Then they became the Trümmerfrauen, or Rubble Women, as they cleared and tidied their ruined country to get it back on its feet. They were Germany's heroines. The few women tried and convicted after the war were simply the evil aberrations - the camp guards, the female Nazi elite - that proved this rule.However, Wendy Lower's research into the very ordinary women who went out to the Nazi Eastern Front reveals an altogether different story. For ambitious young women, the emerging Nazi empire represented a kind of Wild East of career and matrimonial opportunity. Over half a million of them set off for these new lands, where most of the worst crimes of the Reich would occur.Through the interwoven biographies of thirteen women, the reader follows the transformation of young nurses, teachers, secretaries and wives who start out in Weimar and Nazi Germany as ambitious idealists and end up as witnesses, accomplices and perpetrators of the genocide in Ukraine, Poland and Belarus. Hitler's Furies presents overwhelming evidence that the women in these territories actively participated in the mass murder - and some became killers. In the case of women like Erna Petri, who brought her family to her husband's impressive Polish SS estate, we find brutality as chilling as any in history.Hitler's Furies is indelible proof that we have not known what we need to know about the role of women in the Nazi killing fields - or about how it could have been hidden for seventy years. It shows that genocide is women's business as well as men's and that, in ignoring women's culpability, we have ignored the reality of the Holocaust.

    It begins in 2010 and moves backward and forward in time, from the present day to twentieth-century Poland, France, Germany, England, and America, ending in the courtroom of the Palace of Justice at the International Military Tribunal in Nuremberg in 1945. The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University, welcomed as the first international law academic to give a lecture there on such subjects in fifty years. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were. As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life and of his flight first to Vienna and then to Paris, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each of whom had come to be considered the finest international legal mind of the twentieth century, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world. In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals. And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps. Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia and Lemberg, among them, the families of the author’s grandfather as well as those of Lemkin and Lauterpacht. A book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder. Powerful; moving; tender; a revelation.

    But more than that, it is a coming to terms with the conflicts that disrupted many families, inflicting personal wounds that were also social, political, and religious. James Carroll grew up in a Catholic family that seemed blessed. His father Joe had abandoned his own dream of becoming a priest to rise through the ranks of Hoover's FBI and then become one of the most powerful men in the Pentagon, the founder of the Defense Intelligence Agency. Young Jim lived the privileged life of a general's son, dating the daughter of a vice president and meeting the pope, all in the shadow of nuclear war, waiting for the red telephone to ring in his parents' house. He worshiped his father until Martin Luther King, Jr., the civil rights movement, turmoil in the Catholic Church, and then Vietnam combined to outweigh the bond between father and son. These were issues on which they would never agree. Only after Carroll left the priesthood to become a writer and husband with children of his own did he come to understand fully the struggles his father had faced. In this work of nonfiction, the bestselling novelist draws on the skills he honed with nine much-admired novels to tell the story he was, literally, born to tell. An American Requiem is a benediction on his father's life, his family's struggles, and the legacies of an entire generation.

    He takes us into the tragic world imposed on him that robbed him of his childhood. The depth of the tragedy, strength of courage and power of survival will move you and inspire you.Contrary to assertions that the Holocaust years were a mere ‘detail of history’, Arek Hersh gives us a glimpse into the greatest catastrophe that man has ever inflicted on his fellow man.

    The whole is moving, and strange beyond belief." --The Times (London)International acclaim for Solomon Perel's Europa Europa"The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth."It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." --Glasgow Herald"Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." --Book Report"Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." --London Jewish News"A most remarkable story . . . extraordinary." --The Australian"This book will move human hearts." --Berliner Morgenpost

