Tirelessly trekking across miles of the Thames’ muddy shores, where others only see the detritus of city life, Maiklem unearths evidence of England’s captivating, if sometimes murky, history—with some objects dating back to 43 AD, when London was but an outpost of the Roman Empire. From medieval mail worn by warriors on English battlefields to nineteenth-century glass marbles mass-produced for the nation’s first soda bottles, Maiklem deduces the historical significance of these artifacts with the quirky enthusiasm and sharp-sightedness of a twenty-first century Sherlock Holmes.Seamlessly interweaving reflections from her own life with meditations on the art of wandering, Maiklem ultimately delivers—for Anglophiles and history lovers alike—a memorable treatise on the objects we leave in our wake, and the stories they can reveal if only we take a moment to look.

    With sparkling wit and intelligence, Sanjeev Sanyal sets off to explore India and look at how the country’s history was shaped by, among other things, its rivers, mountains and cities. Traversing remote mountain passes, visiting ancient archaeological sites, crossing rivers in shaky boats and immersing himself in old records and manuscripts, he considers questions about Indian history that we rarely ask: Why do Indians call their country Bharat? How did the British build the railways across the subcontinent? What was it like to sail on an Indian Ocean merchant ship in the fifth century AD? Why was the world's highest mountain named after George Everest?

    So she is elated to learn she is to become the second wife of a wealthy Sikh landowner in a union beneficial to both. For Sardaji’s first wife, Satya, has failed to bear him children. Roop believes that she and Satya, still very much in residence, will be friends. But the relationship between the older and younger woman is far more complex. And, as India lurches toward independence, Sardarji struggles to find his place amidst the drastic changes.Meticulously researched and beautifully written, What the Body Remembers is at once poetic, political, feminist, and sensual.

    This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    Conceiving every movie made, he acted as producer and screenwriter. Despite this control, he was underwhelmed by the available talent and took drastic steps, ordering the kidnapping of Choi Eun-Hee (Madam Choi)-South Korea's most famous actress-and her ex-husband Shin Sang-Ok, the country's most famous filmmaker.Madam Choi vanished first. When Shin went to Hong Kong to investigate, he was attacked and woke up wrapped in plastic sheeting aboard a ship bound for North Korea. Madam Choi lived in isolated luxury, allowed only to attend the Dear Leader's dinner parties. Shin, meanwhile, tried to escape, was sent to prison camp, and "re-educated." After four years he cracked, pledging loyalty. Reunited with Choi at the first party he attends, it is announced that the couple will remarry and act as the Dear Leader's film advisors. Together they made seven films, in the process gaining Kim Jong-Il's trust. While pretending to research a film in Vienna, they flee to the U.S. embassy and are swept to safety.A nonfiction thriller packed with tension, passion, and politics, author Paul Fischer's A Kim Jong-Il Production offers a rare glimpse into a secretive world, illuminating a fascinating chapter of North Korea's history that helps explain how it became the hermetically sealed, intensely stage-managed country it remains today.

    Events, anecdotes and personalities drive its narrative to illustrate the cocktail of hostility, nationalism and nostalgia that defines every facet of the relationship. It looks at the main events through the eyes and words of actual players and contemporary observers to illustrates how, both in India and in Pakistan, these past events are seen through radically different prisms, how history keeps resurfacing and has a resonance that cannot be avoided to this day. Apart from political, military and security issues, The People Next Door evokes other perspectives: divided families, peacemakers, war mongers, contrarian thinkers, intellectual and cultural associations, unwavering friendships, the footprint of Bollywood, cricket and literature: all of which are intrinsic parts of this most tangled of relationships.

