Things like that had been happening a lot since Mark had been diagnosed with HIV, three years earlier.Jason’s life with Mark was full of secrets—about drugs, crime, and sex. If the straights—people with normal lives—ever found out any of those secrets, the police would come. Jason’s home would be torn apart. So the rule, since Jason had been in preschool, was never to tell the straights anything.A List of Things That Didn’t Kill Me is a funny, disturbing memoir full of brutal insights and unexpected wit that explores the question: How do you find your moral center in a world that doesn't seem to have one?

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    He has a flourishing bar in the heart of Soho and in six months he will be marrying Ashley. There's just one problem. Phil has been married before, 20 years ago. To a woman. In fact, technically Phil and Hazel are still married. And what Phil doesn't know yet is that Hazel has a son - a 19-year-old son.

    This work aims to bridge the clinical distance of medicine to face the pain of mortality, the brokenness of society and the vulnerability of human beings.

    Drawing on themes that are similar to the ones in his novels, these poems are a journey into the depths of individual experience and universal passions.Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe, dedication, and--ultimately--redemption. In a world of supermarkets and public transportation, indifferent landscapes and lonely nights, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos.Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Unreconciled stands in the tradition of Baudelaire while making a bold new claim on contemporary verse. It reveals that in addition to his work as an incisive novelist, Houellebecq is one of our most perceptive poets with a vision of our era that brims with tensions that cannot--and will not--be reconciled.

     Bone. Visceral. Close to. Stark. The poems in Yrsa Daley-Ward's collection bone are exactly that: reflections on a particular life honed to their essence--so clear and pared-down, they become universal. From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonate to the core of what it means to be human. "You will come away bruised. You will come away bruisedbut this will give you poetry."

    Space Struck explores the wonders and cruelties occurring within the realms of nature, science, and religion, with the acuity of a sage, the deftness of a hunter, and a hilarious sensibility for the absurd. The universe is seen as an endless arrow “. . . and it asks only one question: How dare you?”The poems are physically and psychologically tied to the animal world, replete with ivory-billed woodpeckers, pelicans, and constellations-as-organisms. They are also devastatingly human, well anchored in emotion and self-awareness, like art framed in a glass that also holds one’s reflection. Silky and gruesome, the poems of Space Struck pulse like starlight.

    None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.

    As a poet, he founded the Imagist movement (c. 1909–17), which advocated the use of precise, concrete images in a free-verse setting. As an editor, he fostered the careers of William Butler Yeats, T. S. Eliot, and Robert Frost. As a force in the literary world, he championed James Joyce and Wyndham Lewis. Pound also helped to create a modern movement in poetry in which, in T. S. Eliot's words, "English and American poets collaborated, knew each other's works, and influenced each other."Long an expatriate, Pound's questionable political activities during World War II distracted many from the value of his literary work. Nevertheless, his status as a major American poet has never been in doubt, as this choice collection of fifty-seven early poems amply proves. Here are poems — including a number not found in other anthologies — from Personae (1909), Exultations (1909), Ripostes (1912), and Cathay (1915) as well as selections from his major sequence "Hugh Selwyn Mauberley" (1920).

    Nominated for the 1998 National Book Critics Circle Award for PoetryRecommended Reading from EmergeAn epic poem on kin estranged, the death of a brother from AIDS, and the possibility of reconciliation and love in the face of loss.

    The Uses of the Body is her best book, its acerbic tone interspersed with lines of grave and startling beauty.” —Los Angeles Times"Like Richard Linklater's Boyhood,but for girls (and women): Deborah Landau's vividly relatable third collection, The Uses of the Body, reminds us that coming of age lasts well beyond adolescence.” —Vogue* “As freshly immediate as ever, award-winning poet Landau reveals that ‘the uses of the body are manifold,’ moving in four sections with a roughly chronological feel from wedding parties to flabby bodies around the pool to the realization ‘But we already did everything’—all with an underlying sense of urgency: ‘Life please explain.’ As Landau explores her physical self and her sexuality, she’s tart, witty, fluid, direct, and brutally honest, and her work can be appreciated by any reader.”—Library Journal,starred review"Deborah Landau . . . is both confessional and direct, like Sylvia Plath and Allen Ginsberg. Her taut, elegant, highly controlled constructions meditate upon yearning and selfhood."—BooklistDeborah Landau's Uses of the Body presents the very specific challenges of womanhood. Her poems address what it means to be alive—right now—in a female body. She fills her poetry with compelling nouns: wine glasses, bridal gowns, and "books and teacups and ghosts." And what ghosts: underneath evocative images and poetic play, there's a moving, yearning mysticism.From "Mr and Mrs End of Suffering":The uses of the body are wake up.The uses of the body, illusion.The uses of the body. Rinse repeat.To make another body.September. Draw the blanket up.Lace your shoes.The major and minor passions. Sunlight. Hair.The basic pleasures. Tomatoes, Keats, meeting a smart man for a drink.The uses of the body.It is only a small house. It gets older.Its upper and lower.Its red and white trim.It's tempting to gloss over this part,so you won't really see me.Deborah Landau is the author of two books of poetry. She was educated at Stanford, Columbia, and Brown, where she earned her PhD. Currently she is the director of the NYU Creative Writing Program and lives in New York City.

    We’ve always been close, but I’ve barely shown an interest in anyone, and Zane’s only ever chased women. We know what’s what and where we belong. Zane was the one who said we should do it again…just to check…and wow! Now everything’s changing, and it’s great…but it’s terrifying. I want this new us, I want him, but what if I lose my best friend?Zane: A three-month cruise with my best friend? This is gonna be great! Dalton and I have been through just about everything together. Hell, we’re so close even our friends joke about us being…more. Well, that’s what I thought. Then one impulsive moment—well, maybe two—changed everything. Now I’m starting to see Dalton in a whole new light and, God, I really like it. I know he’s scared and overthinking it but, together we can do this, right?

    Containing the popular poems, Self Portrait, The Soul Lives Contented and Revelation Must be Terrible, the book traverses internal and external landscapes with evocative imagery, insight into the deepest patterns of human life, and the sure, elemental voice that has made David beloved as a poet and speaker around the world.

    We are witness here to an almost religious celebration of the flesh: a flesh vital with the vulnerability of love and loss, to desire and its departure. In an extraordinary blend of McMillan’s own colloquial Yorkshire rhythms with a sinewy, Metaphysical music and Thom Gunn’s torque and speed – ‘your kiss was deep enough to stand in’ – the poems in this first collection confront what it is to be a man and interrogate the very idea of masculinity. This is poetry where every instance of human connection, from the casual encounter to the intimate relationship, becomes redeemable and revelatory.Dispensing with conventional punctuation, the poet is attentive and alert to the quality of breathing, giving the work an extraordinary sense of being vividly poised and present – drawing lines that are deft, lyrical and perfectly pitched from a world of urban dereliction. An elegant stylist and unfashionably honest poet, McMillan’s eye and ear are tuned, exactly, to both the mechanics of the body and the miracles of the heart.

    Examines the life styles of gay men and women and discusses the role of gay culture in mainstream society.