A nation in tatters, in many places literally flattened by bombs, was suddenly subjected to brutal occupation by vengeful victors. Rape was rampant. Hundreds of thousands of Germans and German-speakers died in the course of brutal deportations from Eastern Europe. By the end of the year, Germany was literally starving to death. Over a million German prisoners of war died in captivity, where they were subjected to inadequate rations and often tortured. All told, an astounding 2.25 million German civilians died violent deaths in the period between the liberation of Vienna and the Berlin airlift. A shocking account of a massive and vicious military occupation, After the Reich offers a bold reframing of the history of World War II and its aftermath. Historian Giles MacDonogh has unearthed a record of brutality which has been largely ignored by historians or, worse, justified as legitimate retaliation for the horror of the Holocaust. Drawing on a vast array of contemporary firstperson accounts, MacDonogh has finally given a voice to tens of millions of civilians who, lucky to survive the war, found themselves struggling to survive a hellish peace.

    Known for her defiance and outspokenness, Wolf was not especially surprised to discover forty-two volumes of documents produced by the East German secret police. But what was surprising was a thin green folder whose contents told an unfamiliar—and disturbing—story: in the early 1960s, Wolf herself had been an informant for the Communist government. And yet, thirty years on, she had absolutely no recollection of it.     Wolf’s extraordinary autobiographical final novel is an account of what it was like to reckon with such a shocking discovery. Based on the year she spent in Los Angeles after these explosive revelations, City of Angels is at once a powerful examination of memory and a surprisingly funny and touching exploration of L.A., a city strikingly different from any Wolf had ever visited.     Even as she reflects on the burdens of twentieth-century history, Wolf describes the pleasures of driving a Geo Metro down Wilshire Boulevard and watching episodes of Star Trek late at night. Rich with philosophical insights, personal revelations, and vivid descriptions of a diverse city and its citizens, City of Angels is a profoundly humane and disarmingly honest novel—and a powerful conclusion to a remarkable career in letters.

    He paints an eminently human portrait of those involved with this repressive arm of the government, featuring interviews with former officers thatuncover a wide array of personalities, from devoted ideologues to reluctant opportunists, most of whom talked frankly about East Germany's obsession with surveillance. Their paths after the collapse of Communism are gripping stories of resurrection and despair, of renewal and demise, of remorse andcontinued adherence to the movement. The book also sheds much light on the role of the informant, the Stasi's most important tool in these out-of-the-way areas.Providing on-the-ground empirical evidence of how the Stasi operated on a day-to-day basis with ordinary people, this remarkable volume offers an unparalleled picture of life in a totalitarian state.

    Then, as part of the British Invasion, he toured the US with the Kinks during one of the most tumultuous eras in recent history—until the Kinks group was banned from performing there from 1965-69. Many tours and trips later, while living in New Orleans, he experienced a transformative event: the shooting (a result of a botched robbery) that nearly took his life. In Americana, Davies tries to make sense of his long love-hate relationship with the country that both inspired and frustrated him. From his quintessentially English perspective as a Kink, Davies—with candor, humor, and wit—takes us on a very personal road trip through his life and storied career as a rock star, and reveals what music, fame, and America really mean to him. Some of the most fascinating characters in recent pop culture make appearances, from the famous to the perhaps even-more-interesting behind-the-scenes players. The book also includes a photographic insert with images from Davies's own collection from the band's archive.

    to describe tribes in the eastern Rhine valley. Nearly two thousand years later, the richness and complexity of German history have faded beneath the long shadow of the country's darkest hour in World War II. Now, award-winning historian Steven Ozment, whom The New Yorker has hailed as "a splendidly readable scholar," gives us the fullest portrait possible in this sweeping, original, and provocative history of the German people, from antiquity to the present, holding a mirror up to an entire civilization -- one that has been alternately Western Europe's most successful and most perilous.

    He would never have come to power if Germany’s leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler’s hands. They had willingly given him the tools to turn Germany into a vicious dictatorship.Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.

    It will prove indispensable to students of art and art history as well as students of cultural studies. Mirzoeff begins by defining what visual culture is, and explores how and why visual media - fine art, cinema, the Internet, advertising, performance, photography, television - have become so central to contemporary everyday life. He argues that the visual is replacing the linguistic as our primary means of communicating with each other and of understanding our postmodern world. Part One of the Introduction presents a history of modern ways of seeing, including: * the formal practices of line and colour in painting* photographys claim to represent reality * virtual reality, from the nineteenth century to the present. In Part Two, Mirzoeff examines: * the visualization of race, sexuality and human identity in culture* gender and sexuality and questions of the gaze in visual culture* representations of encounters with the other, from colonial narratives to Science Fiction texts such as The Thing, Independence Day, Star Trek and The X-Files * the death of Princess Diana and the popular mourning which followed as marking the coming of age of a global visualized culture.

