In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

    As a young man he took away all the honours and prizes and some of his work was ground-breaking. But after he became seriously ill, his genius faded, and he needed the help of an assistant. When Silas Webb was appointed to the job he seemed the perfect choice, but he always preferred to work alone, even in secret. Then, quite suddenly, Webb disappeared. Why ? Later, Craig opens a prestigious scientific journal and finds a paper, containing his own work, in detail, together with the significant results he had worked out. The research is his and his alone. But the author of the paper is Dr Silas Webb. Craig determines that he will hunt Webb down and exact revenge. Were it not for a terrifying twist of circumstance, he might have succeeded. Susan Hill has won the Whitbread, Somerset Maugham and John Llewelyn Rhys prizes, as well as being shortlisted for the Booker Prize. She has written over 55 books in several genres, including the ghost story, THE WOMAN IN BLACK. The stage adaption is still running in London’s West End after 25 years. I’M THE KING OF THE CASTLE has been a GCSE set text. She has also published collections of short stories, fiction for children, several non fiction books and the highly successful crime novel series about the detective Simon Serrailler. SUSAN HILL is a Fellow of the Royal Society of Literature, a Fellow of King’s College, London, and was awarded a CBE in the Queen’s Diamond Jubilee Honours of 2012

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.