The dramatic life of the incomparably beautiful and swashbuckling Ava Gardner--one of Hollywood's most beautiful actresses and lover of many men, from bullfighters to Frank Sinatra--by The New York Times bestselling author of ROBERT MITCHUM: Baby, I Don't Care

    Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons.Readers need not have seen The Room to appreciate its costar Greg Sestero’s account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans, The Disaster Artist is more than just an hilarious story about cinematic hubris: It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of a supremely enigmatic man who will capture your heart.

    He tells of his childhood in Ontario, where his father instilled in him a love for the written word; his first brush with mortality when he contracted polio at the age of five; struggling to pay rent during his early days with the Squires; traveling the Canadian prairies in Mort, his 1948 Buick hearse; performing in a remote town as a polar bear prowled beneath the floorboards; leaving Canada on a whim in 1966 to pursue his musical dreams in the pot-filled boulevards and communal canyons of Los Angeles; the brief but influential life of Buffalo Springfield, which formed almost immediately after his arrival in California. He recounts their rapid rise to fame and ultimate break-up; going solo and overcoming his fear of singing alone; forming Crazy Horse and writing “Cinnamon Girl,” “Cowgirl in the Sand,” and “Down by the River” in one day while sick with the flu; joining Crosby, Stills & Nash, recording the landmark CSNY album, Déjà vu, and writing the song, “Ohio;” life at his secluded ranch in the redwoods of Northern California and the pot-filled jam sessions there; falling in love with his wife, Pegi, and the birth of his three children; and finally, finding the contemplative paradise of Hawaii. Astoundingly candid, witty, and as uncompromising and true as his music, Waging Heavy Peace is Neil Young’s journey as only he can tell it.

    The biographer pays special attention to Judy Garland's evolution as an artist as well as the ties between her emotional make-up and her performance.

    As Bette Davis aged she was looking for an assistant, but she found something more than that in Kathryn: a loyal and loving buddy, a co-conspirator in her jokes and schemes, and a competent assistant whom she trained never to miss a detail. But Miss D had strict rules for Kathryn about everything from how to eat a salad to how to wear her hair...even the spelling of Kathryn's name was changed (adding the "y") per Miss D's request. Throughout their time together, the two grew incredibly close, and Kathryn had a front-row seat to the larger-than-life Davis's career renaissance in her later years, as well as to the humiliating public betrayal that nearly killed Miss D. The frame of this story is a four-day road trip Kathryn and Davis took from Biarritz to Paris, during which they disentangled their ferocious dependency. Miss D and Me is a window into the world of the unique and formidable Bette Davis, told by the person who perhaps knew her best of all.

    In this highly readable, witty and colourful autobiography, reissued by Aurum Press in B-format using the original uncensored text, Flynn reveals himself and his remarkable life as he did nowhere else.

    Despite only a year and a half of schooling, Harpo, or perhaps his collaborator, is the best writer of the Marx Brother. Highly recommended." -Library Journal "A funny, affectionate and unpretentious autobiography done with a sharply professional assist from Rowland Barber." -New York Times Book Review

    When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved--plaintive love poems, unbridled musings with youthful naiveté, and a vulnerability that she barely recognized. Before her passing, her fame as an author, actress, and pop-culture icon was indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her costar, Harrison Ford.With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of all time--and what developed behind the scenes. Fisher also ponders the joys and insanity of celebrity, and the absurdity of a life spawned by Hollywood royalty, only to be surpassed by her own outer-space royalty. Laugh-out-loud hilarious and endlessly quotable, The Princess Diarist brims with the candor and introspection of a diary while offering shrewd insight into one of Hollywood's most beloved stars.