    Visitors came to see not only a magnificent sporting event, but also a showcase for the rebuilt Germany. No effort was spared to present the 3rd Reich as the world's newest power. Swastikas fluttered next to Olympic rings from freshly painted buildings. Butter was hoarded weeks in advance to conceal shortages. There was a pause in the implementation of anti-Semitic measures. But beneath the surface, the 11th Olympiad came to act as a crucible for the political forces that were gathering to threaten the world. The '36 Olympics were the most political sporting event of the last century. Far from being a mere meeting of sportspersons, it was a clash between barbarism & civilization. Berlin Games is the history of those two August weeks foreshadowing the coming conflict. It's the story of athletes. It's also a tale of the Nazi machine that attempted to use the Games as a model of Aryan superiority & fascist efficiency. Furthermore, it's an indictment of the manipulative figures—politicians, diplomats & Olympic officials—who vied for power & glory in different sorts of games whose results would have profound consequences for the world. Drawing on original research & interviews with surviving participants, Walters has produced a history filled with intrigue, sport, sex & infamy--a record of a time that haunts us to this day.IllustrationsPrefaceAuthor's NoteSporting Spirit'A party in such a house may not be a pleasant experience'A Winter Warm-up On Their Marks Getting Set Iberian InterludeGoing There The Opening The First Week In the Sight of the Heathen The Second Week The LegacyPostscriptAcknowledgmentsNotesBibliographyIndex

    How and why, then, did the Germans prolong the barbaric conflict for three and a half more years?In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of primary source materials—personal diaries, court records, and military correspondence—to answer this question. He offers an unprecedented portrait of wartime Germany, bringing the hopes and expectations of the German people—from infantrymen and tank commanders on the Eastern front to civilians on the home front—to vivid life. While most historians identify the German defeat at Stalingrad as the moment when the average German citizen turned against the war effort, Stargardt demonstrates that the Wehrmacht in fact retained the staunch support of the patriotic German populace until the bitter end.Astonishing in its breadth and humanity, The German War is a groundbreaking new interpretation of what drove the Germans to fight—and keep fighting—for a lost cause.

    Popularly depicted as a central part of an all-powerful "'Big Brother" Nazi totalitarian police state, its primary aim was to hunt down "the enemies of the people." Drawing on a detailed examination of previously unpublished Gestapo case files, this book relates the fascinating, vivid, and disturbing stories of a cross-section of ordinary and extraordinary people who opposed the Nazi regime. It also tells the equally disturbing stories of their friends, neighbors, and sometimes relatives drawn into the Gestapo's web of intrigue, either as informers or as staff. The book reveals, too, the cold-blooded and efficient methods of the Gestapo officers. This book argues that while it lacked the manpower and resources to spy on everyone, ultimately relying on tip-offs from the general public, the Gestapo was still a strong instrument of Nazi terror. It ruthlessly and efficiently targeted its officers against clearly defined political and racial "enemies of the people."

    The Wall—infamous symbol of divided Cold War Europe—seemed to be falling. But the opening of the gates that night was not planned by the East German ruling regime—nor was it the result of a bargain between either Ronald Reagan or George H.W. Bush and Soviet leader Mikhail Gorbachev.It was an accident.In The Collapse, prize-winning historian Mary Elise Sarotte reveals how a perfect storm of decisions made by daring underground revolutionaries, disgruntled Stasi officers, and dictatorial party bosses sparked an unexpected series of events culminating in the chaotic fall of the Wall. With a novelist's eye for character and detail, she brings to vivid life a story that sweeps across Budapest, Prague, Dresden, and Leipzig and up to the armed checkpoints in Berlin.We meet the revolutionaries Roland Jahn, Aram Radomski, and Siggi Schefke, risking it all to smuggle the truth across the Iron Curtain; the hapless Politburo member Günter Schabowski, mistakenly suggesting that the Wall is open to a press conference full of foreign journalists, including NBC's Tom Brokaw; and Stasi officer Harald Jäger, holding the fort at the crucial border crossing that night. Soon, Brokaw starts broadcasting live from Berlin's Brandenburg Gate, where the crowds are exulting in the euphoria of newfound freedom—and the dictators are plotting to restore control.Drawing on new archival sources and dozens of interviews, The Collapse offers the definitive account of the night that brought down the Berlin Wall.

    In this remarkable and intimate account, author G. J. Meyer draws on exhaustive research to bring to life the story of how the Great War reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of the world we live in today.

    In the detached, back-fence gossip style he was famous for, Warhol tells all—the ultimate inside story of a decade of cultural revolution.

    Even today, more than fifty years after the phenomenon of the Third Reich, it is difficult to believe that a single person could have caused so much havoc and personal suffering, and so nearly succeeded in accomplishing his megomaniacal goal of universal domination. While the world has seen more than its fair share of dictators, none were so manipulative as Hitler, who singlemindedly pursued his own fantasies & managed to compel the entire German nation into acting them out on his behalf. "People are going to greedily devour this book...for the terror & curiosity are here. The monsters, dragons, & wolves are here. And more important, a talent for historical narrative is here..."-- The New York Times.

    Frank, irreverent, funny--almost guaranteed to cure Xenophobia.