Chris Riddell brings them to life with his exquisite, intricate artwork in this beautiful anthology.This book features famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create the ultimate collection.

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    Afterlife is a journey from the darkness to the light again, and again, and again.This poetry collection discusses depression, anxiety, trauma flashbacks, intrusive thoughts, death, self-harm, suicidal ideations, strong language.Please practice self-care while reading this poetry collection.Please see appendix at the end of the collection for detailed page number content warnings.Also available for download on Payhip: https://payhip.com/b/hYbl

    Her husband left, and her own dreams became a distant fantasy—always second to fighting never-ending battles to make sure Max was given opportunity, love and respect. Finding someone to fight along her side wasn’t even on her list, and she’d come to terms with the fact that she could never be her own priority again. But a familiar face walking into her life in the form of 25-year-old Mason Street had Avery’s heart waging a war within. Mason was a failure. When he left his hometown five years ago, he was never coming back—it was only a matter of time before his records hit the billboard charts. Women, booze and rock-n-roll—that was it for him. But it seemed fate had a different plan in mind, and with a dropped record contract, little money and nowhere to go, Mason turned to the only family that ever made him feel home—the Abbots. Avery loved Mason silently for years—until he broke her heart…completely. But time and life have a funny way of changing people, and sometimes second chances are there for a reason. Could this one save them both?

    A. Tucker, the first novel in this darkly sexy contemporary series from bestselling author Monica Murphy kicks off an emotionally powerful two-part tale of forbidden love.  A long time ago, when I was fifteen and a completely different person, I saved a girl’s life. I spent only a handful of hours with her, but somehow, we connected—and I’ve never been the same. No one understands what we went through. No one knows what it’s like to be us. We survived, yet I don’t feel like I’m really living—until now. Eight years later, I find her. I want to make her mine. I need to make her mine.  But she’ll hate me forever when she finds out who I really am.

    Equipped with 144 pages of self-discovery. Alex shares some of her deepest and darkest moments that are intertwined with faith, hope and finding her light. This body of work explores the ins and out of trials and tribulations, partnered with successes and failures. The pages of "Love in my Language" are filled with poetry, narrative essays, and gentle reminders. You will get an authentic look into the life of the author, and she hopes that readers take away peace after reading the pages.

    She’s trying to explain why. Why she pushed him away. Why her father got so angry when he saw them together. Why she disappears some nights. Why she won’t let herself remember what happened that long-ago night on the boardwalk. Why she fell apart so completely.Desperate for his forgiveness, she’s telling the whole story of the summer she nearly lost herself. She’s hoping he’ll understand as well as she now does how love—love for your family, love for that person who makes your heart beat faster, and love for yourself—can save you after all.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    But all of that was taken away in an instant. Now she's getting by as best she can, though sometimes that means doing things the old Nova would never do. Things that are slowly eating away at her spirit. Every day blends into the next . . . until she meets Quinton Carter. His intense, honey brown eyes instantly draw her in, and he looks just about as broken as she feels inside.Quinton once got a second chance at life-but he doesn't want it. The tattoos on his chest are a constant reminder of what he's done, what he's lost. He's sworn to never allow happiness into his life . . . but then beautiful, sweet Nova makes him smile. He knows he's too damaged to get close to her, yet she's the only one who can make him feel alive again. Quinton will have to decide: does he deserve to start over? Or should he pay for his past forever?

    A scene from the first book of the Vampire Academy series, as told from Dimitri's point of view.

    Arrogant, egotistical, and the playboy of the University of California, Berkeley, he's everything her brother Pearce has taught her to despise. So why, when the girls challenge her to play the player, why doesn't she say no? She doesn't know either.Braden wanted fiery little Maddie the second he laid eyes on her - and he'd do anything to have her, hence why he's agreed to make her fall in love with him. After all, it's the only way he'll get what he wants. Sex.But, as Braden discovers, there's more to the girl from Brooklyn than he ever imagined - and he can't help but care about the broken girl behind those pretty green eyes.Maddie finds Braden isn't just a walking erection - he actually has feelings. He can be sweet, funny and his good looks don't exactly hurt. That means trouble - but when her brother Pearce turns up in Berkeley begging for her help, she realises Braden and Pearce aren't so alike anymore.And maybe, just maybe, they're exactly what each other needs.

    When he first sees her, he knows he's found what he's been looking for.Yara believes she can give David exactly what he needs to reach his full potential:A broken heart.David’s religion is love. Yara’s religion is heartache.Neither is willing to surrender, but religion always requires sacrifice.

    Madison Hanson's past demons have given her a shadow of an existence with little hope. With the sudden tragic death of a fellow student, Madison questions her own life choices, and is now forced to evaluate everything she thought she believed in. When fate intervenes and partners her with Dean Jackson, a popular "all around good guy" from school, Madison gets a glimpse of a life that is filled with sunshine that has the power to break through the darkness she has cloaked herself in. With Dean's help, Madison discovers a desire to finally step out of the shadows, and embrace life and all its gifts.

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.