She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    He can buckle down and set about his agricultural recovery, or he can heed the whispers of an earthly paradise on the far side of the mountains – a place where men are truly free – and strike out for a new life. But what chance does a ditherer such as Sparrow have of renewal, either in the brutal colony or in the forbidding wilderness?The decision he makes triggers a harrowing chain of events and draws in a cast of extraordinary characters, including Alister Mackie, the chief constable on the river; his deputy, Thaddeus Cuff; the vicious hunter, Griffin Pinney; the Romany girl, Bea Faa; and the young Aboriginal men, Caleb and Moowut’tin, caught between war and peace.Rich, raw, strangely beautiful and utterly convincing, The Making of Martin Sparrow reveals Peter Cochrane – already one of our leading historians – as one of our most compelling novelists.

    Her clothing suggests she comes from a wealthy family, but Lottie's back bears the scars of a severe beating, and how she came to be on a cargo ship in the first place remains a mystery . . . Arnie and his wife already have two young children, Matt and Tom, but are desperate to keep Lottie. They decide to foster her, despite outcries from the local community, and though Matt appears hesitant to get close to Lottie, Tom quickly warms to the new sister in his life. But when tragedy strikes the very heart of the Lanroska family, the repercussions could change the lives of everyone close to them . . .A nostalgic and heart-warming family saga, perfect for fans of Katie Flynn and Margaret Dickinson

    Set against a backdrop - the Australian coast - as randomly and imminently violent as it is beautiful, The Rip reveals the fragility of relationships between husbands and wives, children and parents, friends and lovers. You will find yourself set down in a modern Garden of Eden with a disgraced Adam seeking his Eve; sharing the fears of a small boy in a coastal classroom as a tsunami approaches; in an English gaol cell with an Australian surfer on drug charges; watching an American film scout confront his masculinity on a Pacific island; and witnessing a middle-aged farmer contemplating murdering the hippie who stole his wife. Written in a variety of moods, always compassionate, wry and razor-sharp, these dazzling stories are crafted with all the weight and resonance of Drewe's longer fiction as well as the incisive wit, passion and pathos of his Australian classic, The Bodysurfers.

    But when the baby dies of natural causes while under her roof, and knowing her neighbour will be devastated, Minnie swaps it with one of the infants in her care.Now seventeen, Jewel Nightingale knows nothing of her true origins. But assaulted by her hateful cousin and making the dreadful discovery that she is pregnant, she faces a desperate dilemma. Fleeing her job as a domestic maid, she follows an advertisement to a house in Bolton's dark slums, where a woman promises to help her when the child is born. Little does Jewel know that there’s a terrible price to pay . . .Can she keep herself – and her baby – safe? And what will happen when Jewel discovers the truth about where she came from? Gritty and page-turning historical saga set in Northern England in the late 1800s, perfect for fans of Dilly Court and Rosie Goodwin.

    Determined to solve the mystery of her birth and the reason why she was bequeathed the hotel Belle runs into difficulties with the townsfolk and their desire to keep their secrets safe.Sixty years later Sophie Matheson is on a quest to find Belle and her family after discovering the wedding dress. The Sweet Wattle Creek Centenary brings more challenges when her past catches up and she must fight for all that matters to her. Who were Belle and Martha and what links their lives together?

    While she has made a happy life for herself since moving to Broome, she's never told her friends there why she divorced her husband, nor why she made the heartbreaking decision to return home to Australia, leaving her son behind in France. Jean-Luc's yearly visits to the Kimberley are her happiest periods, matched only by her sadness each time their annual reunions end.Jacqui's tranquil existence is about to be disrupted. A charming filmmaker's flattering attention reminds her that it might be time to put the past behind her. A childhood acquaintance who appears in Broome irritates her just as much as he did when they were young. And the community she has come to love threatens to tear itself apart when a proposed mining development forces people to take sides. Jacqui is faced with difficult choices on all fronts. She wants to do the right thing, but how can she know what the right thing is?

    When Poppy arrives, she finds a disturbing undercurrent in Isobel and husband Kit’s relationship, then accidentally uncovers a terrible secret.Against the backdrop of a verdant 1920s Tuscany, Poppy’s own journey into love is overshadowed by the insanity of a war long-ended, and a desire for revenge that, with tragic consequences, inevitably damages the innocent… Perfect for readers of Rosanna Ley and Lucinda Riley, and brimming with atmosphere, this is an enthralling and dramatic story of romance, war and jealousy. ‘A writer of great skill and vitality’ Sarah Harrison‘A moving, passionate and treacherous tale’ Essex Chronicle‘A wonderful storyteller’ Daily Mail

    But Terry's life is shaken beyond recognition when he falls obsessively in love with Danielle Kabbel, the daughter of his employer, Rudi Kabbel. Rudi, a half-mad/half-charming immigrant from Eastern Europe, suffers from visions of an impending apocalypse and from the demons of a tormented childhood.The family madness runs deep, from the Kabbel family patriarch, Stanek, a Nazi collaborator who betrayed his wife to save his own neck, to Rudi's traumatic childhood in which he was a pawn between the Nazis and the Russians. It is into this maelstrom of devastating history and present day insanity that Terry is drawn--to his own desperate peril.

    Heart - warming and compulsive reading, this is an entertaining, lively and moving novel from one of New Zealand's favourite authors.

    Luke Carman’s first book of fiction is about to change all that: a collection of monologues and stories which tells it how it is on Australia’s cultural frontier. His young, self-conscious but determined hero navigates his way through the complications of his divorced family, and an often perilous social world, with its Fobs, Lebbos, Greek, Serbs, Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman and Kerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has an imaginary friend called Tom. His sensitivity in a tough environment makes life difficult for him – he is anything but an elegant young man. Carman’s style is packed with thought and energy: it captures the voices of the street, and conveys fear and anger, beauty and affection, with a restless intensity.

    Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    But when a passenger plane is shot down by a stinger missile, the ghosts of a past conflict return to haunt him, and Sean is again forced into the cauldron of war.

    Orphaned at age nine, at home under the stars, completely unschooled, Adam uses his fists and his wits to rise from poverty to prosperity. He befriends an aborigine, performs dangerous work in the opal mines, falls in love with a sensual half-caste, has a run-in with a murderous policeman, marries a cold and manipulative beauty and finally treks west to carve himself an empire. This striking first novel tells a colorful and entertaining story, vividly evoking a vigorous, multiethnic society and a beautiful, diverse, often dangerous land. Green is a journalist and the author of Alice to Nowhere. Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library JournalNine-year old Adam is orphaned when his father is buried during an Australian desert sandstorm. A childhood of roaming the outback with his father's drilling partner instills in him a fierce determination to have a place of his own. In this fast-paced, gripping saga, the reader follows the hard-working Adam and his mates, Jimmy, the practical aboriginal, and Josef, the impetuous young German immigrant, from the opal mines to the desert. They feint with death in mine disasters, at the hands of Mailey, the revenge-seeking law officer, and in the ravages of flash floods. A more deadly threat for Adam is his beautiful, calculating, near-mad wife, but a seductive half-caste woman lends her own type of danger to all of the men. Essential for most fiction collections. Joan Hinkemeyer, Englewood P.L., Col.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’