Animals turn within ten days. For humans, twelve hours to twelve months. The government cannot let anyone out of the hot zone. The media cannot tell the public. Coastal Wilmington, North Carolina stands at the crosshairs. Authorities assert the crazies popping up all over town are on a new designer street drug. The drug-users look and act like frenzied infected zombies from movies. Over five days, a cast of Millennials and war vet GenXers experience their world of normalcy infiltrated. For former Ranger Staff Sergeant Peter Sullivan, it’s a good thing. War is what he does best. But for doctoral candidate Phebe Marcelino, it’s a descent into a hell of kill or be killed. Phebe and two other civilians must band together with a group of war vets led by Peter to battle their way out before death or contagion overtakes them. EXTINCTION LEVEL EVENT, Book One, Contagion and Black Hawk Down meet 28 Weeks Later. Warning: This novel contains violence, horror imagery, and adult language.

    The planet is further paralyzed by a wicked winter storm blanketing everything under several feet of snow and ice. For those who survive it is only the beginning of their nightmare as bodies of the missing begin falling from the sky. Captain Austin Reynolds, lone survivor of his military unit, sets out on a cross country trek in search of his pregnant wife. Upon vague instructions from General Roth he heads for Cheyenne Mountain where he hopes to find answers and his wife. Along the way he meets up with other survivors who join in his quest.As the survivors make their way to the mountain, it becomes apparent humans are no longer the fittest on the planet and the fight for survival may be their last.

    Find out what happens to Josh's family when the zombie apocalypse shambles into Savannah, Georgia! Will thirteen year old CJ understand what is going on? Will he believe it? Will his family get out of the city alive? Added bonus! Two FREE chapters of A New Death included!

    Universal Studios Monsters: A Legacy of Horror explores all of these enduring characters, chronicling both the mythology behind the films and offering behind-the-scenes insights into how the films were created. Universal Studios Monsters is the most complete record of the horror films of this legendary studio, with biographies of major personalities who were responsible for the most notable monster melodramas in film history. The stories of these films and their creators are told through interviews with surviving actors and studio employees. A lavish photographic record, including many behind-the-scenes shots, completes the story of how these classics were made. This is a volume no fan of imaginative cinema will want to be without.

     But when Wilson takes an intense interest in Oliver's writing and his genre stories of dragons, aliens, and spies, things get weird. Oliver’s stories don’t just need to be finished: they insist on it. With the help of Minerva, Wilson’s girlfriend, Oliver has to find the connection between reality, fiction, the mythical Cydonian Kingdom, and the non-mythical nightclub called M Pallas. That is, if he can survive the alien invasion, the ghosts, and the fact that he thinks he might be in love with Minerva. Unfiction is a wild ride through the collision of science fiction, fantasy, thriller, horror and romance. It's what happens when one writer's fiction interferes with everyone's reality. Unfiction is the latest novel from Gene Doucette, the bestselling author of The Spaceship Next Door.

    In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film.As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good.From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.

    Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.

    Millions of people lost their lives but for those who remained, the fight for their lives had only just begun. No one could have been prepared for the disastrous events that followed The Reset. As those who remained worked to find a way to survive amid the destruction, others began a quest to take control of what was left. The race to survival is on, but in the end, will anyone win? Flood is the first book in the new page-turning, natural disaster survival series by Kellee L. Greene.

    I, Zombie is a comedy horror short story from Nick Spalding (writing as Clive Bonnet) about the thinking dead! It is featured in his fantasy novel "The Cornerstone".

    Romero's 2008 release Diary of the Dead this thorough, uproarious guide traces the evolution of one of horror cinema's most popular and terrifying creations. Fans will learn exactly what makes a zombie a zombie, go behind the scenes with a chilling production diary from Land of the Dead, peruse a bizarre list of the oddest things ever seen in undead cinema, and immerse themselves in a detailed rundown of the 25 greatest zombie films ever made. Containing an illustrated zombie rating system, ranging from "Highly Recommended" to "Avoid at All Costs" and "So Bad It's Good," the book also features lengthy interviews with numerous talents from in front of and behind the camera.Features chronological reviews of more than 300 zombie films.

    She’s taking him somewhere safe. In the forest ahead lies a house full of children like him—children whose parents have been diagnosed like her. Mentally ill. The Cradle—a government organization hellbent on eradicating the condition—believe they have the ultimate solution. Like any other disease, they seek to quarantine it. Entire families ripped apart and placed in asylums. Total removal from the gene pool, they say. For the future of humanity… Now Emmett can’t decide what’s more frightening: this new home where he’ll supposedly be safe, hidden from The Cradle and its horrific reputation… …or the ideas in his mother’s head which led them there in the first place.

    This comprehensive, chronological film guide summarizes the 101 most important horror movies ever produced, from the 1922 silent classic Nosferatu to the low-budget, 1999 Sundance Film Festival hit, The Blair Witch Project. General editor Stephen Jay Schneider presents film summaries, reviews from a wide array of critics, cast and credit lists, and film production notes. The book's 200 illustrations include unforgettable still shots from the movies as well as iconic film posters. Horror film buffs who open this book will renew their chilling memories of Hitchcock thrillers like Psycho and The Birds, revisit Dr. Frankenstein's castle with Boris Karloff, haunt the sewers of Paris with Lon Chaney's Phantom of the Opera, and recall Anthony Hopkins' most chilling role in The Silence of the Lambs. 101 Horror Movies is international in scope, and covers films from Japan, Russia, Italy, Germany, France, and Australia. Fans of horror movies will want to see all 101 films before they die--and they'll also want to own this entertaining and informative book.

    A flu-like plague that infected thousands and killed roughly ten percent of its victims. Those who died awoke once again, but they were no longer among the living--they came back as soulless carnivorous corpses who desired only one thing: to feed on living human flesh. As the infection spread, across Europe and the rest of the globe, cities were overwhelmed. Nations fell. Humanity flickered like a candle flame in the wind. In the United States: the nation's great cities are becoming hunting grounds. New York, Washington, Chicago, Los Angeles...all are falling victim to hordes of shambling dead who want only one thing: to devour the living. Single Tree, California is a small resort town in Inyo County. Between Los Angeles and Las Vegas, it's easy to overlook. And that's exactly what the citizens of Single Tree want, for the stenches and those fleeing them to ignore the town long enough for it to be transformed into a desert fortress at the foot of Mount Whitney. But time is not on their side. Not only do they have to worry about the dead... they have to fear the living.

    Please note that this is not a comedic story.Content Warning: Profanity, Cannibalism (Is it still cannibalism if it's a zombie eating a human?), Gore (Just a little, it comes with the cannibalism)

    For nearly forty years, the films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This study proves that Romero's films, like apocalyptic literature or Dante's Commedia, go beyond the surface experience of repulsion to probe deeper questions of human nature and purpose, often giving a chilling and darkly humorous critique of modern, secular America.