    She tells the story of a Tibetan town perched eleven thousand feet above sea level that is one of the most difficult places in all of China for foreigners to visit. Ngaba was one of the first places where the Tibetans and the Chinese Communists encountered one another. In the 1930s, Mao Zedong’s Red Army fled into the Tibetan plateau to escape their adversaries in the Chinese Civil War. By the time the soldiers reached Ngaba, they were so hungry that they looted monasteries and ate religious statues made of flour and butter—to Tibetans, it was as if they were eating the Buddha. Their experiences would make Ngaba one of the engines of Tibetan resistance for decades to come, culminating in shocking acts of self-immolation. Eat the Buddha spans decades of modern Tibetan and Chinese history, as told through the private lives of Demick’s subjects, among them a princess whose family is wiped out during the Cultural Revolution, a young Tibetan nomad who becomes radicalized in the storied monastery of Kirti, an upwardly mobile entrepreneur who falls in love with a Chinese woman, a poet and intellectual who risks everything to voice his resistance, and a Tibetan schoolgirl forced to choose at an early age between her family and the elusive lure of Chinese money. All of them face the same dilemma: Do they resist the Chinese, or do they join them? Do they adhere to Buddhist teachings of compassion and nonviolence, or do they fight? Illuminating a culture that has long been romanticized by Westerners as deeply spiritual and peaceful, Demick reveals what it is really like to be a Tibetan in the twenty-first century, trying to preserve one’s culture, faith, and language against the depredations of a seemingly unstoppable, technologically all-seeing superpower. Her depiction is nuanced, unvarnished, and at times shocking.

    The birth of two nations.Seventy years ago, at midnight on August 14, 1947, the Union Jack began its final journey down the flagstaff of Viceroy’s House, New Delhi. A fifth of humanity claimed their independence from the greatest empire history has ever seen—but the price of freedom was high, as a nation erupted into riots and bloodshed, partition and war.Freedom at Midnight is the true story of the events surrounding Indian independence, beginning with the appointment of Lord Mountbatten of Burma as the last Viceroy of British India, and ending with the assassination and funeral of Mahatma Gandhi. The book was an international bestseller and achieved enormous acclaim in the United States, Italy, Spain, and France.“There is no single passage in this profoundly researched book that one could actually fault. Having been there most of the time in question and having assisted at most of the encounters, I can vouch for the accuracy of its general mood. It is a work of scholarship, of investigation, research and of significance.”—James Cameron, The New York Sunday Times“Freedom at Midnight is a panoramic spectacular of a book that reads more like sensational fiction than like history, even though it is all true….. The narrative is as lively, as informative and as richly detailed as a maharaja’s palace.”—Judson Hand, The New York Daily News“Outrageously and endlessly fascinating is my awestruck reaction to Freedom at Midnight. The new sure-to-be bestseller by Larry Collins and Dominique Lapierre. It is all here: maharajas and tigers, filth and squalor, extravagance and macabre sex, massacres, smells, starvation, cruelty and heroism. Collins and Lapierre have made human history breathtaking and heartbreaking.”—Margaret Manning, The Boston Globe“No subject, I thought, as I picked up Freedom at Midnight, could be of less interest to me than a story of how Independence came to India after three centuries of British rule. I opened the book and began to flip through the photographs: here was a picture of Gandhi dressed in his loincloth going to have tea with the King of England; there was a picture of a maharaja being measured against his weight in gold; and another of thousands of vultures devouring corpses in the street. I began to read, fascinated. Here was the whole chronicle illustrated with anecdotes and masterful character sketches of how the British had come to India, how they had ruled it and how, finally, compelled by the force of economics and history, they had been forced to leave it divided…… Collins and Lapierre are such good writers that their books are so interesting that they are impossible to put down.”—J.M. Sanchez, The Houston Chronicle

    Describing his childhood in the Bengali countryside and his youth in Calcutta—and telling the story of modern India from his own fiercely independent viewpoint—Chaudhuri fashions a book of deep conviction, charm, and intimacy that is also a masterpiece of the writer's art.

    For millennia it has been worshipped as a god; for centuries used as a tool of imperial expansion; today it is the cement of Pakistans fractious union. Five thousand years ago, a string of sophisticated cities grew and traded on its banks. In the ruins of these elaborate metropolises, Sanskrit-speaking nomads explored the river, extolling its virtues in Indias most ancient text, the Rig-Veda. During the past two thousand years a series of invaders Alexander the Great, Afghan Sultans, the British Raj made conquering the Indus valley their quixotic mission. For the people of the river, meanwhile, the Indus valley became a nodal point on the Silk Road, a centre of Sufi pilgrimage and the birthplace of Sikhism. Empires of the Indus follows the river upstream and back in time, taking the reader on a voyage through two thousand miles of geography and more than five millennia of history redolent with contemporary importance.

