Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away.Borrowing from biography and history, Jane Gardam has written a literary masterpiece reminiscent of Rudyard Kipling's Baa Baa, Black Sheep that retraces much of the twentieth century's torrid and momentous history. Feathers' childhood in Malaya during the British Empire's heyday, his schooling in pre-war England, his professional success in Southeast Asia and his return to England toward the end of the millennium, are vantage points from which the reader can observe the march forward of an eventful era and the steady progress of that man, Sir Edward Feathers, Old Filth himself, who embodies the century's fate. Old Filth was nominated for the 2005 Orange Prize.

    When his father for the first time finally tells the story of the horrific disaster he has carried with him so long, it leads the two men to reconsider each other.Meanwhile, Noah's own struggle to make a life with an absent father has found its real reward in his relationship with his sagacious wife, Natalie, whose complications with infertility issues have marked her husband's life in ways he only fully realizes as the reconciliation with his father takes shape.Peter Geye has delivered an archetypal story of a father and son, of the tug and pull of family bonds, of Norwegian immigrant culture, of dramatic shipwrecks and the business and adventure of Great Lakes shipping in a setting that simply casts a spell over the characters as well as the reader.

    A twelve-year-old boy writes an essay which inadvertently uncovers a secret from World War II: a secret of a boat adrift on a moonless night, and a treacherous act of kindness. His discovery unleashes a chain of events that rips a close community apart, turning neighbour against neighbour, friend against friend.The boy′s corner of the world has been spared the destruction that ravaged Europe and Asia, but beneath the surface bitter memories and old enmities run deep. The war is over but, as the boy discovers, it is far from done with.Remember Me compellingly evokes the hopes and hardships of the post-war world, and examines what can happen in a close, cosy community when the world comes knocking at the door ... and how redemption may lie in the most unlikely hands.

    It is the haunting tale of a young boy growing up in a catholic household, seeing things he shouldn't and struggling to cope. The book appears to be domestic in scope and provincial in vision, but by the end of the novel, the reader has encountered murder, and witnessed the warping of a promising mind and the destruction of a family. In this deceptively modest masterpiece, the cruelty beneath society's surface is revealed, all the more devastingly so through the ordinariness of the location.

    The grown-ups fight, steal, get drunk, get arrested, and then give you a hard time for taking drugs.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    Now, years later, his life suddenly is altered by two events: he becomes a juror in a murder trial for the brutal killing of a Buddhist monk, and he takes on as a pupil a Korean boy whose brilliant musicianship reminds him of his own past.

    No one can hear her, just us boys. We're the dead Finnegans – Ma, Thomas, Ben and me.Ten-year-old John Finnegan can't leave his garden. Ever since they were murdered he, his brothers and his ma have been stuck there, caught between the worlds of the living and the dead. Unseen and unnoticed, he watches the events after his life unfold – including the actions of his murderer.James Stack is born dirt-poor on an Irish tenant farm and the great famine shadows his childhood. But his clever sister's lace making may save the family – until Aileen is sent to the other side of the world on a convict ship. To save her, James joins the redcoats and follows her across dangerous waters to a hopeful new land. But can he ever leave the death and hunger of his homeland behind?Based on the 1865 Otahuhu murders, Purgatory is a startling, gripping novel from an immensely talented new author.

    This book will equally deepen the awareness of clinicians and enlighten the lay reader. It is a gift to both.' Donald M. Berwick, MD, MPPIn this highly articulate, down-to-earth, generous book, Dr David Galler tells stories of life and death from his position as Intensive Care specialist at Middlemore Hospital. Written lyrically and warmly, these stories are based on real life events describing the everyday dilemmas and challenges that doctors and patients commonly face.It aims to explain and demystify much of the work doctors do, cast light on the workings of the medical establishment and how medicine operates, in the hope that it will encourage patients to seek to be better informed and play a greater role in the decisions that will affect them and their loved ones.It speaks to the resilience of individuals and families and their extraordinary generosity and dignity under the most extreme pressure. This book is about realistic optimism and is a celebration of life.It is also a very personal story about David Galler's life, his family and about his own slow coming of age as a doctor, from the sadness and helplessness he felt about his father's death to at last feeling that he was of some use to his most important patient, his mother.