    He came to America and grew up in Cleveland—stealing cars, rolling drunks, battling priests, nearly going to jail. He became the screenwriter of the worldwide hits Basic Instinct, Jagged Edge, and Flashdance. He also wrote the legendary disasters Showgirls and Jade. The rebellion never ended, even as his films went on to gross more than a billion dollars at the box office and he became the most famous—or infamous—screenwriter in Hollywood. Joe Eszterhas is a complex and paradoxical figure: part outlaw and outsider combined with equal parts romantic and moralist. More than one person has called him “the devil.” He has been referred to as “the most reviled man in America.” But Time asked, “If Shakespeare were alive today, would his name be Joe Eszterhas?” and he was the first screenwriter picked as one of the movie industry’s 100 Most Powerful People. Although he is often accused of sexism and misogyny, his wife is his best friend and equal partner. Considered an apostle of sex and violence, he is a churchgoer who believes in the power of prayer. For many years the ultimate symbol of Hollywood excess, he has moved his family to Ohio and immersed himself in the midwestern lifestyle he so values. Controversial, fearless, extremely talented, and totally unpredictable, the author of the best-selling American Rhapsody and National Book Award nominee Charlie Simpson’s Apocalypse has surprised us yet again: he has written a memoir like no other.On one level, Hollywood Animal is a shocking and often devastating look inside the movie business. It intimately explores the concept of fame and gives us a never-before-seen look at the famous. Eszterhas reveals the fights, the deals, the extortions, the backstabbing, and the sex, drugs, and rock’n’roll world that is Hollywood. But there are many more levels to this extraordinary work. It is the story of a street kid who survives a life filled with obstacles and pain . . . a chronicle of a love affair that is sensual, glorious, and unending . . . an excruciatingly detailed look at a man facing down the greatest enemy he’s ever fought: the cancer inside him . . . and perhaps most important, Hollywood Animal is the heartbreaking story of a father and son that defines the concepts of love and betrayal.This is a book that will shock you and make you laugh, anger you and move you to tears. It is pure Joe Eszterhas—a raw, spine-chilling celebration of the human spirit.

    Burt Reynolds has been a Hollywood leading man for six decades, known for his legendary performances, sex-symbol status, and storied Hollywood romances. In his long career of stardom, during which he was number one at the box office for five years in a row, Reynolds has seen it all. But Enough About Me will tell his story through the people he’s encountered on his amazing journey. In his words, he plans to “call out the assholes,” try to make amends for “being the asshole myself on too many occasions,” and pay homage to the many heroes he has come to love and respect. Beginning with Reynolds’s adolescence as a notable football player and the devastating car accident that ended his sports career, But Enough About Me takes readers from the Broadway stages where Reynolds got his start to his subsequent rise to fame. From Oscar nominations, to the spread in Cosmopolitan magazine that remains a notorious pop-cultural touchstone to this day, to the financial decisions that took him from rich to poor and back again, Reynolds shares the wisdom that has come from his many highs and lows. He is also ready, now more than ever, to dish. Reynolds famously romanced Dinah Shore, Sally Field, and Loni Anderson, to name only the top few; batted eyes at Bette Davis, Greta Garbo, Goldie Hawn, Farrah Fawcett, Marilyn Monroe, Candice Bergen, and so many more; went a few rounds (or more) with the likes of Donald Trump and Helen Gurley Brown; and rubbed elbows with Jon Voight, Clark Gable, Clint Eastwood, Frank Sinatra, Orson Welles, Mel Brooks, Woody Allen, and Johnny Carson, among many others. Through it all, Reynolds reflects on his personal pitfalls and recoveries and refocuses his attention on his legacy as a father and an acting teacher, leaving readers with a classic from one of Hollywood’s most enduring and treasured stars.

    What further sets him apart is his role in bringing to the screen some of the most acclaimed Oscar-winning films of our time: Apocalypse Now, One Flew Over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle are just some of the projects he green-lighted at United Artists, Orion, TriStar, his own Phoenix Pictures. "The ultimate lose-lose situation for a studio executive: to wind up with a commercial bomb and a bad movie." Of course, there are the box office disasters, and the films, as Medavoy says, "for which I should be shot." They, too, have a place in his fascinating memoir -- a pull-no-punches account of financial and political maneuvering, and of working with the industry's brightest star power, including Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Kevin Costner, Robert De Niro, Jodie Foster, Sharon Stone, Michael Douglas, Meg Ryan, and countless others. "Putting together the elements of a film is a succession of best guesses." Medavoy speaks out on how movie studio buyouts have stymied the creative process and brought an end to the "hands-off" golden age of filmmaking. An eyewitness to Hollywood history in the making, he gives a powerful and poignant view of the past and future of a world he knows intimately.

