The sole repository of ancient Hermetic lore, it contains the alchemical rituals for transforming thought into substance, transmuting matter at will...and attaining eternal life.When Rose, a sex and pain addicted East Village tattoo artist has a torrid encounter with Martin, a battle-hardened loner, they discover they are unwitting pawns on opposing sides of a battle that has shaped the course of human history. At the center of the conflict is Paul, the villainous overlord of an underground feudal society, who guards the book's occult secrets in preparation for the fulfillment of an apocalyptic prophecy. The action is relentless as Rose and Martin fight to escape Paul's clutches and Martin's destiny as the chosen recipient of Paul's sinister legacy. Science and magic, mythology and technology converge in a monumental battle where the stakes couldn't be higher: control of the ultimate power in the universe--the Maelstrom.NA best-selling novel, The Book of Paul is the first of seven volumes in a sweeping mythological narrative tracing the mystical connections between Hermes Trismegistus in ancient Egypt, Sophia, the female counterpart of Christ, and the Celtic druids of Clan Kelly. "Long's prose is deft and clear, transporting the reader from one character's psyche to the next...this tale is a compelling one. A psychological thriller for readers who are bored with run-of-the-mill horror...Those who embrace the genre will eagerly anticipate a second installment in the series." - Kirkus Reviews "Intelligent, self-aware, and often amusing...hitting all the markers for sadistic, salacious, and scary. Long is doubtless going to build a large and loyal fan base composed of people just like him: literate folks with a bizarre sense of humor who prefer a bucket of blood to a bath filled with rose petals." - ForeWord Clarion Reviews "Totally absorbing! The Book of Paul is moving, profound, funny, terrifying and never lets you go. The prose is swift and sharp...at times, even poetic. Masterful storytelling. Hats off!!" - Henry Bean, writer/director of The Believer

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    In 1935, British archaeologists vanished inside an Egyptian cave. A year later, one man returned covered in mysterious scars. Egyptologist Imogen Riley desperately wants to know what happened to the ill-fated expedition led by her grandfather. On a quest for answers, she joins a team of archaeologists and soldiers in Egypt. Inside a mountain tomb, they've found a technologically advanced relic and a maze of tunnels. Dr. Nathan Trummel believes this tomb leads to the most guarded secrets of the pharaohs. When the explorers venture deep into the caves, they discover a hidden world of wonder and terror.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    From the author of The Beast of Barcroft comes a waking nightmare of a horror novel that’s sure to thrill readers of Stephen King and Bentley Little. Ex–Delta Force Davis Holland, now an agent for the Customs and Border Protection, has seen it all. But nothing in his experience has prepared him for what he and the local sheriff find one freezing night in the Minnesota woods. Investigating reports of an illegal border crossing, the two men stumble across a blood-drenched scene of mass murder, barely escaping with their lives . . . and a single clue to the mayhem: a small wooden chest placed at the heart of the massacre. Something deadly has entered Holland’s territory, crossing the border from nightmare into reality. When news of the atrocity reaches wealthy cryptozoologist Richard Severance, he sends a three-person team north to investigate. Not long ago, the members of that team—Ben McKelvie, Lindsay Clark, and Alex Standingcloud—were nearly killed by a vengeful shapeshifter. Now they are walking wounded, haunted by gruesome memories that make normal life impossible. But there is nothing normal about the horror that awaits in the Northwoods.

    Now, two hundred years after Mary Shelley's Frankenstein, SF-expert Lisa Yaszek presents the best of the female tradition in American science fiction, in the most comprehensive collection of its kind ever published. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone ("The Conquest of Gola," 1931), Judith Merril ("That Only a Mother," 1948), Leigh Brackett ("All the Colors of the Rainbow," 1957), Kit Reed ("The New You," 1962), Joanna Russ ("The Barbarian," 1968); Ursula K. Le Guin ("Nine Lives," 1969), and James Tiptree Jr. ("Last Flight of Dr. Ain," 1969). Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery.Contents:Introduction / Lisa Yaszek --The miracle of the lily / Clare Winger Harris --The conquest of Gola / Leslie F. Stone --The black god's kiss / C. L. Moore --Space episode / Leslie Perri --That only a mother / Judith Merril --In hiding / Wilmar H. Shiras --Contagion / Katherine Maclean --The inhabited men / Margaret St. Clair --Ararat / Zenna Henderson --All cats are gray / Andrew North --Created he them / Alice Eleanor Jones --Mr. Sakrison's halt / Mildred Clingerman --All the colors of the rainbow / Leigh brackett --Pelt / Carol Emshwiller --Car pool / Rosel George Brown --For sale, reasonable / Elizabeth Mann Borgese --Birth of a gardener / Doris Pitkin Buck --The tunnel ahead / Alice Glaser --The new you / Kit Reed --Another rib / John Jay Wells & Marion Zimmer Bradley --When I was Miss Dow / Sonya Dorman --Baby, you were great / Kate Wilhelm --The barbarian / Joanna Russ --The last flight of Dr. Ain / James Tiptree Jr --Nine lives / Ursula K Le Guin --Biographical notes.

    Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.

    Green.Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by Thomas E. Sniegoski.

    Twelve people dead, in the space of a few hours. Five murderers: neighbors, relatives, friends. All of them so normal. All of them seemingly harmless. All of them now dead by their own hand . . . except one. And that one has no answers to offer the shattered town. She doesn't even know why she killed—or whether she'll do it again.Something is waking in the sleepy town of Oleander, Kansas—something dark and hungry that lives in the flat earth and the open sky, in the vengeful hearts of upstanding citizens. As the town begins its descent into blood and madness, five survivors of the killing day are the only ones who can stop Oleander from destroying itself. Jule, the outsider at war with the world. West, the golden boy at war with himself. Daniel, desperate for a different life. Cass, who's not sure she deserves a life at all. Ellie, who believes in sacrifice, who believes in fate, who believes in evil. Ellie, who always goes too far.They have nothing in common. They have nothing left to lose. And they have no way out. Which means that they have no choice but to stand and fight, to face the darkness in their town—and in themselves.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    For fans of Michelle Paver and Sarah Waters, this gothic tale will weave its way into your imagination and chill you to the bone.Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil.Mercy Booth isn't afraid. The moors and Scarcross are her home and lifeblood. But, beneath her certainty, small things are beginning to trouble her. Three ancient coins missing from her father's study, the shadowy figure out by the gatepost, an unshakeable sense that someone is watching.When a stranger appears seeking work, Mercy reluctantly takes him in. As their stories entwine, this man will change everything. She just can't see it yet.

    Prepare to never look at your phone the same way again . . .Kate Collins has been ghosted.She was supposed to be moving in with her new boyfriend Scott, but all she finds after relocating to Brighton is an empty apartment. Scott has vanished. His possessions have all disappeared.Except for his mobile phone.Kate knows she shouldn't hack into Scott's phone. She shouldn't look at his Tinder, his calls, his social media. But she can't quite help herself.That's when the trouble starts. Strange, whispering phone calls from numbers she doesn't recognise. Scratch marks on the walls that she can't explain. And the growing feeling that she's being watched.Kate refuses to leave the apartment - she's not going anywhere until she's discovered what happened to Scott. But the deeper she dives into Scott's digital history the more Kate realises just how little she really knows about the man she loves.