    It is an urgent, brave call for justice.' Maaza Mengiste, author of The Shadow King'Page after page, Farah Bashir juxtaposes moments of heart-stopping terror and beauty in a stunning memoir of life and love under a bloody military occupation.' Mirza Waheed, author of Tell Her Everything'I couldn't put it down, and even after it had ended, the people and their stories - wonderful, horrific, familiar and unfathomable - stayed textured and formidable in my mind.' Jennifer Croft, author of Homesick'A beautifully tender and often heart-stopping memoir of growing up in a world that is spinning out of control.' Mahesh Rao, author of Polite Society Rumours of Spring is the unforgettable account of Farah Bashir's adolescence spent in Srinagar in the 1990s. As Indian troops and militants battle across the cityscape and violence becomes the new normal, a young schoolgirl finds that ordinary tasks - studying for exams, walking to the bus stop, combing her hair, falling asleep - are riddled with anxiety and fear. With haunting simplicity, Farah Bashir captures moments of vitality and resilience from her girlhood amidst the increasing trauma and turmoil of passing years - secretly dancing to pop songs on banned radio stations; writing her first love letter; going to the cinema for the first time - with haunting simplicity. This deeply affecting coming-of-age memoir portrays how territorial conflict surreptitiously affects everyday lives in Kashmir.

    Yet most of us don't understand it, or the violent history still playing out there. In fact, India as we know it didn't exist until the map of the subcontinent was redrawn in the middle of the 20th century--the powerful repercussions of which are still being felt across South Asia.To tell the story of political borders in the subcontinent, Suchitra Vijayan spent seven years travelling India's 9,000-mile land border. Now, in this stunning work of narrative reportage, she shares what she learned on that groundbreaking journey. With profound empathy and a novelistic eye for detail, Vijayan shows us the forgotten people and places in the borderlands and brings us face-to-face with the legacy of colonialism and the stain of extreme violence and corruption. The result is the ground-level portrait of modern India we've been missing.

    Julia Cooke’s intimate storytelling weaves together the real-life stories of a memorable cast of characters, from Lynne Totten, a science major who decided life in a lab was not for her, to Hazel Bowie, one of the relatively few black stewardesses of the era, as they embraced the liberation of their new jet-set life. Cooke brings to life the story of Pan Am stewardesses’ role in the Vietnam War, as the airline added runs from Saigon to Hong Kong for planeloads of weary young soldiers straight from the battlefields, who were off for five days of R&R, and then flown back to war. Finally, with Operation Babylift—the dramatic evacuation of 2,000 children during the fall of Saigon—the book’s special cast of stewardesses unites to play an extraordinary role on the world stage.

    Dawood Ibrahim, Karim Lala, Varadara- jan Mudaliar: these are names that any Indian would recognise. Analysed in print, immortalised on film, their lives, their gangs, their 'businesses' are out there for anyone who wants the information. But there have been women, too, who have been part of this murky side of the city, walking along side, sometimes leading and manipulating men in the Underworld to run their own illegal businesses. Here, for the first time, crime journal- ists S. Hussain Zaidi and Jane Borges explore the lives of some of these women, and how, in cold blood, they were able to make their way up in what was certainly a man's world. From Kamathipura to Dongri, from assassins to molls, this is a collection that tells the stories of women who have become legend in Mumbai's streets, lanes and back-alleys. Absorbingly told, impeccably researched, Mafia Queens of Mumbai reveals a side of Mumbai's Underworld that has never been seen before.

    This volume analyses the challenges India has faced and the successes it has achieved over the last five decades, in the light of its colonial legacy and century-long struggle for freedom. In doing so, it shows how unique the Indian experience is in the Third World combining development with democracy and civil liberties. seeking the widest possible consensus, as also how the Nehruvian political and economic agenda and basics of foreign policy were evolved and developed. Essential to the quest for consolidation of the nation was the integration of the princely states, the linguistic reorganization of the states, the integration of the tribals into the mainstream and the countering of regional imbalances. Among the other contentious issues considered here, with all their implications for the present situation, are India's foreign policy, party politics in the Centre and the states, the Punjab problem, the growth of communalism, and anticaste politics and untouchability. There are detailed analyses of the Indian economy, including the reforms since 1991, the wide-ranging land reforms and the Green Revolution. These, along with the objective assessments of Jawaharlal Nehru, Indira Gandhi, Jayaprakash Narayan, Lal Bahadur Shastri, Rajiv Gandhi, Vishwanath Pratap Singh and Atal Behari Vajpayee constitute a remarkable overview of a nation on the move.