    Michael Holme is a violinist, a member of the successful Maggiore Quartet. He has long been haunted, though, by memories of the pianist he loved and left ten years earlier, Julia McNicholl. Now Julia, married and the mother of a small child, unexpectedly reenters his life and the romance flares up once more. Against the magical backdrop of Venice and Vienna, the two lovers confront the truth about themselves and their love, about the music that both unites and divides them, and about a devastating secret that Julia must finally reveal. With poetic, evocative writing and a brilliant portrait of the international music scene, An Equal Music confirms Vikram Seth as one of the world's finest and most enticing writers.

    The rare bird's tragic extinction in the early 1900s represents a shot to the heart of Aotearoa and is a potent metaphor for a country's conflicted history. Using the story of the untimely extinction of the huia, Jay Ruka offers a fresh perspective on the narrative of Aotearoa; a tale of two cultures, warring worldviews, and the things we lost in translation. Revisiting the early missionaries, the transformative message of the gospel and the cultural missteps of the Treaty of Waitangi, Huia Come Home invites us to reconnect with the unique story offered by the indigenous Maori lens. In relearning the history that lies in the soil of Aotearoa, we might just find a shared hope for the future and a recovery of national treasures once thought to be extinct.

    The distinctive old rock meetinghouse with its gabled slate roof, stained glass windows, and parquet-floored recreational hall had a personality of its own, and the many heartwarming, humorous, and life-changing activities that took place there helped shape Neal's perception of the world. But the overriding influence in those years was Neal's modest father, Harold Rogers, whose selfless sacrifices in behalf of his family, church, and country only later became fully evident to Neal.In a nostalgic description that calls to mind Norman Rockwell's famous illustrations, the author takes us back to a simpler time in American history and lovingly recalls an unassuming father whose greatness was demonstrated 'in small, simple, sturdy good deeds, repeated over and over again.'

    At work on a novel that is overdue to her publisher, spending long days alone with her restless terrier, corresponding ardently with fellow writers, the novel's narrator grows obsessed with the challenge of writing the present tense, of capturing time itself. Entranced by the work of Rilke, Dürer, Chantal Akerman, and others, she photographs the residents and strays of her neighborhood, haunts bookstores and galleries, and records her thoughts in a yellow notebook that soon subsumes her work on the novel. As winter closes in, a series of disturbances—the appearances and disappearances of enigmatic figures, the burglary of her apartment—leaves her distracted and uncertain . . . until an intense and tender disruption changes everything.A story of artistic ambition, personal crisis, and the possibilities and failures of literature, Drifts is a dramatic step forward for one of our most daring writers.

    It's odd when I think of the arc of my life, from child to young woman to aging adult. First I was who I was. Then I didn't know who I was. Then I invented someone, and became her. Then I began to like what I'd invented. And finally I was what I was again. It turned out I wasn't alone in that particular progression. As she did in her beloved New York Times columns, and in A Short Guide to a Happy Life, Quindlen says for us here what we may wish we could have said ourselves. Using her past, present, and future to explore what matters most to women at different ages, Quindlen talks aboutMarriage: "A safety net of small white lies can be the bedrock of a successful marriage. You wouldn't believe how cheaply I can do a kitchen renovation."Girlfriends: "Real friends offer both hard truths and soft landings and realize that it's sometimes more important to be nice than to be honest." Our bodies: "I've finally recognized my body for what it is, a personality-delivery system, designed expressly to carry my character from place to place, now and in the years to come. It's like a car, and while I like a red convertible or even a Bentley as well as the next person, what I really need are four tires and an engine."Parenting: "Being a parent is not transactional. We do not get what we give. It is the ultimate pay-it-forward: We are good parents, not so they will be loving enough to stay with us, but so they will be strong enough to leave us." From childhood memories to manic motherhood to middle age, Quindlen uses the events of her own life to illuminate our own. Along with the downsides of age, she says, can come wisdom, a perspective on life that makes it both satisfying and even joyful. So here's to lots of candles, plenty of cake.