    Topf and Sons designed and built the crematoria at the concentration camps at Auschwitz-Birkenau, Buchenwald, Belzec, Dachau, Mauthausen, and Gusen. At its height, 66 Topf triple muffle ovens were in operation--46 of which were at Auschwitz.These were not Nazi sadists, but men who were playboys and the sons of train conductors. They were driven not by ideology, but by love affairs, personal ambition, and bitter personal rivalries. Even while their firm created the ultimate human killing and disposal machines, their company sheltered Nazi enemies from the death camps. The intense conflagration of their very ordinary motives created work that surpassed in inhumanity even the demands of the SS.But the company that achieved this spectacularly evil feat of engineering typify the banality of evil. In the 1930s their family firm produced apparatus for all sorts of industries--baking, brewing, the firing of ceramics. Ovens for crematoria accounted for only a small proportion of their business, but it is for these that the Topf brothers became infamous. Their name can still be seen stamped on the iron furnaces of Auschwitz.

    The barn was then set on fire. Anyone attempting to escape, or found in hiding, was quickly killed.The story soon spread that the massacre was organised and executed by Nazi paramilitary forces. It seemed to fit. Similar atrocities had taken place in nearby villages – although none of this scale. But the truth was very different. Over the course of the twentieth century fragments of the real story began to surface. It emerged that the perpetrators of the act were in fact the Polish villagers, who, on one afternoon, turned on and killed their Jewish neighbours. But why?Part history, part memoir, part detective story, The Crime and the Silence is an award-winning journalist’s account of the events of July 1941: the true story of the massacre, a portrait of a town coming to terms with its dark past, and a vital contribution to Holocaust literature.

    Slomo Venezia was born into a poor Jewish-Italian community living in Thessaloniki, Greece. At first, the occupying Italians protected his family; but when the Germans invaded, the Venezias were deported to Auschwitz. His mother and sisters disappeared on arrival, and he learned, at first with disbelief, that they had almost certainly been gassed. Given the chance to earn a little extra bread, he agreed to become a 'Sonderkommando', without realising what this entailed. He soon found himself a member of the 'special unit' responsible for removing the corpses from the gas chambers and burning their bodies.Dispassionately, he details the grim round of daily tasks, evokes the terror inspired by the man in charge of the crematoria, 'Angel of Death' Otto Moll, and recounts the attempts made by some of the prisoners to escape, including the revolt of October 1944.It is usual to imagine that none of those who went into the gas chambers at Auschwitz ever emerged to tell their tale - but, as a member of a 'Sonderkommando', Shlomo Venezia was given this horrific privilege. He knew that, having witnessed the unspeakable, he in turn would probably be eliminated by the SS in case he ever told his tale. He survived: this is his story. Published in association with the United States Holocaust Memorial Museum.

    This is the story of 732 of those Jews--all under the age of sixteen in 1945. It is the story of what they lost, of what they, as children, suffered, and, most of all, of what they overcame. Robbed of their childhoods, orphaned by violence and bestiality, they ought to have become sociopaths. Instead, they rebuilt their lives and dedicated them to the memory of those who were not as lucky. Told in their voices, The Boys bears witness to the power of the human spirit.

     Cold and starving, threatened with rape by the same Russian soldiers who were her saviors, Riva makes her way to her old home in Poland, searching like so many others for family who may have survived. Strengthened by her mother's credo, as long as there is life, there is hope, and by the promise of a new love and a new life, Riva endures the long years of waiting for real freedom and a real home. Picking up where her acclaimed memoir The Cage leaves off, Ruth Minsky Sender has written another inspirational document of the power of hope and love over unspeakable cruelty.

