Bounds, and a reclusive islander shares his world with shape-changing selkies in Robert Holdstock's haunting tale The Silvering.Late-night office workers are menaced by hungry horrors in Ramsey Cambell's claustrophobic Down There, while the monsters of both Brian Lumley's The Thin People and Basil Copper's The Flabby Men share only a semblance of humanity. The King of the Monsters himself turns up in Godzilla's Twelve Step Program by Joe R. Lansdale, R. Chetwynd-Hayes' The Shadmock and Clive Barker's Rawhead Rex are genuinely new monsters, and the last monster-fighter and the last classic monster confront each other in Kim Newman's The Chill Clutch of the Unseen.If you like monsters, then there are plenty to choose from in this creature-filled collection boasting some of the biggest names in horror, fantasy and science fiction.Contents:Introduction: How to Make a Monster by Stephen JonesVisitation by David J. SchowDown There by Ramsey CampbellThe Man He Had Been Before by Scott EdelmanCalling All Monsters by Dennis EtchisonThe Shadmock by R. Chetwynd-HayesThe Spider Kiss by Christopher FowlerCafé Endless: Spring Rain by Nancy HolderThe Medusa by Thomas LigottiIn the Poor Girl Taken by Surprise by Gemma Files Downmarket by Sydney J. BoundsFat Man by Jay LakeThe Thin People by Brian LumleyThe Hill by Tanith LeeGodzilla's Twelve Step Program by Joe R. Lansdale.220 Swift by Karl Edward WagnerOur Lady of the Sauropods by Robert SilverbergThe Flabby Man by Basil CopperThe Silvering by Robert HoldstockSomeone Else's Problem by Michael Marshall SmithRawhead Rex by Clive BarkerThe Chill Clutch of the Unseen by Kim Newman

    Just because Jenny was born without a head doesn't mean she isn't still annoying to her older brother, and just because the Man of the Future's carefully planned extramarital affair ends in alien abduction and network fame doesn't mean he can't still pine for his absent wife. Romping through the fantastic with big-hearted ease, these stories cut to the core of what it means to navigate family, faith, and longing, whether in the form of a lovesick kraken slowly dragging a ship of sailors into the sea, a small town euthanizing its grandfathers in a time-honored ritual, or a third-grade field trip learning that time travel is even more wondrous--and more perilous--than they might imagine.Andreasen's stories are simultaneously daring and deeply familiar, unfolding in wildly inventive worlds that convey our common yearning for connection and understanding. With a captivating new voice from an incredible author, The Sea Beast Takes a Lover uses the supernatural and extraordinary to expose us at our most human.Our fathers at sea --Bodies in space --The sea beast takes a lover --The king's teacup at rest --He is the rainstorm and the sandstorm, hallelujah, hallelujah --Rockabye, Rocketboy --The saints in the parlor --Andy, lord of ruin --Jenny --Rite of baptism --Blunderbuss

    Through Cyrus, Jack receives a full education in all usual subjects―economics, literature, mathematics, history―as well as one unique skill useful to a person in Cyrus's position: assassination. With the help of Roland James, a man incapable of dying, Cyrus hones Jack into the perfect weapon to use against all who oppose him.It is not long, however, before Jack discovers that Cyrus and Roland are not the only ones living in Cyrus’s mansion. There, too, exists a mysterious creature in the depths of the house with supposed immortal magic. According to Roland, this creature is responsible for all the miraculous things Jack has witnessed throughout her childhood, including Roland’s resurrection. The creature, potent and powerful, only weakens in the presence of Cyrus’s red velvet box―a dark, enchanted tool that grants Cyrus his invincibility and ensures his reign.Lonely and terrified by her life in the cult, under Cyrus's neverending watch, Jack desperately pursues the mysterious being. When they finally meet, her world is turned upside down, as he offers her more than she could have ever expected―the possibility of escape and her own secret, magical power.

    She can't remember the details of that night but everyone knows it was self-defense, so she isn't charged. But Mallory still feels Brian's presence in her life. Is it all in her head? Or is it something more? In desperate need of a fresh start, Mallory is sent to Monroe, a fancy prep school where no one knows her . . . or anything about her past.But the feeling follows her, as do her secrets. Then, one of her new classmates turns up dead. As suspicion falls on Mallory, she must find a way to remember the details of both deadly nights so she can prove her innocence-to herself and others.In another riveting tale of life and death, Megan Miranda's masterful storytelling brings readers along for a ride to the edge of sanity and back again.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.