    For him, comedy was not a routine; it was a way of life. He could not enter a room unnoticed or let a conversation go without making someone laugh. Fans knew Chris as Saturday Night Live’s sweaty, swaggering, motivational speaker; as the irresistible Chippendales stripper; and as Tommy Callahan, the underdog hero of Tommy Boy. His family knew him as sensitive and passionate, deeply religious, and devoted to bringing laughter into others’ lives. But Chris did not know moderation, either in his boundless generosity toward friends or in the reckless abandon of his drug and alcohol abuse. For ten years, Chris cycled in and out of rehabilitation centers, constantly fighting his insecurities and his fears. Despite three hard-fought years of sobriety, addiction would ultimately take his life at the tragically young age of thirty-three. Fame on SNL and three straight number-one box office hits gave way to a string of embarrassing public appearances, followed by a fatal overdose in December 1997. Here is Chris Farley as remembered by his family, friends, and colleagues—the true story of a man who lived to make us laugh and died as a result. The Chris Farley Show is an evocative and harrowing portrait of a family trapped by addiction, a father forced to bury a son, and a gifted and kindhearted man ultimately torn apart by the demons inside him.

    For this part alone she has earned a lasting place in film history. She was hardly ever in a bad film or a bad play and she tried a wide range of parts - scoring notable triumphs in A Streetcar Named Desire, as a convincing Lady Macbeth and as Sabina in The Skin of our Teeth.There have been many biographies of Vivien Leigh, invariably Hollywood filmographies, most of which have been inaccurate and incomplete. Hugo Vickers approached his subject as a human being, according her the same detailed research that the readers of his Cecil Beaton and Gladys, Duchess of Marlborough have come to expect of him. He examined the previously uncharted story of Vivien Leigh's antecedents, making surprising new discoveries. He was able to bring Vivien's parents to life as real people with the help of a great number of family documents, letters and diaries, made available by Vivien's daughter for the first time. These give the first clear account of the atmosphere in which Vivien was raised.He traced the progress of her relationship with Leigh Holman, from their first meeting through the period of their engagement, marriage and divorce, and showed how they formed an important, lasting friendship, helped by the complete set of letters Vivien wrote to him between 1932 and 1967. He made extensive use of the Oswald Frewen diaries, an essential source not only on that marriage but on Vivien's elopement with Laurence Olivier and their subsequent adventures.Hugo Vickers also examined Vivien's film and stage career, writing of her as a person and not as the 'property' of a film company or a name on a contract. He examined her films and drawing on a great number of interviews with famous figures of the stage, he recreated her part in the life of English theatre in the 1940s and 1950s. An important feature of the book is, of course, her love for Laurence Olivier and their twenty year marriage, so much of it made difficult by recurring bouts of tuberculosis and manic depression. Hugo Vickers, drawing on many hours of conversation with her devoted friend, the actor John Merivale, explained how Vivien re-established her life after the divorce.Vivien Leigh emerges as a more real and more intelligent person than in previous accounts, a spirited and courageous actress brought down by ill-health.

    Flush with the success of 'In Cold Blood', he decided to throw a masked ball in honor of 'Washington Post' publisher Katharine Graham at New York's Plaza Hotel. This book chronicles the preparation leading up to the party and, in detail, captures the drama and excitement of the ball itself.

    At eighteen, she met Tod Hostetter at a local dance, having no idea that the mercurial charmer she would impulsively wed was heir to one of the wealthiest families in America. But when he died twelve years later, Allene packed her bags for New York City. Never once did she look back.From the vantage point of the American upper class, Allene embodied the tumultuous Gilded Age. Over the course of four more marriages, she weathered personal tragedies during World War I and the catastrophic financial reversals of the crash of 1929. From the castles and châteaus of Europe, she witnessed the Russian Revolution and became a princess. And from the hopes of a young girl from Jamestown, New York, Allene Tew would become the epitome of both a pursuer and survivor of the American Dream.