This beautiful collection is the product of years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of Shakespeare's work. The editors reconsidered every detail of the text in the light of modern scholarship and they thoroughly re-examined the earliest printed versions of the plays, firmly establishing the canon and chronological order of composition. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. This superb volume also features a brief introduction to each work as well as an illuminating General Introduction. Finally, the editors have added a wealth of secondary material, including an essay on language, a list of contemporary allusions to Shakespeare, an index of Shakespearean characters, a glossary, a consolidated bibliography, and an index of first lines of the Sonnets.Compiled by the world's leading authorities, packed with information, and attractively designed, The Oxford Shakespeare is the gold standard of Shakespearean anthologies.

    Stormy Natasha's wild, fiery beauty captivates Spencer Kimball. But will the handsome single dad prove the one man capable of breaching her well-fortified heart and Taming Natasha?When rugged Zack Muldoon needs a tough, no-nonsense lawyer, Rachel's not what he has in mind— till he discovers there's more to this long-legged beauty than meets the eye.and finds himself Falling for Rachel.

    The HCSB reflects linguistic advances in vocabulary, grammar, punctuation and formatting while it retains meaningful theological terms. In the HCSB you'll find God's personal name (Yahweh), the use of "Messiah" in the New Testament, and the use of "slave" in the New Testament, just to name a few examples. Also, you'll notice the contemporary speech patterns in the HCSB mean that words like "behold" and "shall" are not used. Instead, words or phrases that are common today can be found in their place.

    Houghton Mifflin is proud to have published SELECTED POEMS, 1965-1975, a volume of selections from Atwood's poetry of that decade.

    His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    With only seven days to unwind in the sun-drenched splendor of Mexico, Carla Walker isn’t expecting to find “Mr. Right.” Then she meets Philip Garrison, and all her plans for a casual vacation fling melt away. But when Carla finds out that Philip is a cop—just like her father—she’s devastated. She’d always vowed to stay away from police officers and the tumultuous lifestyle that comes with them. Despite their chemistry, and Philip’s persistence, Carla ends the affair. Only when she returns home to Seattle does Carla realize that it hadn’t just been the tropical sun that set her blood afire; it had been Philip. Now she wants him back. But is Carla willing to sacrifice her biggest deal breaker for true love?

    In this rare volume of poetry, Aldous Huxley is characteristically, uncompromisingly erudite; yet surprisingly forceful, passionate, and erotic.

    About the experience of violence, abuse, love, loss, and femininity. It is split into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. 'milk and honey' takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    In this first volume of a series on the intricacies of military command, Clancy traces the organizational success story of the U.S. Army's rise from the slough of Vietnam to the heights of victory in the Persian Gulf. In 1972, the Army lacked proper discipline, training, weapons, and doctrine; all these would be overhauled in the next 15 years. For those readers keen on such nuts and bolts, the book will be fascinating. But the book truly sparkles when Franks tells his story. A "tanker" who lost a foot in the invasion of Cambodia, he is a man of great courage, thoughtfulness, and integrity. One cannot help but wince when a civilian tells him, "You and those boys did that for nothing." And for all the acronyms and military history, that is what this book is about: healing the wounds Vietnam inflicted. "But this time [the Gulf War], it was going to end differently. They all would see to that."In his brilliant, bestselling novels, Tom Clancy has explored the most dramatic military and security issues of our time. Now he takes readers deep into the operational art of war with this insightful look at one of America's most important military engagements in recent years: the Gulf War. Never before has the art of maneuver warfare been explored so incisively and in such rich, provocative detail. Clancy and General Frederick M. Franks, Jr.-commander of the main force that broke the back of the Republican Guard-take us deep inside the war councils and command posts and up to the front lines. They give us a war that few people really knew-and that television never showed.

    The miracle in the mundane.One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything.He fell in love.Three years and almost one thousand poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method. Chasers of the Light features some of his most insightful and beautifully worded pieces of work—poems that illuminate grand gestures and small glimpses, poems that celebrate the beauty of a life spent chasing the light.

    Limited to 2500 numbered copies

    It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen begins to settle into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.