Democritus's atomic theory of matter, Zeno's dazzling "proofs" that motion is impossible, Pythagorean insights into mathematics, Heraclitus's haunting and enigmatic epigrams-all form part of a revolution in human thought that relied on reasoning, forged the first scientific vocabulary, and laid the foundations of Western philosophy. Jonathan Barnes has painstakingly brought together the surviving Presocratic fragments in their original contexts, utilizing the latest research and a newly discovered major papyrus of Empedocles.

    Yet although no other individual has attracted so much speculation across the centuries, Alexander himself remains an enigma. Curtius' History offers a great deal of information unobtainable from other sources of the time. A compelling narrative of a turbulent era, the work recounts events on a heroic scale, detailing court intrigue, stirring speeches and brutal battles--among them, those of Macedonia's great war with Persia, which was to culminate in Alexander's final triumph over King Darius and the defeat of an ancient and mighty empire. It also provides by far the most plausible and haunting portrait of Alexander we possess: a brilliantly realized image of a man ruined by constant good fortune in his youth.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Now, Margaret George, the highly acclaimed bestselling historical novelist, has turned her intelligent, perceptive eye to the myth that is Helen of Troy.Margaret George breathes new life into the great Homeric tale by having Helen narrate her own story. Through her eyes and in her voice, we experience the young Helen's discovery of her divine origin and her terrifying beauty. While hardly more than a girl, Helen married the remote Spartan king Menelaus and bore him a daughter. By the age of twenty, the world's most beautiful woman was resigned to a passionless marriage until she encountered the handsome Trojan prince Paris. And once the lovers flee to Troy, war, murder, and tragedy become inevitable. In Helen of Troy, Margaret George has captured a timeless legend in a mesmerizing tale of a woman whose life was destined to create strife and destroy civilizations.

    Alice Oswald has won several literary awards.

    Michael Crawford's highly praised history is now expanded and revised to accommodate recent discoveries and current thinking.

    J. Ayer in a fabled debate about the existence of God and the possibility of metaphysics, knew that seminary students were fed a woefully inadequate diet of theses and proofs, and that their familiarity with most of history's great thinkers was reduced to simplistic caricatures. Copleston set out to redress the wrong by writing a complete history of Western philosophy, one crackling with incident and intellectual excitement -- and one that gives full place to each thinker, presenting his thought in a beautifully rounded manner and showing his links to those who went before and to those who came after him. The result of Copleston's prodigious labors is a history of philosophy that is unlikely ever to be surpassed. Thought magazine summed up the general agreement among scholars and students alike when it reviewed Copleston's A History of Philosophy as "broad-minded and objective, comprehensive and scholarly, unified and well proportioned... We cannot recommend [it] too highly."

    Yet little has been known about who they really were and their true roles in the history-making schemes of imperial Rome's ruling Caesars--indeed, how they figured in the rise, decline, and fall of the empire. Now, in Caesars' Wives: Sex, Power, and Politics in the Roman Empire, Annelise Freisenbruch pulls back the veil on these fascinating women in Rome's power circles, giving them the chance to speak for themselves for the first time. With impeccable scholarship and arresting storytelling, Freisenbruch brings their personalities vividly to life, from notorious Livia and scandalous Julia to Christian Helena. Starting at the year 30 BC, when Cleopatra, Octavia, and Livia stand at the cusp of Rome's change from a republic to an autocracy, Freisenbruch relates the story of Octavian and Marc Antony's clash over the fate of the empire--an archetypal story that has inspired a thousand retellings--in a whole new light, uncovering the crucial political roles these first "first ladies" played. From there, she takes us into the lives of the women who rose to power over the next five centuries--often amid violence, speculation, and schemes--ending in the fifth century ad, with Galla Placidia, who was captured by Goth invaders (and married to one of their kings). The politics of Rome are revealed through the stories of Julia, a wisecracking daughter who disgraced her father by getting drunk in the Roman forum and having sex with strangers on the speaker's platform; Poppea, a vain and beautiful mistress who persuaded the emperor to kill his mother so that they could marry; Domitia, a wife who had a flagrant affair with an actor before conspiring in her husband's assassination; and Fausta, a stepmother who tried to seduce her own stepson and then engineered his execution--afterward she was boiled to death as punishment.Freisenbruch also tells a fascinating story of how the faces of these influential women have been refashioned over the millennia to tell often politically motivated stories about their reigns, in the process becoming models of femininity and female power. Illuminating the anxieties that persist even today about women in or near power and revealing the female archetypes that are a continuing legacy of the Roman Empire, Freisenbruch shows the surprising parallels of these iconic women and their public and private lives with those of our own first ladies who become part of the political agenda, as models of comportment or as targets for their husbands' opponents. Sure to transform our understanding of these first ladies, the influential women who witnessed one of the most gripping, significant eras of human history, Caesars' Wives is a significant new chronicle of an era that set the foundational story of Western Civilization and hung the mirror into which every era looks to find its own reflection.

    A murderer, and the most wicked woman in history.She kicked her way into the male spaces of politics and demanded to be recognized as an equal and a leader. For her audacity, she was murdered by her son and reviled by history.She was the sister, niece, wife, and mother of Emperors. She was an Empress in her own right, and she was a nuanced, fearless trail-blazer in the Roman world.The story of Agrippina -- the first Empress of Rome is the story of an empire at its bloody, extravagant, chaotic, ruthless height.

    Led by the title character, the women of the warring city-states of Greece agree to withhold sexual favours with their husbands until they agree to cease fighting. The war of the sexes that ensues makes Lysistrata a bawdy comedy without peer in the history of theatre.

