear a fake pregnancy belly, attend pre-natal yoga classes, debate experts, and even tend to her very own crying plastic baby. Her reporting led to a surprising and uplifting lesson about life, love and the choices we make. “Baby Steps” is what to expect when you’re not expecting –– a heartfelt and hilarious guide to making the most important decision of your life.After graduating from Columbia University’s Graduate School of Journalism, Mara Altman worked as a staff writer for The Village Voice. In 2009, HarperCollins published Altman's first book, Thanks For Coming: A Young Woman's Quest for an Orgasm, which was optioned as a comedy series by HBO. She has published three best-selling Kindle Singles, and has also written for New York Magazine and The New York Times.Cover design by Adil Dara Kim. Cover photograph by Christopher Lane. Illustrations by Mara Altman.

    Christie) and Kate Quinn (The Rose Code) join forces to tell the captivating story of how history's most famous mystery writer crossed paths with one of Britain's top secret code breakers in the throes of World War II.Recruited as a code breaker of enemy ciphers, ex-debutante Osla Kendall spends her days translating Axis military messages and her nights reading mystery novels. When Osla gets her hands on Agatha Christie's most recent work, N or M?, a mysterious signal within its pages catches her eye, and she and her eccentric book club get in touch with the famous but reclusive writer. Osla's outreach is a welcome distraction for Agatha, who feels restless and underestimated toiling away in a London pharmacy while men like her husband can contribute to the war effort from the front lines.So begins the story of an unlikely friendship and the secrets that bind two brave women embroiled in war. Based on true events and told by two beloved authors and champions of history's heroines, Smoke Signal is a breathtaking novella of espionage and the unforgettable women who risked everything to serve their country.To learn more about Osla Kendall and Agatha Christie, see Marie Benedict's The Mystery of Mrs. Christie, a novel of Agatha Christie's disappearance in 1926, and Kate Quinn's forthcoming The Rose Code, a novel of the female code breakers of Bletchley Park.

    Now, in this original short story, available exclusively as an eBook, Picoult introduces Serenity Jones, one of the fascinating characters from her eagerly awaited new novel, Leaving Time. Even as a child, Serenity Jones knew she possessed unusual psychic gifts. Now, decades later, she’s an acclaimed medium and host of her own widely viewed TV show, where she delivers messages to the living from loved ones who have passed. Lately, though, her efforts to boost ratings and garner fame have compromised her clairvoyant instincts. When Serenity books a young war widow to appear as a guest, the episode quickly unravels, stirring up a troubling controversy. And as she tries to undo the damage—to both her reputation and her show—Serenity finds that pride comes at a high price.

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.