     By the May 1918 there were over one million American troops stationed in France and making their way to the frontlines under the leadership of General John J. Pershing. World War One had been a stalemate for the previous three years as both sides had become bogged down in trench warfare. The impact that the American Expeditionary Force made to the outcome of the First World War can never be underestimated. By the summer of 1918 American troops were providing the knockout blow in a series of fierce battles, such as at Château-Thierry, Belleau Wood, Saint-Mihiel and Argonne Forest. Although the American Expeditionary Forces had been inexperienced at 1917, by the end of the war Pershing had shaped it into a modern, efficient, and combat-tested army. Indeed, in the last of offensive of the war, known as the Meuse-Argonne Offensive, Pershing commanded his men to break-out of the confines of trench warfare and succeeded in recovering over 200 square miles of French territory from the German army. Pershing’s brilliant account of this period My Experiences in the World War was a Pulitzer Prize Winner for History in 1932 and should be essential reading for anyone interested in the American involvement of the First World War. The first volume of the memoir covers the period from Pershing’s selection as commander of the A. E. F. through to the 1918 German Spring Offensive. The second volume follows on from this and covers all of the A. E. F.’s major engagements through until their victory parade in Paris in November 1918. These two volumes have been combined and sold as one book to commemorate the centenary of the end of World War One. John J. Pershing served as the commander of the American Expeditionary Force on the Western Front in World War One. He asserted that the American forces should not be incorporated into other Allied armies but would operate as a separate unit. He was the only American to be promoted in his own lifetime to General of the Armies rank, the highest possible rank in the United States Army. His book My Experiences in the World War was first publishing in New York in 1931. He passed away in 1948.

    Raised Catholic, Cordelia Edvardson had little in common with her fellow inmates, some of whom despised her as a "German swine." Singled out for punishment, she was selected to act as a secretary for the monstrous "angel of Auschwitz," Josef Mengele. Impressionistic and naïve, Edvardson's third-person memoir retains a highly effective childlike quality ("she had learned that anything can happen, no matter what and no matter when, and for inexplicable reasons") that holds even in the most horrifying episodes. After World War II ended, Edvardson moved to Sweden, where this book was first published. She then converted to Judaism and moved to Israel.

    The Third Reich has been studied in more depth than virtually any other period in history, and yet until now there has been no history of the camp system that tells the full story of its broad development and the everyday experiences of its inhabitants, both perpetrators and victims, and all those living in what Primo Levi called "the gray zone." In KL, Wachsmann fills this glaring gap in our understanding. He not only synthesizes a new generation of scholarly work, much of it untranslated and unknown outside of Germany, but also presents startling revelations, based on many years of archival research, about the functioning and scope of the camp system. Examining, close up, life and death inside the camps, and adopting a wider lens to show how the camp system was shaped by changing political, legal, social, economic, and military forces, Wachsmann produces a unified picture of the Nazi regime and its camps that we have never seen before. A boldly ambitious work of deep importance, KL is destined to be a classic in the history of the twentieth century.

    His writing exposes and illumines the wounds that Nazi destructiveness left on language. John Felstiner's sensitive and accessible book is the first critical biography of Celan in any language. It offers new translations of well-known and little-known poems—including a chapter on Celan's famous "Deathfugue"—plus his speeches, prose fiction, and letters. The book also presents hitherto unpublished photos of the poet and his circle.Drawing on interviews with Celan's family and friends and his personal library in Normandy and Paris, as well as voluminous German commentary, Felstiner tells the poet's gripping story: his birth in 1920 in Romania, the overnight loss of his parents in a Nazi deportation, his experience of forced labor and Soviet occupation during the war, and then his difficult exile in Paris. The life's work of Paul Celan emerges through readings of his poems within their personal and historical matrix. At the same time, Felstiner finds fresh insights by opening up the very process of translating Celan's poems.To present this poetry and the strain of Jewishness it displays, Felstiner uncovers Celan's sources in the Bible and Judaic mysticism, his affinities with Kafka, Heine, Hölderlin, Rilke, and Nelly Sachs, his fascination with Heidegger and Buber, his piercing translations of Shakespeare, Dickinson, Mandelshtam, and Apollinaire. First and last, Felstiner explores the achievement of a poet surviving in his mother tongue, the German language that had passed, Celan said, "through the thousand darknesses of deathbringing speech."

    His possession of a few dental tools and rudimentary skills saved his life. Jacobs helped assemble V1 and V2 rockets in Buchenwald and Dora-Mittelbau; spent a year and a half in Auschwitz, where he was forced to remove gold teeth from corpses; and survived the RAF attack on three ocean liners turned prison camps in the Bay of Lubeck. This is