    As commander he never lost a battle. Yet it is his adversary, Hannibal, who has lived on in the public memory, due mostly to his daring march through the Alps with his elephants. At the Battle of the Ticinus, Hannibal’s initial encounter with Roman arms, young Scipio first tasted warfare, rescuing his dangerously wounded, encircled father, who was also the Roman commander. By nineteen Scipio was the equivalent of a staff colonel and in 210 B.C. he was placed in supreme command. In three years he destroyed Carthaginian power in Spain and, after being made consul, took his forces to Africa, where he conquered Carthage’s great ally, Syphax. Two years later he clashed with Hannibal himself, annihilating his army in the decisive Battle of Zama. For this triumph and his other exploits in the Punic Wars, Scipio was awarded the title Africanus.In his fascinating portrait of this extraordinary commander, B. H. Liddell Hart writes, ”The age of generalship does not age, and it is because Scipio’s battles are richer in stratagems and ruses—many still feasible today—than those of any other commander in history that they are an unfailing object lesson.” Not only military enthusiasts and historians but all those interested in outstanding men will find this magnificent study absorbing and gripping.

    A crowd of onlookers gathered around a slave driver. The wondrous plenty of banquets where flamingos are roasted whole and wine flows like rivers. The silence of the baths and the boisterous taverns . . . Many books have dealt with the history of ancient Rome, but none has been able to bring its readers so near to daily life in the Imperial capital. This extraordinary voyage of exploration, guided by Alberto Angela with the charm of a born story- teller, lasts twenty- four hours, beginning at dawn on an ordinary day in the year 115 A.D., with Imperial Rome at the height of its power. The reader wakes in a rich patrician home and discovers frescoes, opulent furnishings and richly appointed boudoirs. Strolling though the splendors of the Roman Forum, one overhears both erudite opinions from learned orators and local ribaldry floating out from the public latrines. One meets the intense gazes of Roman matriarchs strolling the streets, looks on as a banquet is prepared, and is afforded a peek into the sexual habits and fetishes of Roman patricians and plebs. For all those who have ever dreamed of traveling back in time, Alberto Angela's narrative style will come as a welcome change to dry historical tomes. Rich in atmosphere and historical information, A Day in Ancient Rome is a voyage into a world both distant to us in time and surprisingly near in its habits, mores, and passions.

    All the historical and archaelogical evidence has been seamlessly pieced together to reconstruct the architectural wonders of these mighty civilizations. Re creating public buildings, religious temples, shops, and houses, Connolly reveals every aspect of life in glorious detail, from religion and food to drama, games, and the baths. In addition to the great monuments and moments of classical Greece and Rome, readers learn about a typical day in the life of an Athenian and a Roman. They read about and see the houses people inhabited; attend 5 day festivals and go to the theater; fight great battles and witness the birth of Rome's navy; visit temples and spend a day at the chariot races. The spectacular artwork and vivid descriptions provide a window into the fascinating history of these two extraordinary cities and civilizations. The Ancient City is the crowning achievement of Peter Connolly's distinguished career.

    He is also a satirical and epigrammatic writer who savagely consoles with laughter. Carmina captures in English both the mordant, scathing wit and also the concise tenderness, the famous love for reluctant Lesbia who is made present in these new versions. A range of English metres and rhymes evoke the epigrammatic power of the many modes and moods of this most engaging, erotic and influential of the Latin poets. He left a mark on Horace, Virgil, Ovid and on the lyric and epigrammatic traditions of all the languages of Europe. Of Len Krisak's Horace translations, Frederic Raphael said, ‘[He] enables us both to enjoy a fresh voice and to hear (and see), very distinctly, what lies behind and within his unintimidated rescripts’. Again in Carmina he works his precise magic.

    AD 55-138) captures the splendour, the squalor, and the sheer energy of everyday Roman life. In The Sixteen Satires he evokes a fascinating world of whores, fortune-tellers, boozy politicians, slick lawyers, shameless sycophants, ageing flirts and downtrodden teachers. A member of the traditional land-owning class that was rapidly seeing power slip into the hands of outsiders, Juvenal also creates savage portraits of decadent aristocrats - male and female - seeking excitement among the lower orders of actors and gladiators, and of the jumped-up sons of newly-rich former slaves. Constantly comparing the corruption of his own generation with its stern and upright forebears, Juvenal's powers of irony and invective make his work a stunningly satirical and bitter denunciation of the degeneracy of Roman society

    Even in antiquity, they were said to be cruel, oversexed, mad or just plain silly. Yet for all their foibles & flaws, they proved to be survivors, far outlasting classical Greece itself. In Egypt, the Olympians claimed to have given birth to pharaohs; in Rome, they led respectable citizens into orgiastic rituals of drink & sex. Under Christianity & Islam they survived as demons, allegories & planets. In the Renaissance, they reemerged as ambassadors of a new, secular belief in humanity. Their geographic range, too, has been astounding. In their exile, the gods of Olympus have traveled east to the walls of cave temples in China, west to colonize the Americas. They snuck into Italian cathedrals, haunted Nietzsche & visited Borges' restless dreams. In an original history, Graziosi offers the 1st account to trace the wanderings of these protean deities thru the millennia. Drawing on a wide range of literary & archeological sources, The Gods of Olympus opens a window on the ancient world & its lasting influence.Preface: Simonides Was WiseIntroduction: A Family PortraitPart I. Birth: Archaic Greece Part II. Dialogue: Classical AthensPart III. Travel: Hellenistic EgyptPart IV. Translation: the Roman EmpirePart V. Disguise: Christianity &IslamPart VI. Born again: the RenaissanceEpilogue: A Marble HeadAppendix: The Twelve GodsList of IllustrationsNotes & Further ReadingAcknowledgmentsIndex